Difference between revisions of "Heimat"
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| + | ''Heimat'' by Hermann Südermann (1893). The story of an opera singer, Magda, who falls pregnant by one of her lovers and returns to her conservative home in rural Germany, followed by a young lover, Von Keller. Hugely popular internationally for many years, it was translated into Afrikaans (via the Dutch ''Haar Thuis'' or ''Het Ouderlijk Huis'') as ''[[Huis Toe]]'' by Mrs A.E. Carinus-Holzhausen. First produced by [[Paul de Groot]] with his first semi-professional company. Opened at the [[Pretoria City Hall]] for three days on 9 July 1925. Featuring [[Paul de Groot]], [[Stephanie Faure]], [[Anna Aucamp]], [[Marguerite de Vos]], [[Matt Laubscher]], [[Danie Smal]], [[Henri Cilliers]], [[Wena Naudé]]. Repeated in July and in September played a week in the [[Standard Theatre]], Johannesburg, in conjunction with [[African Theatres]]. Later the amalgamated [[Paul de Groot Geselskap]] (“Company”), took the play in a successful tour between July and December 1926. By 1929 the play had seen 132 performances under De Groot's direction. (The English translation in America was known as Magda.) | ||
Revision as of 20:09, 4 May 2012
Heimat by Hermann Südermann (1893). The story of an opera singer, Magda, who falls pregnant by one of her lovers and returns to her conservative home in rural Germany, followed by a young lover, Von Keller. Hugely popular internationally for many years, it was translated into Afrikaans (via the Dutch Haar Thuis or Het Ouderlijk Huis) as Huis Toe by Mrs A.E. Carinus-Holzhausen. First produced by Paul de Groot with his first semi-professional company. Opened at the Pretoria City Hall for three days on 9 July 1925. Featuring Paul de Groot, Stephanie Faure, Anna Aucamp, Marguerite de Vos, Matt Laubscher, Danie Smal, Henri Cilliers, Wena Naudé. Repeated in July and in September played a week in the Standard Theatre, Johannesburg, in conjunction with African Theatres. Later the amalgamated Paul de Groot Geselskap (“Company”), took the play in a successful tour between July and December 1926. By 1929 the play had seen 132 performances under De Groot's direction. (The English translation in America was known as Magda.)
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