Difference between revisions of "In My Dreams I Am Ok"

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''[[In My Dreams I Am Ok]]'' is a theatre piece by [[Francesco Nassimbeni]].
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''[[In My Dreams I Am Ok]]'' is a theatrical performance event by [[Francesco Nassimbeni]].
  
 
== The original text ==
 
== The original text ==
  
Created as a project for Nassimbeni's Master's degree.
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Director’s note (from UCT Little Theatre Facebook page):
  
Director’s note:
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"I’m inspired by an emerging internet aesthetic of appropriation and juxtaposition. The humble meme is a great source of inspiration! Found images overlaid with text – there is something subversive about this play with meaning, and the way it has been adopted as ‘public artform’ has informed my method. Similarly, many artists, particularly online, are distorting found images; collaging them, splicing them with other imagery. In this way, post-modernism has found a new audience, and I suppose my performance pieces have a place in that ‘world’. The costume and décor aesthetic is devised and improvisational. All visual elements start off as proposals which are either discarded, or developed. What has helped me with this is a departure from planning – with no ‘ideal’ aesthetic presupposed, my collaborators are able to create using intuition."
 
 
"I’m inspired by an emerging internet aesthetic of appropriation and juxtaposition. The humble meme is a great source of inspiration! Found images overlaid with text – there is something subversive about this play with meaning, and the way it has been adopted as ‘public artform’ has informed my method."
 
  
 
==Translations and adaptations==
 
==Translations and adaptations==
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== Sources ==
 
== Sources ==
  
 
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UCT Little Theatre Facebook page, 19 November 2015
  
 
Go to [[ESAT Bibliography]]
 
Go to [[ESAT Bibliography]]

Latest revision as of 17:21, 8 January 2024

In My Dreams I Am Ok is a theatrical performance event by Francesco Nassimbeni.

The original text

Director’s note (from UCT Little Theatre Facebook page):

"I’m inspired by an emerging internet aesthetic of appropriation and juxtaposition. The humble meme is a great source of inspiration! Found images overlaid with text – there is something subversive about this play with meaning, and the way it has been adopted as ‘public artform’ has informed my method. Similarly, many artists, particularly online, are distorting found images; collaging them, splicing them with other imagery. In this way, post-modernism has found a new audience, and I suppose my performance pieces have a place in that ‘world’. The costume and décor aesthetic is devised and improvisational. All visual elements start off as proposals which are either discarded, or developed. What has helped me with this is a departure from planning – with no ‘ideal’ aesthetic presupposed, my collaborators are able to create using intuition."

Translations and adaptations

Performance history in South Africa

2015: Presented by The Playgroup together with UCT Drama at The Bindery Lab, Hiddingh Campus, UCT, directed by Francesco Nassimbeni, design by Richard De Jager, decor by Heath Nash, with Edward Berridge, Chloe Cattin, Sesane Sealy, Tsatsi Rugege, Rosa-Karoo Loewe, Zac Fleishman, Olivia Fischer, Andi Colombo and Jason Potgieter.

Sources

UCT Little Theatre Facebook page, 19 November 2015

Go to ESAT Bibliography

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