Difference between revisions of "Hennie Aucamp"
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| − | (1934- | + | [[Hennie Aucamp]] (1934-2014) [https://en.wikipedia.org/wiki/Hennie_Aucamp] was an academic and prolific and highly regarded writer of [[Afrikaans]] short stories, poetry, cabarets, plays, sketches, lyrics. |
== Biography == | == Biography == | ||
| − | Born Hendrik Christoffel Lourens Aucamp on 20 Januarie 1934 in the Eastern Cape town of Dordrecht, raised on the farm Rust-mijn-ziel on the Stormberg highlands, in the district of Jamestown, where he also went to school and matriculated in 1951. He began writing stories when nine years old, publishing in a variety of journals for the youth, and his first in an adult journal (''[[Die Huisgenoot]]'') in his matriculation year. | + | Born [[Hendrik Christoffel Lourens Aucamp]] on 20 Januarie 1934 in the Eastern Cape town of Dordrecht, raised on the farm Rust-mijn-ziel on the Stormberg highlands, in the district of Jamestown, where he also went to school and matriculated in 1951. He began writing stories when nine years old, publishing in a variety of journals for the youth, and his first in an adult journal (''[[Die Huisgenoot]]'') in his matriculation year. |
He was an enthusiastic, immensely well read and articulate individual, with a wide reaching interest in all the arts, and a prolific writer in many literary forms. | He was an enthusiastic, immensely well read and articulate individual, with a wide reaching interest in all the arts, and a prolific writer in many literary forms. | ||
| Line 19: | Line 19: | ||
| − | Between 1959-1962 he taught in Stellenbosch, Jamestown, Cradock and Rondebosch, twice also acting as temporary lecturer in the Education Department at the [[University of Stellenbosch]]. He would later become a permanent lecturer and professor in the faculty of Education at the same university, also teaching creative writing skills - remaining there till his retirement in ***. | + | Between 1959-1962 he taught at high schools in Stellenbosch, Jamestown, Cradock and Rondebosch, twice also acting as temporary lecturer in the Education Department at the [[University of Stellenbosch]]. He would later become a permanent lecturer and professor in the faculty of Education at the same university, also teaching creative writing skills - remaining there till his retirement in ***. |
=== Literary career === | === Literary career === | ||
| Line 28: | Line 28: | ||
==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
| − | He initially wrote a few of short plays, including ''[[Die Appel]]'' (written at 16), | + | He initially wrote a few of short plays, including ''[[Die Appel]]'' (written at 16), ''[[Tussen Twee Treine]]'' (1970), ''[[Jan Blom Dans ‘n Mazurka]]'', ''[[Die Kis]]'' (1974), ''[[Blomtyd is Bloeityd]]'', ''[[Sjampanje]]'' 1988), ''[[Vyf Blikkies Boeliebief - 'n Stormbergse Kersherinnering]]'' (). |
However, his most important contribution to South African theatre must be his espousal of [[Kabaret]] (the [[Afrikaans]] versions of the pre-war German, French and Dutch political [[Cabaret|cabaret]]) as a vehicle for resistance and protest among [[Afrikaans]] writers. He was particularly influenced by the Weimar period and the work of [[Bertolt Brecht]] and wrote quite a substantial body of theory around his notions of the cabaret - or [[Kabaret]] as he calls it. | However, his most important contribution to South African theatre must be his espousal of [[Kabaret]] (the [[Afrikaans]] versions of the pre-war German, French and Dutch political [[Cabaret|cabaret]]) as a vehicle for resistance and protest among [[Afrikaans]] writers. He was particularly influenced by the Weimar period and the work of [[Bertolt Brecht]] and wrote quite a substantial body of theory around his notions of the cabaret - or [[Kabaret]] as he calls it. | ||
| + | |||
| + | His work has often also been dramatised for stage, radio and TV, interalia in programmes such as ''[[Hennie Aucamp: Kortverhale en Eenakters]]'' ("Hennie Aucamp: Short Stories and One-act Plays", assembled and directed by [[Marie van Heerden]]). | ||
