Difference between revisions of "William Tell"
| (23 intermediate revisions by one other user not shown) | |||
| Line 1: | Line 1: | ||
| − | [[William Tell]][https://en.wikipedia.org/wiki/William_Tell] is a folk hero of Switzerland | + | [[William Tell]][https://en.wikipedia.org/wiki/William_Tell] is the English name for a folk hero of Switzerland who, according to the legend, was an expert marksman with the crossbow and, by assassinating the tyrant Albrecht Gessler, encouraged open rebellion against the foreign rulers and ultimately leading to the foundation of the Swiss Confederacy. |
| + | |||
| + | Numerous versions of the tale have been told and written over the centuries, including the famous tale of Gessler forcing Tell to shoot an apple off his own son's head. Among the works based on the legend are a number of theatrical works produced over the years, the earliest seemingly being the ''Urner Tellspiel'' ("Tell Play of Uri"), said to have been performed in the winter of either 1512 or 1513 in Altdorf. | ||
| + | |||
| + | '''THE PLAYS''' | ||
| + | |||
| + | '''Among the plays known and/or performed in South Africa are:''' | ||
=''[[Guillaume Tell]]'' by Lemierre (1766)= | =''[[Guillaume Tell]]'' by Lemierre (1766)= | ||
| Line 67: | Line 73: | ||
The William Tell Overture is one of his best-known and most frequently imitated pieces of music. | The William Tell Overture is one of his best-known and most frequently imitated pieces of music. | ||
| − | + | ==Performance history in South Africa== | |
| + | |||
| + | 1992: Presented by [[CAPAB Opera]] (29 February – 2 March) | ||
== Sources == | == Sources == | ||
| Line 73: | Line 81: | ||
https://en.wikipedia.org/wiki/William_Tell_(opera)''' | https://en.wikipedia.org/wiki/William_Tell_(opera)''' | ||
| − | + | [[Wayne Muller]]. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis. | |
| − | ''[[William Tell: A Telling Tale of an Old Tell-Tale]]'' is a [[burlesque]] version of the Rossini opera. | + | =''[[William Tell: A Telling Tale of an Old Tell-Tale]]'' (Buckingham)= |
| + | |||
| + | ''[[William Tell: A Telling Tale of an Old Tell-Tale]]'' is a [[burlesque]] version of the Rossini opera by L. S. Buckingham (fl. mid 19th century). | ||
| + | |||
| + | Also found as ''[[William Tell; A Telling Tale of an Old Tell Tale]]'' or ''[[William Tell, A Telling Version of an Old Tell Tale]]''. | ||
==The original text== | ==The original text== | ||
| Line 85: | Line 97: | ||
== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | + | 1859: The burlesque was performed as ''[[William Tell; A Telling Tale of an Old Tell Tale]]'' by [[Juvenile Amateurs]] in Cape Town on 23 June, 1859, along with ''[[The Miller of Whetstone or The Cross Bow Letter]]'' (Wilks) and ''[[The Fire Eater]]'' (Selby). | |
1865: Billed as "the Grand Comical, Classical (Musical) [[Burlesque]] of ''[[William Tell]]''" it was performed by the [[Phoenix Dramatic Club]] at the [[Theatre Royal]], Cape Town, with scenery by [[C.J. Smith]]. Also on the bill was ''[[The Irish Attorney, or Galway Practice]]'' (Bernard). | 1865: Billed as "the Grand Comical, Classical (Musical) [[Burlesque]] of ''[[William Tell]]''" it was performed by the [[Phoenix Dramatic Club]] at the [[Theatre Royal]], Cape Town, with scenery by [[C.J. Smith]]. Also on the bill was ''[[The Irish Attorney, or Galway Practice]]'' (Bernard). | ||
| Line 98: | Line 110: | ||
[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 165, 270 | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 165, 270 | ||
| + | |||
| + | Go to [[ESAT Bibliography]] | ||
| + | |||
| + | =''[[William Tell with a Vengeance, or The Pet, the Parrot and the Pippin]]'' (Byron)= | ||
| + | |||
| + | ==The original text== | ||
| + | |||
| + | A burlesque or travesty of Knowles' original text for ''[[William Tell]]'' (1825), it was first performed at The Strand Theatre, London, in 1867. | ||
