Difference between revisions of "ESAT Bibliography Lew-Lim"
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
| − | + | ==The list== | |
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[[J.H. Lewis|Lewis, J.H.]] 1980. ''[[Germanicus]]'' as tragiese held. ''[[Tydskrif vir Letterkunde]]'', 18(3):133-138. | [[J.H. Lewis|Lewis, J.H.]] 1980. ''[[Germanicus]]'' as tragiese held. ''[[Tydskrif vir Letterkunde]]'', 18(3):133-138. | ||
| − | [[J.H. Lewis|Lewis, J.H.]] 1984. ''[[Jaar van die | + | [[J.H. Lewis|Lewis, J.H.]] 1984. ''[[Die Jaar van die Vuuros ]]'' ([[W.A. de Klerk]]). ''[[Tydskrif vir Letterkunde]]'', 22(4):136-149. |
[[Janine Lewis|Lewis, Janine]] 2010. Physical actions as expressive performance narratives: a self-reflexive journey. ''[[South African Theatre Journal]]'', 24:175-200. | [[Janine Lewis|Lewis, Janine]] 2010. Physical actions as expressive performance narratives: a self-reflexive journey. ''[[South African Theatre Journal]]'', 24:175-200. | ||
| + | |||
| + | [[Janine Lewis|Lewis, Janine]] 2012. rend[h]er: warping fairytales as contemporary cultural search for feminine identity in a South African performance. ''[[South African Theatre Journal]]'', 26(3):246-258. | ||
[[Megan Lewis|Lewis, Megan]] 1998. Standard Bank [[National Arts Festival]]. ''Theatre Journal'', 50(1):105-107. | [[Megan Lewis|Lewis, Megan]] 1998. Standard Bank [[National Arts Festival]]. ''Theatre Journal'', 50(1):105-107. | ||
| − | [[Megan Lewis|Lewis, Megan]] & [[Denise A. Walen|Walen, Denise A.]] 2000. Performance review. ''Theatre Journal'', 52(2):280. | + | [[Megan Lewis|Lewis, Megan]] & [[Denise A. Walen|Walen, Denise A.]] 2000. Performance review (Inclusion of the play ''[[Johnny Cockroach]]'', by [[Breyten Breytenbach]], directed by [[Marthinus Basson]]; `Dedale,' performed by the [[Philippe Genty Company]]; ''[[A Woman in Waiting]]'', by [[Thembi Mtshali]]). ''Theatre Journal'', 52(2):280. |
[[Megan Lewis|Lewis, Megan]] 2008a. Past, present, and future: a tense South Africa performs. ''PAJ: A Journal of Performance & Art'', 30(89):93-101. | [[Megan Lewis|Lewis, Megan]] 2008a. Past, present, and future: a tense South Africa performs. ''PAJ: A Journal of Performance & Art'', 30(89):93-101. | ||
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[[Megan Lewis|Lewis, Megan]] 2010. South Africa’s [[National Arts Festival]]. ''Theatre Journal'', 62(2):275-280. | [[Megan Lewis|Lewis, Megan]] 2010. South Africa’s [[National Arts Festival]]. ''Theatre Journal'', 62(2):275-280. | ||
| − | [[Lewis | + | [[Megan Lewis|Lewis, Megan]] 2016. ''Performing Whitely in the Postcolony. Afrikaans in South African Theatrical Life''. Iowa City: Iowa University Press. |
| + | |||
| + | [[Megan Lewis|Lewis, Megan]] and [[Anton Krueger|Krueger, Anton]] (eds.) 2016. ''[[Magnet Theatre]]: Three Decades of Making Space''. Bristol, UK : Pretoria : Intellect ; UNISA, University of South Africa Press. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, D.J.]] 1981. ''Believing and seeing: symbolic meanings in southern San rock painting''. London: Academic Press. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, D.J.]] 1990. ''Discovering southern African rock art''. Cape Town: David Philip. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, D.J.]] and Blundell, G., 1998. ''Fragile heritage: a rock art fieldguide''. Johannesburg: University of the Witwatersrand Press. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, D.J.]] and Clottes, J., 1998. ''The Shamans of prehistory: trance magic and the painted caves''. New York: Abrams. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, D.J.]] and Dowson, T.A., 1999. ''Images of power: understanding San rock art''. (Second Edition). Johannesburg: Southern Book Publishers. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, D.J.]] 2000. ''Stories that float from afar: further specimens of 19th Century Bushman folklore''. Cape Town: David Philip Publishers. