Difference between revisions of "Guerilla Theatre"
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==The concept== | ==The concept== | ||
| − | Henry Lesnick (1973) has broadly defined this theatrical form as "a radical political theater performed in the streets, in the schools, in shopping centers, outside plant gate - anywhere people gather." Though it apparently emerged strongly in the United States in the wake of the McCarthyist era in American politics and culture, it has also manifested itself in various ways across the ages and across the globe. | + | Henry Lesnick (1973) has broadly defined this theatrical form as "a radical political theater performed in the streets, in the schools, in shopping centers, outside plant gate - anywhere people gather." Though it apparently emerged strongly in the United States in the wake of the McCarthyist era in American politics and culture, it has has in fact also manifested itself in various ways across the ages and across the globe - though rarely under that name. |
Often simply a version of what is widely known as [[Street Theatre]], the form is sometimes also referred to as [[Guerilla Street Theatre]] or, in America, [[Guerilla Street Theater]]. | Often simply a version of what is widely known as [[Street Theatre]], the form is sometimes also referred to as [[Guerilla Street Theatre]] or, in America, [[Guerilla Street Theater]]. | ||
| + | Among the many influential American practitioners of the guerilla theater have been El Teatro Campesino, Bread and Puppet Theater, Rapid Transport Guerilla Communication Chicago), San Francisco Red Theater, The American Playground, San Francisco Women's Theater, Burning City Theater (New York) and San Francisco Mime Troupe. | ||
| + | ==South African examples== | ||
| + | Practitioners: [[Brett Bailey]] and the [[Third World Bunfight]]; | ||
| − | == | + | Events: ''[[Infecting the City]]'' festival, Cape Town |
| + | |||
| + | == Sources == | ||
| − | + | R.G. Davis. 1966. Guerrilla Theatre In: ''The Tulane Drama Review'', Vol. 10, No. 4 (Summer, 1966), pp. 130-136. | |
Henry Lesnick (ed). 1973. ''Guerilla Street Theater''. New York, Bard Books. | Henry Lesnick (ed). 1973. ''Guerilla Street Theater''. New York, Bard Books. | ||
| + | https://en.wikipedia.org/wiki/Guerrilla_theatre | ||
Go to [[ESAT Bibliography]] | Go to [[ESAT Bibliography]] | ||
Latest revision as of 11:49, 10 June 2024
Guerilla Theatre (or Guerilla Theater) is an alternative theatrical form
The concept
Henry Lesnick (1973) has broadly defined this theatrical form as "a radical political theater performed in the streets, in the schools, in shopping centers, outside plant gate - anywhere people gather." Though it apparently emerged strongly in the United States in the wake of the McCarthyist era in American politics and culture, it has has in fact also manifested itself in various ways across the ages and across the globe - though rarely under that name.
Often simply a version of what is widely known as Street Theatre, the form is sometimes also referred to as Guerilla Street Theatre or, in America, Guerilla Street Theater.
Among the many influential American practitioners of the guerilla theater have been El Teatro Campesino, Bread and Puppet Theater, Rapid Transport Guerilla Communication Chicago), San Francisco Red Theater, The American Playground, San Francisco Women's Theater, Burning City Theater (New York) and San Francisco Mime Troupe.
South African examples
Practitioners: Brett Bailey and the Third World Bunfight;
Events: Infecting the City festival, Cape Town
Sources
R.G. Davis. 1966. Guerrilla Theatre In: The Tulane Drama Review, Vol. 10, No. 4 (Summer, 1966), pp. 130-136.
Henry Lesnick (ed). 1973. Guerilla Street Theater. New York, Bard Books.
https://en.wikipedia.org/wiki/Guerrilla_theatre
Go to ESAT Bibliography
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