Difference between revisions of "Earthdiving"
| Line 16: | Line 16: | ||
[[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | [[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | ||
| + | |||
| + | [[Ivan Meredith]]. 2006. 'Opera in South Africa during the first democratic decade'. Unpublished Masters thesis. [[University of Cape Town]]. | ||
== Return to == | == Return to == | ||
Revision as of 20:02, 26 February 2025
Earthdiving or earthdiving is a techno-opera composed by Mokale Koapeng with Péter Louis van Dijk and Martin Phipps, and with text by Nancy Duigud and Nan Hamilton.
Contents
The original text
The text interweaves Greek mythology — specifically the myth of Demeter and Pluto — with Khoisan ritual and beliefs.
Translations and adaptations
Performance history in South Africa
2003: Presented by Cape Town Opera at Spier (7–15 March), directed by Nancy Duiguid and Nan Hamilton. Set design by Sarah Calburn, costumes by Black Coffee. With the Cape Philharmonic Orchestra conducted by Xandi van Dijk. Featuring Ntombizodumo Mahlaba, Philisa Sibeko, Mandlenkosi Mhkize, Abel Moeng, and the Cape Town Opera chorus, under Daniel Mestre.
Sources
Guy Willoughby. 'Bravo!'. Mail and Guardian. 20 October 2006.
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
Ivan Meredith. 2006. 'Opera in South Africa during the first democratic decade'. Unpublished Masters thesis. University of Cape Town.
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page