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, D.J.]] 2002. ''A cosmos in stone: interpreting religion and society through rock art''. Walnut Creek, California: Altamira Press. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, D.J.]] 2002. ''The Mind In The Cave: Consciousness And The Origins Of Art''. London: Thames & Hudson. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, D.J.]] 2003. ''Images of Mystery''. Cape Town: Double Storey. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, D.J.]] and Pearce, D.G., 2004. ''San Spirituality: Roots, Expressions and Social Consequences''. Cape Town: Double Storey. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, D.J.]] and Pearce, D.G., 2005. ''Inside the Neolithic Mind: Consciousness, Cosmos, and the Realm of the Gods''. London: Thames & Hudson. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, D.J.]] 2010. ''Conceiving God: The Cognitive Origin and Evolution of Religion''. London: Thames & Hudson. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, David]] 2011. ''San Rock Art''. Johannesburg: [[Jacana Media]]. | ||
| + | |||
| + | [[David Lewis-Williams|Lewis-Williams, David]] and [[Sam Callis|Challis, Sam]]. 2011. ''Deciphering Ancient Minds: The Mystery of San Bushman Rock Art''. London: Thames & Hudson. | ||
| + | |||
| + | Leyshon, Robert 1999. “Laughing in the beginning and listening at the end.”: directing [[Athol Fugard|Fugard]] in Barbados, in [[Marcia Blumberg|Blumberg, Marcia]] & [[Dennis Walder|Walder, Dennis]] (eds.). ''South African Theatre as/and Intervention''. Amsterdam: Rodopi. 75-81. | ||
[[M. Libin|Libin, M.]] 2003. Can the subaltern be heard? Response and responsibility in South Africa’s human spirit. ''Textual Practice'', 17(1):119-140. | [[M. Libin|Libin, M.]] 2003. Can the subaltern be heard? Response and responsibility in South Africa’s human spirit. ''Textual Practice'', 17(1):119-140. | ||
| Line 42: | Line 76: | ||
[[Susan Lieberman|Lieberman, Susan]] 1985. Jumping into madness: South Africa’s [[Market Theatre]] against Apartheid. ''Theatre Crafts'', 19(8):38-41, 57-61. | [[Susan Lieberman|Lieberman, Susan]] 1985. Jumping into madness: South Africa’s [[Market Theatre]] against Apartheid. ''Theatre Crafts'', 19(8):38-41, 57-61. | ||
| − | Liefhebber | + | Liefhebber (pseud.) 1956. Afrikaanse toneel: kom ons praat reguit. ''Helikon'', 6(23):66-69. |
[[J. Lieskounig|Lieskounig, J.]] 1985. Act it out! : theatrical scenes for language teaching in conversation classes. ''Journal for Language Teaching'', 19(2):11-16. | [[J. Lieskounig|Lieskounig, J.]] 1985. Act it out! : theatrical scenes for language teaching in conversation classes. ''Journal for Language Teaching'', 19(2):11-16. | ||
| Line 52: | Line 86: | ||
[[E. Lilley|Lilley, E.]] 1979. Founding of the [[South African Association for Drama and Youth Theatre]]. ''Crux'', 13(3):8-9. October. | [[E. Lilley|Lilley, E.]] 1979. Founding of the [[South African Association for Drama and Youth Theatre]]. ''Crux'', 13(3):8-9. October. | ||
| − | + | ==Return to== | |
Latest revision as of 08:58, 1 November 2024
Click on the appropriate letters of the alphabet in the sub-list below.
L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
To return to any other letter, click on the list below
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Return to A Bibliography of South African South African Theatre and Performance
The list
Lewis, C. 1972. Yiddish theatre. Jewish Affairs, 27(5):31-32. May.
Lewis, J.H. 1980. Germanicus as tragiese held. Tydskrif vir Letterkunde, 18(3):133-138.
Lewis, J.H. 1984. Die Jaar van die Vuuros (W.A. de Klerk). Tydskrif vir Letterkunde, 22(4):136-149.
Lewis, Janine 2010. Physical actions as expressive performance narratives: a self-reflexive journey. South African Theatre Journal, 24:175-200.
Lewis, Janine 2012. rend[h]er: warping fairytales as contemporary cultural search for feminine identity in a South African performance. South African Theatre Journal, 26(3):246-258.
Lewis, Megan 1998. Standard Bank National Arts Festival. Theatre Journal, 50(1):105-107.
