Difference between revisions of "Dido and Aeneas"
| (One intermediate revision by the same user not shown) | |||
| Line 8: | Line 8: | ||
== Performance history in South Africa == | == Performance history in South Africa == | ||
| + | |||
| + | 1958/1964: Presented at the [[University of the Free State]] at some point during this period, conducted by [[Leo Quayle]]. | ||
2002: Presented by [[Cape Town Opera]] (12–27 January) | 2002: Presented by [[Cape Town Opera]] (12–27 January) | ||
| Line 16: | Line 18: | ||
'Dido & Aeneas Synopsis'. Sarasota Opera. https://www.sarasotaopera.org/dido-aeneas-synopsis-background | 'Dido & Aeneas Synopsis'. Sarasota Opera. https://www.sarasotaopera.org/dido-aeneas-synopsis-background | ||
| + | |||
| + | [[Sjoerd Alkema]]. 2012. "Conductors of the Cape Town Municipal Orchestra, 1914-1965: a historical perspective". [[University of Cape Town]]. Unpublished PhD thesis. | ||
== Return to == | == Return to == | ||
Latest revision as of 17:19, 4 March 2024
Dido and Aeneas is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell (1659-1695) with a libretto by Nahum Tate.
Contents
The original text
Dido and Aeneas is based on Book IV of Virgil’s epic The Aeneid. It is one of the earliest known English operas, and one of the most important and often performed operas written in the Baroque period. It is also Henry Purcell’s only true opera; that is, his only all-sung dramatic work.
Translations and adaptations
Performance history in South Africa
1958/1964: Presented at the University of the Free State at some point during this period, conducted by Leo Quayle.
2002: Presented by Cape Town Opera (12–27 January)
Sources
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
'Dido & Aeneas Synopsis'. Sarasota Opera. https://www.sarasotaopera.org/dido-aeneas-synopsis-background
Sjoerd Alkema. 2012. "Conductors of the Cape Town Municipal Orchestra, 1914-1965: a historical perspective". University of Cape Town. Unpublished PhD thesis.
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
