Difference between revisions of "Formal acting"
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| − | The term "'''formal'''" in the phrases [[formal acting]], [[formal performer]], [[formal performance]], [[formal play]], [[formal actor]], [[formal actress]], etc. is used in '''[[ESAT]]''' specifically to distinguish what may loosely be termed "traditional" stage acting in formally written plays (i.e. performing the text as written by a [[playwright]]) from more improvisational work, where the [[performer]] is probably also a co-creator of the [[text]], and other alternative forms of performance. | + | The term "'''formal'''" as found in the phrases [[formal acting]], [[formal performer]], [[formal performance]], [[formal play]], [[formal actor]], [[formal actress]], etc. is used in '''[[ESAT]]''' specifically to distinguish what may loosely be termed "traditional" stage acting in formally written plays (i.e. performing the text as written by a [[playwright]]) from more improvisational work, where the [[performer]] is probably also a co-creator of the [[text]], and other alternative forms of performance. |
==Source== | ==Source== | ||
Revision as of 08:32, 7 October 2022
The term "formal" as found in the phrases formal acting, formal performer, formal performance, formal play, formal actor, formal actress, etc. is used in ESAT specifically to distinguish what may loosely be termed "traditional" stage acting in formally written plays (i.e. performing the text as written by a playwright) from more improvisational work, where the performer is probably also a co-creator of the text, and other alternative forms of performance.