| + | |||
| + | ==Translations and adaptations== | ||
| + | |||
| + | == Performance history in South Africa == | ||
| + | |||
| + | 1878: Performed by [[Disney Roebuck]] and his company in the [[Theatre Royal]], Cape Town, on 4 February, with ''[[The Angel of the Attic]]'' (Morton) | ||
| + | |||
| + | 1878: Performed by [[Disney Roebuck]] and his company in the [[Theatre Royal]], Cape Town, on 6 February, with ''[[Woodcock's Little Game]]'' (Morton) and the "transformation scene" from ''[[Ali Baba]]'' | ||
| + | |||
| + | 1878: Performed by [[Disney Roebuck]] and his company as part of a Gala Night in the [[Good Hope Gardens]], Cape Town, on 9 February, with ''[[The Ministry in a Fix]]'' (Knight) | ||
| + | |||
| + | 1878: Performed by [[Disney Roebuck]] and his company in the [[Theatre Royal]], Cape Town, on 16 February, with ''[[East Lynne]]'' (Wood) | ||
| + | |||
| + | == Sources == | ||
| + | |||
| + | |||
| + | |||
| + | William Davenport Adams. 1891. ''A Book of Burlesque: Sketches of English Stage Travestie and Parody''. London: Henry and Company (Issue 5 of The Whitefriars Library of Wit and Humour)[https://books.google.co.za/books?id=lOhIAAAAIAAJ&pg=PP7&source=kp_read_button&redir_esc=y#v=onepage&q&f=false]. | ||
| + | |||
| + | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp.365 | ||
Go to [[ESAT Bibliography]] | Go to [[ESAT Bibliography]] | ||
Latest revision as of 15:57, 16 February 2024
William Tell[1] is the English name for a folk hero of Switzerland who, according to the legend, was an expert marksman with the crossbow and, by assassinating the tyrant Albrecht Gessler, encouraged open rebellion against the foreign rulers and ultimately leading to the foundation of the Swiss Confederacy.
Numerous versions of the tale have been told and written over the centuries, including the famous tale of Gessler forcing Tell to shoot an apple off his own son's head. Among the works based on the legend are a number of theatrical works produced over the years, the earliest seemingly being the Urner Tellspiel ("Tell Play of Uri"), said to have been performed in the winter of either 1512 or 1513 in Altdorf.
THE PLAYS
Among the plays known and/or performed in South Africa are:
Contents
- 1 Guillaume Tell by Lemierre (1766)
- 2 Wilhelm Tell by Schiller (1804)
- 3 William Tell by Knowles(1825)
- 4 Guillaume Tell the opera by Rossini (1829)
- 5 William Tell: A Telling Tale of an Old Tell-Tale (Buckingham)
- 6 William Tell with a Vengeance, or The Pet, the Parrot and the Pippin (Byron)
- 7 Return to
Guillaume Tell by Lemierre (1766)
Guillaume Tell is a French tragedy written by Antoine-Marin Lemierre (1733–1793)[2] and first produced by the author in 1766, repeated with great success in 1786.
Sources
https://en.wikipedia.org/wiki/Antoine-Marin_Lemierre
Wilhelm Tell by Schiller (1804)
The original text
Originally written in German as Wilhelm Tell and first was staged in Weimar under the direction of Johann Wolfgang Goethe on March 17, 1804.
Published the same year.
Translations and adaptations
Schiller's version translated into English by **
Schiller's version translated into Afrikaans as Wilhelm Tell by D.F. Malherbe and published by Nasionale Pers in the collection Die Meul Dreun en Ander Toneelwerk, 1943.
Performance history in South Africa
Sources
https://en.wikipedia.org/wiki/William_Tell_(play)
https://af.wikipedia.org/wiki/D.F._Malherbe
J.C. Kannemeyer 1978. Geskiedenis van die Afrikaanse Literatuur I. Pretoria: Academica. (Second edition, 1984[3], pp. 162
Go to ESAT Bibliography
William Tell by Knowles(1825)
William Tell is a five act play by James Sheridan Knowles (1784–1862)[4].
The original text
First performed at the Theatre Royal, Drury Lane on May 11 1825 with William Charles Macready as Tell. Published by Thomas Dolby in 1825.
