Difference between revisions of "Loren Kruger"
| (13 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
[[Loren Kruger]] (1958-) is an academic and theatre historian who as worked extensively on South African theatre. | [[Loren Kruger]] (1958-) is an academic and theatre historian who as worked extensively on South African theatre. | ||
| − | Also publishes as [[Loren A. Kruger]] | + | Also publishes as '''[[Loren A. Kruger]]''' |
== Biography == | == Biography == | ||
| − | Born in South Africa, educated in Johannesburg and at the University of Cape Town (BA Honours). | + | Born in South Africa, educated in Johannesburg and at the [[University of Cape Town]] (BA Honours), [[Loren Kruger]] is an academic, writer and translator based in Chicago. |
| − | Further education: MA and Ph.D. at Cornell University (1986) and study at the Institut d'études théâtrales at the University of Paris III (funded by Cornell) and at the Institut für | + | Further education: MA and Ph.D. in Comparative Literature at Cornell University (1986) and study at the Institut d'études théâtrales at the University of Paris III (funded by Cornell) and at the Institut für Theaterwissenschaft Free University of Berlin (funded by DAAD). She was Professor of English, Comparative Literature, Theater and Performance Studies and African Studies at the University of Chicago from 1986 to 2024. |
| − | Her focus is on literature and visual culture in South Africa, and drama and performance in English, French, German and Spanish across Africa, the African diaspora, the Americas, and Europe. | + | Her focus is on literature and visual culture in South Africa, and drama and performance in English, French, German and Spanish across Africa, the African diaspora, the Americas, and Europe. Her research in South Africa and elsewhere has been supported by the Deutscher Academischer Austauschdienst (DAAD), the Fulbright Foundation, the National Endowment for the Humanities (US), and the Universities of Chicago and the Witwatersrand |
| − | She was the editor of ''Theatre Journal'' (1996-99) and has served on the editorial boards of ''Theatre Research International'', the ''South African Theatre Journal'', ''Theatre Survey'', ''Modern Drama'', ''Scrutiny2'', and ''The South African Media Journal''. Affiliated with the Committees of African Studies, Cinema and Media Studies, and Theater and Performance Studies as well as the Departments of Comparative Literature and German in Chicago. | + | She was the editor of ''Theatre Journal'' (1996-99) and has served on the editorial boards of ''Theatre Research International'', the ''[[South African Theatre Journal]]'', ''Theatre Survey'', ''Modern Drama'', ''[[Scrutiny2]]'', and ''[[The South African Media Journal]]''. Affiliated with the Committees of African Studies, Cinema and Media Studies, and Theater and Performance Studies as well as the Departments of Comparative Literature and German in Chicago. |
Author of numerous books, articles and translations | Author of numerous books, articles and translations | ||
| Line 18: | Line 18: | ||
==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | Her best known '''books''' on South African theatre and | + | Her best known '''books''' on South African theatre and culture are: |
| + | ''A Century of South African Theatre'' (Bloomsbury 2020) ''The Drama of South Africa: Plays, Pageants and Publics Since 1910'' (Routledge, 1999);''Post-Imperial Brecht'' (Cambridge, 2004), which won the Scaglione Prize for Comparative Literature awarded by the the Modern Language Association (USA), ''Imagining the Edgy City: Writing, Performing and Building Johannesburg'' (Oxford, 2013) . She has also edited ''Lights & Shadows. The autobiography of [[Leontine Sagan]]'' (Witwatersrand University Press, 1996), | ||
| + | |||
| + | Translations of academic works include: | ||
| + | |||
| + | ''Theatre at the Crossroads of Culture'' by Patrice Pavis ([[Routledge]] 1991), and from German ''The institutions of art'' by Peter and Christa Bürger (University of Nebraska Press) | ||
| + | |||
| + | ''Beyond the Internationale: Revolutionary writings by Eugène Pottier, Communard'' (a selection of works by the author of the ''Internationale'', edited and translated by Kruger, Chicago: Charles H Kerr, 2024) | ||
'''Articles''' include: | '''Articles''' include: | ||
| + | |||
| + | "Theatre and Capital Once Again," ''Theatre Journal 75: 4 (2023 anniversary issue): 389-97 | ||
| + | |||
| + | "Black Irony: Modernism, Mimicry and African America in the Drama of Lewis Nkosi" ''Research in African Lituratures 54: 1 (2023), 1-17 | ||
