Difference between revisions of "ESAT Bibliography Lew-Lim"
| Line 31: | Line 31: | ||
[[Megan Lewis|Lewis, Megan]] 2010. South Africa’s [[National Arts Festival]]. ''Theatre Journal'', 62(2):275-280. | [[Megan Lewis|Lewis, Megan]] 2010. South Africa’s [[National Arts Festival]]. ''Theatre Journal'', 62(2):275-280. | ||
| + | |||
| + | [[Megan Lewis|Lewis, Megan]] 2016. ''Performing Whitely in the Postcolony. Afrikaans in South African Theatrical Life''. Iowa City: Iowa University Press. | ||
[[Megan Lewis|Lewis, Megan]] and [[Anton Krueger|Krueger, Anton]] (eds.) 2016. ''[[Magnet Theatre]]: Three Decades of Making Space''. Bristol, UK : Pretoria : Intellect ; UNISA, University of South Africa Press. | [[Megan Lewis|Lewis, Megan]] and [[Anton Krueger|Krueger, Anton]] (eds.) 2016. ''[[Magnet Theatre]]: Three Decades of Making Space''. Bristol, UK : Pretoria : Intellect ; UNISA, University of South Africa Press. | ||
Revision as of 05:00, 13 April 2022
Click on the appropriate letters of the alphabet in the sub-list below.
L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Lewis, C. 1972. Yiddish theatre. Jewish Affairs, 27(5):31-32. May.
Lewis, J.H. 1980. Germanicus as tragiese held. Tydskrif vir Letterkunde, 18(3):133-138.
Lewis, J.H. 1984. Die Jaar van die Vuuros (W.A. de Klerk). Tydskrif vir Letterkunde, 22(4):136-149.
Lewis, Janine 2010. Physical actions as expressive performance narratives: a self-reflexive journey. South African Theatre Journal, 24:175-200.
Lewis, Janine 2012. rend[h]er: warping fairytales as contemporary cultural search for feminine identity in a South African performance. South African Theatre Journal, 26(3):246-258.
Lewis, Megan 1998. Standard Bank National Arts Festival. Theatre Journal, 50(1):105-107.
Lewis, Megan & Walen, Denise A. 2000. Performance review (Inclusion of the play Johnny Cockroach, by Breyten Breytenbach, directed by Marthinus Basson; `Dedale,' performed by the Philippe Genty Company; A Woman in Waiting, by Thembi Mtshali). Theatre Journal, 52(2):280.
Lewis, Megan 2008a. Past, present, and future: a tense South Africa performs. PAJ: A Journal of Performance & Art, 30(89):93-101.
Lewis, Megan 2008b. (Un)patriotic acts of an imagined community: the Klein Karoo Nasional Kunstefees (KKNK). Theatre Journal, 60(4):654-659.
Lewis, Megan 2010. South Africa’s National Arts Festival. Theatre Journal, 62(2):275-280.
Lewis, Megan 2016. Performing Whitely in the Postcolony. Afrikaans in South African Theatrical Life. Iowa City: Iowa University Press.
Lewis, Megan and Krueger, Anton (eds.) 2016. Magnet Theatre: Three Decades of Making Space. Bristol, UK : Pretoria : Intellect ; UNISA, University of South Africa Press.
Lewis-Williams, D.J. 1981. Believing and seeing: symbolic meanings in southern San rock painting. London: Academic Press.
Lewis-Williams, D.J. 1990. Discovering southern African rock art. Cape Town: David Philip.
Lewis-Williams, D.J. and Blundell, G., 1998. Fragile heritage: a rock art fieldguide. Johannesburg: University of the Witwatersrand Press.
Lewis-Williams, D.J. and Clottes, J., 1998. The Shamans of prehistory: trance magic and the painted caves. New York: Abrams.
Lewis-Williams, D.J. and Dowson, T.A., 1999. Images of power: understanding San rock art. (Second Edition). Johannesburg: Southern Book Publishers.
Lewis-Williams, D.J. 2000. Stories that float from afar: further specimens of 19th Century Bushman folklore. Cape Town: David Philip Publishers.
Lewis-Williams, D.J. 2002. A cosmos in stone: interpreting religion and society through rock art. Walnut Creek, California: Altamira Press.
Lewis-Williams, D.J. 2002. The Mind In The Cave: Consciousness And The Origins Of Art. London: Thames & Hudson.
Lewis-Williams, D.J. 2003. Images of Mystery. Cape Town: Double Storey.
Lewis-Williams, D.J. and Pearce, D.G., 2004. San Spirituality: Roots, Expressions and Social Consequences. Cape Town: Double Storey.
Lewis-Williams, D.J. and Pearce, D.G., 2005. Inside the Neolithic Mind: Consciousness, Cosmos, and the Realm of the Gods. London: Thames & Hudson.
Lewis-Williams, D.J. 2010. Conceiving God: The Cognitive Origin and Evolution of Religion. London: Thames & Hudson.
Lewis-Williams, David, 2011. San Rock Art. Johannesburg: Jacana Media.
Leyshon, Robert 1999. “Laughing in the beginning and listening at the end.”: directing Fugard in Barbados, in Blumberg, Marcia & Walder, Dennis (eds.). South African Theatre as/and Intervention. Amsterdam: Rodopi. 75-81.
Libin, M. 2003. Can the subaltern be heard? Response and responsibility in South Africa’s human spirit. Textual Practice, 17(1):119-140.
Lickindorf, Elisabeth 1987. The verse music of Suzman’s Orhello. Shakespeare in Southern Africa, 1:69-71.
Liebenberg, Rozelle 1977. Prinsipes van die kinderdrama in Suid-Afrika. Unpublished honour’s essay. Pretoria: University of Pretoria.
Lieberfeld, Daniel 1997. Pieter-Dirk Uys: crossing apartheid lines. The Drama Review, 41(1):61-71.
Lieberman, Susan 1985. Jumping into madness: South Africa’s Market Theatre against Apartheid. Theatre Crafts, 19(8):38-41, 57-61.
Liefhebber (pseud.) 1956. Afrikaanse toneel: kom ons praat reguit. Helikon, 6(23):66-69.
Lieskounig, J. 1985. Act it out! : theatrical scenes for language teaching in conversation classes. Journal for Language Teaching, 19(2):11-16.
Lighting the stage: a guide to the type of equipment available and its location in the theatre. 1986. Scenaria, (61):35-37.
Lijphart-Bezuidenhout, T. 1972. Onderveldse dorpstonele. Standpunte, 25(4):8-21. April.
Lilley, E. 1979. Founding of the South African Association for Drama and Youth Theatre. Crux, 13(3):8-9. October.
Click on the appropriate letters of the alphabet in the sub-list below.
L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
