Difference between revisions of "South African Opera Federation"
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==Productions== | ==Productions== | ||
| − | + | Between 1957 and 1962, they performed, among others, Donizetti’s ''[[Don Pasquale]]'', Offenbach’s ''[[Les contes d’Hoffmann]]'', Verdi’s ''[[Un ballo un maschera]]'' and Humperdinck’s ''[[Hänsel und Gretel]]''. | |
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| + | Many of the works were performed in English and Afrikaans, and were staged in Johannesburg, Kroonstad, Benoni, Rustenburg and Kimberley. Operas performed in Afrikaans translation, included ''[[Die Fledermaus]]'' by Strauss, ''[[La bohème]]'' by Puccini, ''[[Die Zauberflöte]]'' by Mozart, ''[[Les contes d'Hoffmann]]'' by Offenbach, as well as new Afrikaans operas like ''[[In die Droogte]]''. | ||
== Sources == | == Sources == | ||
Revision as of 17:20, 26 February 2024
The South African Opera Federation, founded in 1958.
Contents
Origins
The National Opera Association of South Africa merged with the Opera Society of South Africa to become the South African Opera Federation in 1958. Initially, it received R600 from the Department of Education, Arts and Science, which was the first step in state sponsorship of opera in South Africa. The federation would later receive funding from the government, the provinces and city councils.
Productions
Between 1957 and 1962, they performed, among others, Donizetti’s Don Pasquale, Offenbach’s Les contes d’Hoffmann, Verdi’s Un ballo un maschera and Humperdinck’s Hänsel und Gretel.
Many of the works were performed in English and Afrikaans, and were staged in Johannesburg, Kroonstad, Benoni, Rustenburg and Kimberley. Operas performed in Afrikaans translation, included Die Fledermaus by Strauss, La bohème by Puccini, Die Zauberflöte by Mozart, Les contes d'Hoffmann by Offenbach, as well as new Afrikaans operas like In die Droogte.
Sources
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
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