Lewis, Megan & Walen, Denise A. 2000. Performance review (Inclusion of the play Johnny Cockroach, by Breyten Breytenbach, directed by Marthinus Basson; `Dedale,' performed by the Philippe Genty Company; A Woman in Waiting, by Thembi Mtshali). Theatre Journal, 52(2):280.
Lewis, Megan 2008a. Past, present, and future: a tense South Africa performs. PAJ: A Journal of Performance & Art, 30(89):93-101.
Lewis, Megan 2008b. (Un)patriotic acts of an imagined community: the Klein Karoo Nasional Kunstefees (KKNK). Theatre Journal, 60(4):654-659.
Lewis, Megan 2010. South Africa’s National Arts Festival. Theatre Journal, 62(2):275-280.
Lewis, Megan 2016. Performing Whitely in the Postcolony. Afrikaans in South African Theatrical Life. Iowa City: Iowa University Press.
Lewis, Megan and Krueger, Anton (eds.) 2016. Magnet Theatre: Three Decades of Making Space. Bristol, UK : Pretoria : Intellect ; UNISA, University of South Africa Press.
Lewis-Williams, D.J. 1981. Believing and seeing: symbolic meanings in southern San rock painting. London: Academic Press.
Lewis-Williams, D.J. 1990. Discovering southern African rock art. Cape Town: David Philip.
Lewis-Williams, D.J. and Blundell, G., 1998. Fragile heritage: a rock art fieldguide. Johannesburg: University of the Witwatersrand Press.
Lewis-Williams, D.J. and Clottes, J., 1998. The Shamans of prehistory: trance magic and the painted caves. New York: Abrams.
Lewis-Williams, D.J. and Dowson, T.A., 1999. Images of power: understanding San rock art. (Second Edition). Johannesburg: Southern Book Publishers.
Lewis-Williams, D.J. 2000. Stories that float from afar: further specimens of 19th Century Bushman folklore. Cape Town: David Philip Publishers.
Lewis-Williams, D.J. 2002. A cosmos in stone: interpreting religion and society through rock art. Walnut Creek, California: Altamira Press.
Lewis-Williams, D.J. 2002. The Mind In The Cave: Consciousness And The Origins Of Art. London: Thames & Hudson.
Lewis-Williams, D.J. 2003. Images of Mystery. Cape Town: Double Storey.
Lewis-Williams, D.J. and Pearce, D.G., 2004. San Spirituality: Roots, Expressions and Social Consequences. Cape Town: Double Storey.
Lewis-Williams, D.J. and Pearce, D.G., 2005. Inside the Neolithic Mind: Consciousness, Cosmos, and the Realm of the Gods. London: Thames & Hudson.
Lewis-Williams, D.J. 2010. Conceiving God: The Cognitive Origin and Evolution of Religion. London: Thames & Hudson.
Lewis-Williams, David 2011. San Rock Art. Johannesburg: Jacana Media.
Lewis-Williams, David and Challis, Sam. 2011. Deciphering Ancient Minds: The Mystery of San Bushman Rock Art. London: Thames & Hudson.
Leyshon, Robert 1999. “Laughing in the beginning and listening at the end.”: directing Fugard in Barbados, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 75-81.
Libin, M. 2003. Can the subaltern be heard? Response and responsibility in South Africa’s human spirit. Textual Practice, 17(1):119-140.
Lickindorf, Elisabeth 1987. The verse music of Suzman’s Orhello. Shakespeare in Southern Africa, 1:69-71.
Liebenberg, Rozelle 1977. Prinsipes van die kinderdrama in Suid-Afrika. Unpublished honour’s essay. Pretoria: University of Pretoria.
Lieberfeld, Daniel 1997. Pieter-Dirk Uys: crossing apartheid lines. The Drama Review, 41(1):61-71.
Lieberman, Susan 1985. Jumping into madness: South Africa’s Market Theatre against Apartheid. Theatre Crafts, 19(8):38-41, 57-61.
Liefhebber (pseud.) 1956. Afrikaanse toneel: kom ons praat reguit. Helikon, 6(23):66-69.
Lieskounig, J. 1985. Act it out! : theatrical scenes for language teaching in conversation classes. Journal for Language Teaching, 19(2):11-16.
Lighting the stage: a guide to the type of equipment available and its location in the theatre. 1986. Scenaria, (61):35-37.
Lijphart-Bezuidenhout, T. 1972. Onderveldse dorpstonele. Standpunte, 25(4):8-21. April.
Lilley, E. 1979. Founding of the South African Association for Drama and Youth Theatre. Crux, 13(3):8-9. October.
Return to
Click on the appropriate letters of the alphabet in the sub-list below.
L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
