Difference between revisions of "You Fool, How Can the Sky Fall?"
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First staged a year after the first democratic elections in South Africa, this play deals head-on with the political challenges that face a new democracy. It takes a look at corruption in government, pretentious, self-important cabinet ministers and a democracy that degenerates into dictatorship in a fictitious African country. Described as “a cutting political satire on the antics of a post-revolutionary government that is intentionally close to home … full of sly reference to the new elite and their round table manners.” (''Sunday Times'', 5 February 1995) | First staged a year after the first democratic elections in South Africa, this play deals head-on with the political challenges that face a new democracy. It takes a look at corruption in government, pretentious, self-important cabinet ministers and a democracy that degenerates into dictatorship in a fictitious African country. Described as “a cutting political satire on the antics of a post-revolutionary government that is intentionally close to home … full of sly reference to the new elite and their round table manners.” (''Sunday Times'', 5 February 1995) | ||
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| + | The full text published in the collection ''[[Fools, Bells and the Habit of Eating: Three Satires]]'' by [[Wits University Press]] (2002). | ||
== Performance history in South Africa == | == Performance history in South Africa == | ||
Revision as of 06:41, 16 April 2024
by Zakes Mda (1995). Published in Fools, Bells & the Habit of Eating by Wits University Press.
Contents
Subject
First staged a year after the first democratic elections in South Africa, this play deals head-on with the political challenges that face a new democracy. It takes a look at corruption in government, pretentious, self-important cabinet ministers and a democracy that degenerates into dictatorship in a fictitious African country. Described as “a cutting political satire on the antics of a post-revolutionary government that is intentionally close to home … full of sly reference to the new elite and their round table manners.” (Sunday Times, 5 February 1995)
The full text published in the collection Fools, Bells and the Habit of Eating: Three Satires by Wits University Press (2002).
Performance history in South Africa
Premièred at the Windybrow Theatre in February 1995, directed by Peter Se-Puma, with Anton Dekker, Gamakhulu Diniso, Ernest Ndlovu, Theresa Iglich, Themba Ndaba and Darrell Rosen. The same production was staged at the Grahamstown Festival in 1995.
Translations and adaptations
Sources
See: [Van Heerden (2008)][1]. p 194.
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