Translations and adaptations
Later a three act version was created by omitting the sub-plot entirely, and performed by Macready in London and Forrest in New York. Published round about 1845.
Performance history in South Africa
1850: Performed (apparently in the original 5 act version) by James Lycett's Company of amateurs at the Drury Lane Theatre, Cape Town, on 6 September, with The Party Wall (Anon) and music from Rossini's opera of William Tell, by the orchestra of the 73rd Regiment.
Sources
Facsimile version of the original 1825 published text, The Internet Archive[5]
Facsimile version of the adapted 3 act version, Hathi Trust Digital Library[6]
F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [7]: pp. 425
Go to ESAT Bibliography
Guillaume Tell the opera by Rossini (1829)
Based on Friedrich Schiller's German play Wilhelm Tell, and known as Guillaume Tell in French (William Tell in English and Guglielmo Tell in Italian), it was originally written as a French-language opera in four acts by Gioachino Rossini (1792–1868)[8], to a libretto by Étienne de Jouy and Hippolyte Bis.
The William Tell Overture is one of his best-known and most frequently imitated pieces of music.
Performance history in South Africa
1992: Presented by CAPAB Opera (29 February – 2 March)
Sources
https://en.wikipedia.org/wiki/William_Tell_(opera)
Wayne Muller. 2018. A reception history of opera in Cape Town: Tracing the development of a distinctly South African operatic aesthetic (1985–2015). Unpublished PhD thesis.
William Tell: A Telling Tale of an Old Tell-Tale (Buckingham)
William Tell: A Telling Tale of an Old Tell-Tale is a burlesque version of the Rossini opera by L. S. Buckingham (fl. mid 19th century).
Also found as William Tell; A Telling Tale of an Old Tell Tale or William Tell, A Telling Version of an Old Tell Tale.
The original text
First performed at The Strand Theatre, London, 1857 .
Translations and adaptations
Performance history in South Africa
1859: The burlesque was performed as William Tell; A Telling Tale of an Old Tell Tale by Juvenile Amateurs in Cape Town on 23 June, 1859, along with The Miller of Whetstone or The Cross Bow Letter (Wilks) and The Fire Eater (Selby).
1865: Billed as "the Grand Comical, Classical (Musical) Burlesque of William Tell" it was performed by the Phoenix Dramatic Club at the Theatre Royal, Cape Town, with scenery by C.J. Smith. Also on the bill was The Irish Attorney, or Galway Practice (Bernard).
Sources
Roberta Montemorra Marvin and Downing A. Thomas. 2017. Operatic Migrations: Transforming Works and Crossing Boundaries. Routledge: p. 212.[9]
Richard Schoch. 2018. Victorian Theatrical Burlesques. Routledge: p. [10]
Roberta Montemorra Marvin. 2003. Verdian Opera Burlesqued: A Glimpse into Mid-Victorian Theatrical Culture. Cambridge Opera Journal, Vol. 15, No. 1, pp. 33-66.[11]
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp. 165, 270
Go to ESAT Bibliography
William Tell with a Vengeance, or The Pet, the Parrot and the Pippin (Byron)
The original text
A burlesque or travesty of Knowles' original text for William Tell (1825), it was first performed at The Strand Theatre, London, in 1867.
Translations and adaptations
Performance history in South Africa
1878: Performed by Disney Roebuck and his company in the Theatre Royal, Cape Town, on 4 February, with The Angel of the Attic (Morton)
1878: Performed by Disney Roebuck and his company in the Theatre Royal, Cape Town, on 6 February, with Woodcock's Little Game (Morton) and the "transformation scene" from Ali Baba
1878: Performed by Disney Roebuck and his company as part of a Gala Night in the Good Hope Gardens, Cape Town, on 9 February, with The Ministry in a Fix (Knight)
1878: Performed by Disney Roebuck and his company in the Theatre Royal, Cape Town, on 16 February, with East Lynne (Wood)
Sources
William Davenport Adams. 1891. A Book of Burlesque: Sketches of English Stage Travestie and Parody. London: Henry and Company (Issue 5 of The Whitefriars Library of Wit and Humour)[12].
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp.365
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
Return to The ESAT Entries
Return to Main Page
