Difference between revisions of "Workshop"
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| − | The term [[workshop]], with its traditional meaning as a place where construction and repair work are done, has been adopted and used metaphorically in a range of ways in theatre and [[performance]] since the 20th century. | + | The term [[workshop]], with its traditional meaning as a place where construction and repair work are done, including set-building workshops and the like) has also been adopted and used metaphorically in a range of other ways in theatre and [[performance]] since the 20th century. |
| − | = The concept = | + | = The concept [[workshop]] used in theatre and performance= |
| − | Related to the concepts of [[Experimental theatre]] and [[Laboratory theatre]], though perhaps with less of the accent on "scientific research processes" implied by ''experimental'' and ''laboratory'', '''[[workshop | + | Related to the concepts of [[Experimental theatre]] and [[Laboratory theatre]], though perhaps with less of the accent on "scientific research processes" implied by ''experimental'' and ''laboratory'', when emplyed in theatre and performance, '''[[workshop]]''' generally refers to the theatrical process of creating a [[performance]] by [[experimentation]] and [[improvisation]]. |
The basic term [[workshop]] can be used as a '''verb''' ("to [[workshop]] a play"), a '''noun''' ("a [[theatre workshop]]"), or '''adjectivally''' ("a [[workshopped]] text"; "a [[workshop]] production") | The basic term [[workshop]] can be used as a '''verb''' ("to [[workshop]] a play"), a '''noun''' ("a [[theatre workshop]]"), or '''adjectivally''' ("a [[workshopped]] text"; "a [[workshop]] production") | ||
| − | '' | + | ''Besides [[experimental theatre]] and [[laboratory theatre]], other related concepts include [[improvisation]] and [[theatremaking]]''. |
=The concept of [[workshop theatre]]= | =The concept of [[workshop theatre]]= | ||
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The term [[workshop theatre]] specifically emphasises the notion of creating or shaping a theatre text through a [[workshop]] process, i.e. by having the actors and director create or adapt a play through a [[improvisation]] processes (hence the term [[workshopping]]) a text/scene/play, and can refer to both the process itself as well as the [[venue]] where/by which such processes are employed (i.e. a temporary or permanent venue/company/facility to facilitate such work). | The term [[workshop theatre]] specifically emphasises the notion of creating or shaping a theatre text through a [[workshop]] process, i.e. by having the actors and director create or adapt a play through a [[improvisation]] processes (hence the term [[workshopping]]) a text/scene/play, and can refer to both the process itself as well as the [[venue]] where/by which such processes are employed (i.e. a temporary or permanent venue/company/facility to facilitate such work). | ||
| − | + | The basic term can be used as a verb ("to [[workshop]]" a play, a scene or a production"), an adjective ("a [[workshop]] production or [[workshopped]] play") or a noun (e.g. to a temporary or permanent venue/company/facility workshop processes take place). | |
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| − | == | + | =The concept as it evolved in South Africa= |
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| + | ==The broad history== | ||
| − | [[ | + | The concept was introduced into the South African scene via the British and American ''avant garde'' movements of the 1960s and 1970s, but became really prominent as an [[alternative]] creative form in the 1970-1980 struggle period among writers and [[theatremakers]] in English, gradually becoming the dominant form of play creation for political work especially, for a while almost ousting the traditional playwright as dominant creative figure in the local industry. This situation continued after the politcal shift in the country in 1994, [[theatremakers]] working in all the South African languages having adopted it as a valuable creative tool. |
| − | + | ==Somes key South African role-players == | |
| + | [[Athol Fugard]] | ||
| + | [[Barney Simon]] | ||
| − | + | [[Mbongeni Ngema]] | |
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| − | + | [[Mshengu]] | |
| + | [[Nicholas Ellenbogen]] | ||
| − | == | + | ==Somes South African workshop-oriented companies and venues == |
| + | Click on the name below for details on the companies/venues. | ||
| + | [[Theatre Workshop '71]] | ||
| − | + | [[The Workshop]], Cape Town (1976) | |
| − | [[ | + | [[The Company]] ([[Market Theatre]]) |
= Sources = | = Sources = | ||
Latest revision as of 07:17, 10 October 2022
The term workshop, with its traditional meaning as a place where construction and repair work are done, including set-building workshops and the like) has also been adopted and used metaphorically in a range of other ways in theatre and performance since the 20th century.
Contents
The concept workshop used in theatre and performance
Related to the concepts of Experimental theatre and Laboratory theatre, though perhaps with less of the accent on "scientific research processes" implied by experimental and laboratory, when emplyed in theatre and performance, workshop generally refers to the theatrical process of creating a performance by experimentation and improvisation.
The basic term workshop can be used as a verb ("to workshop a play"), a noun ("a theatre workshop"), or adjectivally ("a workshopped text"; "a workshop production")
Besides experimental theatre and laboratory theatre, other related concepts include improvisation and theatremaking.
The concept of workshop theatre
The term workshop theatre specifically emphasises the notion of creating or shaping a theatre text through a workshop process, i.e. by having the actors and director create or adapt a play through a improvisation processes (hence the term workshopping) a text/scene/play, and can refer to both the process itself as well as the venue where/by which such processes are employed (i.e. a temporary or permanent venue/company/facility to facilitate such work).
The basic term can be used as a verb ("to workshop" a play, a scene or a production"), an adjective ("a workshop production or workshopped play") or a noun (e.g. to a temporary or permanent venue/company/facility workshop processes take place).
The concept as it evolved in South Africa
The broad history
The concept was introduced into the South African scene via the British and American avant garde movements of the 1960s and 1970s, but became really prominent as an alternative creative form in the 1970-1980 struggle period among writers and theatremakers in English, gradually becoming the dominant form of play creation for political work especially, for a while almost ousting the traditional playwright as dominant creative figure in the local industry. This situation continued after the politcal shift in the country in 1994, theatremakers working in all the South African languages having adopted it as a valuable creative tool.
Somes key South African role-players
Somes South African workshop-oriented companies and venues
Click on the name below for details on the companies/venues.
The Workshop, Cape Town (1976)
Sources
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