| + | |||
| + | "Brechtian Theatre and the Glocal South" ''UNITAS 95: 2 (2022: centennial issue): 114-35 | ||
| + | |||
| + | "Performance, Politics and Historiography: American Responses to the Paris Commune," ''Pamietnik Teatralny 70: 4 (2021: special issue on historiography): 79-100 | ||
| + | |||
| + | "performance and politics in a time of confinement: virtual stages between South Africa and Afrian America." ''Critical Stages'' no. 23 (2021) | ||
| + | |||
| + | "Glocal South Sides: Race, Capital and Performing Against injustice in Chicago and Johannesburg," ''Theatre Journal'' 72: 4 (2020), 469-85 | ||
"Cape Town and the Sustainable City in the Writing of Henrietta Rose-Innes" ''Journal of Urban Cultural Studies'' 2:1-2 (2015), 15-33 | "Cape Town and the Sustainable City in the Writing of Henrietta Rose-Innes" ''Journal of Urban Cultural Studies'' 2:1-2 (2015), 15-33 | ||
| Line 32: | Line 51: | ||
"Theatre: Regulation, Resistance and Recovery," in ''Cambridge History of South African Literature'' (2012) | "Theatre: Regulation, Resistance and Recovery," in ''Cambridge History of South African Literature'' (2012) | ||
| − | "'Black Atlantics,' 'White Indians,' and 'Jews': Locations, Locutions, and Syncretic Identities in the Fiction of Achmat Dangor and others," ''South Atlantic Quarterly'' 100: 1 (2001 special issue: Atlantic Genealogies): 111-43 | + | "'Black Atlantics,' 'White Indians,' and 'Jews': Locations, Locutions, and Syncretic Identities in the Fiction of Achmat Dangor and others," ''South Atlantic Quarterly'' 100: 1 (2001 special issue: Atlantic Genealogies): 111-43. This article is available in South Africa in Scrutiny2 vol. 7, no.2 (2002): 34-50 |
"'Shoo—this book makes me to think!': Education, Entertainment, and 'Life-Skills Comics' in South Africa," (with Patricia Watson Shariff) ''Poetics Today'' 22: 2 (2001): 475-513 (South Africa in the Global Imaginary: CELJ prize for best special issue in 2001) | "'Shoo—this book makes me to think!': Education, Entertainment, and 'Life-Skills Comics' in South Africa," (with Patricia Watson Shariff) ''Poetics Today'' 22: 2 (2001): 475-513 (South Africa in the Global Imaginary: CELJ prize for best special issue in 2001) | ||
Writing as [[Loren A. Kruger]], "[[Lara Foot]]", published in [[Martin Middeke]], [[Peter Paul Schnierer]] and [[Greg Homann]] (editors). ''The Methuen Drama Guide to Contemporary South African Theatre''. London: Bloomsbury Publishing. | Writing as [[Loren A. Kruger]], "[[Lara Foot]]", published in [[Martin Middeke]], [[Peter Paul Schnierer]] and [[Greg Homann]] (editors). ''The Methuen Drama Guide to Contemporary South African Theatre''. London: Bloomsbury Publishing. | ||
| − | |||
See also Bibliography section for publications on South African theatre) | See also Bibliography section for publications on South African theatre) | ||
| − | (TH) | + | (TH/LK) |
== Sources == | == Sources == | ||
| Line 48: | Line 66: | ||
https://english.uchicago.edu/faculty/loren-kruger | https://english.uchicago.edu/faculty/loren-kruger | ||
| + | |||
| + | https://en.wikipedia.org/wiki/Loren_Kruger | ||
| + | |||
| + | https://charleshkerr.com/books/beyond-the-internationale-by-loren-kruger/ | ||
| + | |||
| + | https://www.bloomsbury.com/us/century-of-south-african-theatre-9781350008021/ | ||
| + | |||
| + | https://www.critical-stages.org/23/performance-and-politics-in-a-time-of-confinement-virtual-stages-between-south-africa-and-african-america/ | ||
https://www.oxford.co.za/book/9780199321902-imagining-the-edgy-city-writing-performing-and-building-johannesburg-h-writing-performing-and-building-johannesburg | https://www.oxford.co.za/book/9780199321902-imagining-the-edgy-city-writing-performing-and-building-johannesburg-h-writing-performing-and-building-johannesburg | ||
Latest revision as of 06:01, 22 August 2024
Loren Kruger (1958-) is an academic and theatre historian who as worked extensively on South African theatre.
Also publishes as Loren A. Kruger
Contents
Biography
Born in South Africa, educated in Johannesburg and at the University of Cape Town (BA Honours), Loren Kruger is an academic, writer and translator based in Chicago.
Further education: MA and Ph.D. in Comparative Literature at Cornell University (1986) and study at the Institut d'études théâtrales at the University of Paris III (funded by Cornell) and at the Institut für Theaterwissenschaft Free University of Berlin (funded by DAAD). She was Professor of English, Comparative Literature, Theater and Performance Studies and African Studies at the University of Chicago from 1986 to 2024.
