Difference between revisions of "Woyzeck"
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| + | ''Woyzeck'' by Georg Büchner. An unfinished play about a German soldier who murders his mistress. Deals with jealousy, murder and the individual’s struggle against society. A number of incomplete versions written in 1836-7, tyhen later edited by Karl Emil Franzos and published posthumously in 1879. First produced only in 1913, in Munchen. First produced in South Africa by ***. In the early 1960s it was one of the first plays produced by the [[Serpent Players]]. [[Barney Simon]] did a version for [[PACT]] in the [[Arena]] in 1973 and it became a popular training piece for drama students in the 1970s. Finally became the basis of the first collaboration between [[William Kentridge]] and the [[Handspring Puppet Company]] (1992) entitled ''[[Woyzeck on the Highveld]]''. This adaptation of Buchner’s unfinished play comments on present day South Africa through a multi-layered structure taking place on three levels, namely the rear-projected animation of filmed charcoal drawings and ink-drawn shadow puppets, and in front of the screen, the roughly carved wooden rod puppets, each manipulated by four puppeteers and an actor. The distance between the inner world as projected on the screen and the action on stage forms the thin line between Woyzeck’s twisted dream and reality. It opened at the [[Festival in 1992]], starring [[Louis Seboko]], [[Busie Zokufa]] and [[Tale Motsepa]], played at the [[Market Theatre]] and then toured the world. Later the puppets were sold to the Munich City Museum’s puppet collection. In 2008, they were loaned for a revival for the UNIMA Festival in Perth, Australia, with [[Mncedisi Shabangu]] taking Motsepa’s place. This also played in South Africa at the [[Baxter Theatre]]. | ||
Revision as of 11:01, 16 May 2012
Woyzeck by Georg Büchner. An unfinished play about a German soldier who murders his mistress. Deals with jealousy, murder and the individual’s struggle against society. A number of incomplete versions written in 1836-7, tyhen later edited by Karl Emil Franzos and published posthumously in 1879. First produced only in 1913, in Munchen. First produced in South Africa by ***. In the early 1960s it was one of the first plays produced by the Serpent Players. Barney Simon did a version for PACT in the Arena in 1973 and it became a popular training piece for drama students in the 1970s. Finally became the basis of the first collaboration between William Kentridge and the Handspring Puppet Company (1992) entitled Woyzeck on the Highveld. This adaptation of Buchner’s unfinished play comments on present day South Africa through a multi-layered structure taking place on three levels, namely the rear-projected animation of filmed charcoal drawings and ink-drawn shadow puppets, and in front of the screen, the roughly carved wooden rod puppets, each manipulated by four puppeteers and an actor. The distance between the inner world as projected on the screen and the action on stage forms the thin line between Woyzeck’s twisted dream and reality. It opened at the Festival in 1992, starring Louis Seboko, Busie Zokufa and Tale Motsepa, played at the Market Theatre and then toured the world. Later the puppets were sold to the Munich City Museum’s puppet collection. In 2008, they were loaned for a revival for the UNIMA Festival in Perth, Australia, with Mncedisi Shabangu taking Motsepa’s place. This also played in South Africa at the Baxter Theatre.
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