His texts in this regard still remain some of the prime examples of the genre and many of them were developed and produced in the 1980s, often in association with [[Herman Pretorius]] of the [[University of Stellenbosch Drama Department]] - and have been seminal in establishing the genre and influencing a large number of other writers, and many of the songs have become classic Afrikaans chansons. | His texts in this regard still remain some of the prime examples of the genre and many of them were developed and produced in the 1980s, often in association with [[Herman Pretorius]] of the [[University of Stellenbosch Drama Department]] - and have been seminal in establishing the genre and influencing a large number of other writers, and many of the songs have become classic Afrikaans chansons. | ||
| − | His [[Cabaret|cabaret]] output (playtexts, cabaret texts, songs and essays) include ''[[Die Lewe is 'n Grenshotel]]'' (1977), ''[[Met Permissie Gesê]]'' (lit. "Said with your permission", 1980), ''[[Papawerwyn | + | His [[Cabaret|cabaret]] output (playtexts, cabaret texts, songs and essays) include ''[[Die Lewe is 'n Grenshotel]]'' (1977), ''[[Met Permissie Gesê]]'' (lit. "Said with your permission", 1980), ''[[Papawerwyn en ander verbeeldings vir die verhoog]]'' (1980), ''[[Woorde wat wond: geleentheidstukke oor randkultuur]]'' (1984), ''[[Slegs vir Almal]]: ’n kabaret oor selfsug'' (lit. "Only for everyone: a cabaret about selfishness", 1986), ''[[Die Blou Uur]]: 50 cocktail-kwatryne'' (1984), ''[[Punt in die Wind]]'' (1989), ''[[Brommer in die Boord]]'' (1990), ''[[Oudisie!]]'' (1991), ''[[Dubbeldop: kabarettekste en opstelle]]'' (1994), ''[[Die Sewe Doodsondes|Van hoogmoed tot traagheid of Die Sewe Doodsondes]]'' (a mortality play, 1996), ''[[Teen Latenstyd]]'' (1997), as well as the collection of his cabaret work, ''[[Wie Gryp Kry 'n Handvol]]'' ([[Mark Graham]] and [[Herman Pretorius]], performed 1994). |
Besides his plays and cabarets, he was an influential critic of theatre and performance, a mentor to new writers and a judge for numerous contests and awards (''inter alia'' for the annual [[Fleur du Cap|Fleur du Cap Awards]]). | Besides his plays and cabarets, he was an influential critic of theatre and performance, a mentor to new writers and a judge for numerous contests and awards (''inter alia'' for the annual [[Fleur du Cap|Fleur du Cap Awards]]). | ||
| + | |||
| + | He compiled a collection of [[radio plays]] called ''[[Hoorspelkeur]]'' in 198* | ||
== Awards, etc == | == Awards, etc == | ||
| Line 47: | Line 51: | ||
[[HAUM]], 1974. ''Stellenbosse Galery'', p.11. | [[HAUM]], 1974. ''Stellenbosse Galery'', p.11. | ||
| + | |||
| + | [[Jan Senekal|Senekal, Jan]] and [[Karien van Aswegen|Van Aswegen, Karien]] (eds.). 1980. ''Bronne by die Studie van Afrikaanse Dramas 1900-1978''. Johannesburg: [[Perskor]] | ||
http://www.litnet.co.za/Article/hennie-aucamp-1934 | http://www.litnet.co.za/Article/hennie-aucamp-1934 | ||
| Line 52: | Line 58: | ||
''[[South African Theatre Journal]]'' Vol.8 No 2 1994 (''Special issue: Cabaret'', edited by [[Herman Pretorius]]) | ''[[South African Theatre Journal]]'' Vol.8 No 2 1994 (''Special issue: Cabaret'', edited by [[Herman Pretorius]]) | ||
| + | https://en.wikipedia.org/wiki/Hennie_Aucamp | ||
| + | |||
Go to the [[ESAT Bibliography]] | Go to the [[ESAT Bibliography]] | ||
== Return to == | == Return to == | ||
| − | Return to [[ESAT Personalities | + | Return to [[ESAT Personalities A]] |
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]] | ||
Latest revision as of 06:48, 13 March 2024
Hennie Aucamp (1934-2014) [1] was an academic and prolific and highly regarded writer of Afrikaans short stories, poetry, cabarets, plays, sketches, lyrics.
Contents
Biography
Born Hendrik Christoffel Lourens Aucamp on 20 Januarie 1934 in the Eastern Cape town of Dordrecht, raised on the farm Rust-mijn-ziel on the Stormberg highlands, in the district of Jamestown, where he also went to school and matriculated in 1951. He began writing stories when nine years old, publishing in a variety of journals for the youth, and his first in an adult journal (Die Huisgenoot) in his matriculation year.