Her focus is on literature and visual culture in South Africa, and drama and performance in English, French, German and Spanish across Africa, the African diaspora, the Americas, and Europe. Her research in South Africa and elsewhere has been supported by the Deutscher Academischer Austauschdienst (DAAD), the Fulbright Foundation, the National Endowment for the Humanities (US), and the Universities of Chicago and the Witwatersrand
She was the editor of Theatre Journal (1996-99) and has served on the editorial boards of Theatre Research International, the South African Theatre Journal, Theatre Survey, Modern Drama, Scrutiny2, and The South African Media Journal. Affiliated with the Committees of African Studies, Cinema and Media Studies, and Theater and Performance Studies as well as the Departments of Comparative Literature and German in Chicago.
Author of numerous books, articles and translations
Contribution to SA theatre, film, media and/or performance
Her best known books on South African theatre and culture are: A Century of South African Theatre (Bloomsbury 2020) The Drama of South Africa: Plays, Pageants and Publics Since 1910 (Routledge, 1999);Post-Imperial Brecht (Cambridge, 2004), which won the Scaglione Prize for Comparative Literature awarded by the the Modern Language Association (USA), Imagining the Edgy City: Writing, Performing and Building Johannesburg (Oxford, 2013) . She has also edited Lights & Shadows. The autobiography of Leontine Sagan (Witwatersrand University Press, 1996),
Translations of academic works include:
Theatre at the Crossroads of Culture by Patrice Pavis (Routledge 1991), and from German The institutions of art by Peter and Christa Bürger (University of Nebraska Press)
Beyond the Internationale: Revolutionary writings by Eugène Pottier, Communard (a selection of works by the author of the Internationale, edited and translated by Kruger, Chicago: Charles H Kerr, 2024)
Articles include:
"Theatre and Capital Once Again," Theatre Journal 75: 4 (2023 anniversary issue): 389-97
"Black Irony: Modernism, Mimicry and African America in the Drama of Lewis Nkosi" Research in African Lituratures 54: 1 (2023), 1-17
"Brechtian Theatre and the Glocal South" UNITAS 95: 2 (2022: centennial issue): 114-35
"Performance, Politics and Historiography: American Responses to the Paris Commune," Pamietnik Teatralny 70: 4 (2021: special issue on historiography): 79-100
"performance and politics in a time of confinement: virtual stages between South Africa and Afrian America." Critical Stages no. 23 (2021)
"Glocal South Sides: Race, Capital and Performing Against injustice in Chicago and Johannesburg," Theatre Journal 72: 4 (2020), 469-85
"Cape Town and the Sustainable City in the Writing of Henrietta Rose-Innes" Journal of Urban Cultural Studies 2:1-2 (2015), 15-33
"Africa Thina: Xenophobic and Cosmopolitan Agency in Johannesburg's Film and Television Drama," Journal of Southern African Studies 35 (2009)
"White Cities, Diamond Zulus and the African Contribution to Human Advancement: African Modernities at the World's Fairs," TDR 51 (3) 2007: 19-45
“From the Cape of Good Hope: South African Drama and Performance in the Age of Globalization,” Theatre Journal 64 (1) 2012: 119-27
"Theatre: Regulation, Resistance and Recovery," in Cambridge History of South African Literature (2012)
"'Black Atlantics,' 'White Indians,' and 'Jews': Locations, Locutions, and Syncretic Identities in the Fiction of Achmat Dangor and others," South Atlantic Quarterly 100: 1 (2001 special issue: Atlantic Genealogies): 111-43. This article is available in South Africa in Scrutiny2 vol. 7, no.2 (2002): 34-50
"'Shoo—this book makes me to think!': Education, Entertainment, and 'Life-Skills Comics' in South Africa," (with Patricia Watson Shariff) Poetics Today 22: 2 (2001): 475-513 (South Africa in the Global Imaginary: CELJ prize for best special issue in 2001)
Writing as Loren A. Kruger, "Lara Foot", published in Martin Middeke, Peter Paul Schnierer and Greg Homann (editors). The Methuen Drama Guide to Contemporary South African Theatre. London: Bloomsbury Publishing.
See also Bibliography section for publications on South African theatre)
(TH/LK)
Sources
https://complit.uchicago.edu/faculty/kruger
https://english.uchicago.edu/faculty/loren-kruger
https://en.wikipedia.org/wiki/Loren_Kruger
https://charleshkerr.com/books/beyond-the-internationale-by-loren-kruger/
https://www.bloomsbury.com/us/century-of-south-african-theatre-9781350008021/
Go to the ESAT Bibliography
Return to
Return to ESAT Personalities K
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
