Difference between revisions of "Pro Musica Opera Company"
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(Redirected page to Roodepoort Civic Theatre) Tag: New redirect |
(Removed redirect to Roodepoort Civic Theatre) Tag: Removed redirect |
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| − | + | [[Pro Musica Opera Company]] | |
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| + | ==History== | ||
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| + | the theatre was involved in pioneering work regarding opera in South Africa. Der Freischütz (Weber), Die Lustigen Weiber von Windsor (Nicolai) and Romeo et Juliette (Gounod) had their South African debuts in the Roodepoort Civic Theatre, as had Fidelio (Beethoven). | ||
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| + | ==Sources== | ||
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| + | https://creativefeel.co.za/2022/07/the-glamour-of-great-opera-for-all-in-joburg/ | ||
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| + | Hilde Roos. 2012. 'Indigenisation and history: how opera in South Africa became South African opera'. [[Acta Academica]] Supplementum. 2012(1). | ||
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| + | Go to [[ESAT Bibliography]] | ||
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| + | == Return to == | ||
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| + | Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]] | ||
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| + | Return to [[The ESAT Entries]] | ||
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| + | Return to [[Main Page]] | ||
Revision as of 12:32, 21 July 2024
History
the theatre was involved in pioneering work regarding opera in South Africa. Der Freischütz (Weber), Die Lustigen Weiber von Windsor (Nicolai) and Romeo et Juliette (Gounod) had their South African debuts in the Roodepoort Civic Theatre, as had Fidelio (Beethoven).
Sources
https://creativefeel.co.za/2022/07/the-glamour-of-great-opera-for-all-in-joburg/
Hilde Roos. 2012. 'Indigenisation and history: how opera in South Africa became South African opera'. Acta Academica Supplementum. 2012(1).
Go to ESAT Bibliography
Return to
Return to South African Theatre Venues, Companies, Societies, etc
Return to The ESAT Entries
Return to Main Page