He was an enthusiastic, immensely well read and articulate individual, with a wide reaching interest in all the arts, and a prolific writer in many literary forms.
He had one sister, Rina.
Training
Studied at the University of Stellenbosch from 1952, obtaining a BA degree (1955teaching diploma in 1957, a Masters degree in 1958. In 1963 he set out for Belgium on a study bursary, attending the University of Leuven and completing a doctorate, concentrating on aspects of teaching literature at high school level - a field in which he would work at the University of Stellenbosch. In this period he was also exposed to the theatre of Europe,
Career
Teaching career
Between 1959-1962 he taught at high schools in Stellenbosch, Jamestown, Cradock and Rondebosch, twice also acting as temporary lecturer in the Education Department at the University of Stellenbosch. He would later become a permanent lecturer and professor in the faculty of Education at the same university, also teaching creative writing skills - remaining there till his retirement in ***.
Literary career
While he wrote poems, plays, songs and short stories, he was a true master of the art of the short story and it was his prime field of expertise and creative work.
Contribution to SA theatre, film, media and/or performance
He initially wrote a few of short plays, including Die Appel (written at 16), Tussen Twee Treine (1970), Jan Blom Dans ‘n Mazurka, Die Kis (1974), Blomtyd is Bloeityd, Sjampanje 1988), Vyf Blikkies Boeliebief - 'n Stormbergse Kersherinnering ().
However, his most important contribution to South African theatre must be his espousal of Kabaret (the Afrikaans versions of the pre-war German, French and Dutch political cabaret) as a vehicle for resistance and protest among Afrikaans writers. He was particularly influenced by the Weimar period and the work of Bertolt Brecht and wrote quite a substantial body of theory around his notions of the cabaret - or Kabaret as he calls it.
His work has often also been dramatised for stage, radio and TV, interalia in programmes such as Hennie Aucamp: Kortverhale en Eenakters ("Hennie Aucamp: Short Stories and One-act Plays", assembled and directed by Marie van Heerden).
His texts in this regard still remain some of the prime examples of the genre and many of them were developed and produced in the 1980s, often in association with Herman Pretorius of the University of Stellenbosch Drama Department - and have been seminal in establishing the genre and influencing a large number of other writers, and many of the songs have become classic Afrikaans chansons.
His cabaret output (playtexts, cabaret texts, songs and essays) include Die Lewe is 'n Grenshotel (1977), Met Permissie Gesê (lit. "Said with your permission", 1980), Papawerwyn en ander verbeeldings vir die verhoog (1980), Woorde wat wond: geleentheidstukke oor randkultuur (1984), Slegs vir Almal: ’n kabaret oor selfsug (lit. "Only for everyone: a cabaret about selfishness", 1986), Die Blou Uur: 50 cocktail-kwatryne (1984), Punt in die Wind (1989), Brommer in die Boord (1990), Oudisie! (1991), Dubbeldop: kabarettekste en opstelle (1994), Van hoogmoed tot traagheid of Die Sewe Doodsondes (a mortality play, 1996), Teen Latenstyd (1997), as well as the collection of his cabaret work, Wie Gryp Kry 'n Handvol (Mark Graham and Herman Pretorius, performed 1994).
Besides his plays and cabarets, he was an influential critic of theatre and performance, a mentor to new writers and a judge for numerous contests and awards (inter alia for the annual Fleur du Cap Awards).
He compiled a collection of radio plays called Hoorspelkeur in 198*
Awards, etc
He has won the Hertzog Prize for Literature in 1982 for his total prose output.
In 1999 he received an Honorary Doctorate in Literature from the University of Stellenbosch.
Sources
HAUM, 1974. Stellenbosse Galery, p.11.
Senekal, Jan and Van Aswegen, Karien (eds.). 1980. Bronne by die Studie van Afrikaanse Dramas 1900-1978. Johannesburg: Perskor
http://www.litnet.co.za/Article/hennie-aucamp-1934
South African Theatre Journal Vol.8 No 2 1994 (Special issue: Cabaret, edited by Herman Pretorius)
https://en.wikipedia.org/wiki/Hennie_Aucamp
Go to the ESAT Bibliography
Return to
Return to ESAT Personalities A
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
