Difference between revisions of "Eunice Reynecke"
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(also published as [[Eunice van Rooyen]], [[Eunice Fourie]] and [[Eunice Malan]] ) | (also published as [[Eunice van Rooyen]], [[Eunice Fourie]] and [[Eunice Malan]] ) | ||
| − | (19**- ) Theatre historian and theorist. Trained as cultural historian at the [[University of Pretoria]], then joined the [[HSRC]]’s [[Centre for South African Theatre Research]] ('''CESAT''') as a researcher and documentarian in 1980s. Helped found the [[South African Theatre Journal]] (she was technical editor for two years), helped edit The Breytie Book ([[Temple Hauptfleisch|Hauptfleisch]], 1985) and wrote a masters thesis on the methodology of theatre research, which was published by the [[HSRC]] as ******* (198*). Published articles and gave lectures on theatre research methodology and theatre history for a number of years and acted as advisor and contributor to various publications on South African theatre history. Married ''inter alia'' to [[Pieter-Paul Fourie]] and [[Charles Malan]]. | + | (19**- ) Theatre historian and theorist. Trained as cultural historian at the [[University of Pretoria]], then joined the [[HSRC]]’s [[Centre for South African Theatre Research]] ('''CESAT''') as a researcher and documentarian in 1980s. Helped found the [[South African Theatre Journal]] (she was technical editor for two years), helped edit ''[[The Breytie Book]]'' ([[Temple Hauptfleisch|Hauptfleisch]], 1985) and wrote a masters thesis on the methodology of theatre research, which was published by the [[HSRC]] as ******* (198*). Published articles and gave lectures on theatre research methodology and theatre history for a number of years and acted as advisor and contributor to various publications on South African theatre history. Married ''inter alia'' to [[Pieter-Paul Fourie]] and [[Charles Malan]]. |
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Revision as of 11:28, 23 April 2012
(also published as Eunice van Rooyen, Eunice Fourie and Eunice Malan ) (19**- ) Theatre historian and theorist. Trained as cultural historian at the University of Pretoria, then joined the HSRC’s Centre for South African Theatre Research (CESAT) as a researcher and documentarian in 1980s. Helped found the South African Theatre Journal (she was technical editor for two years), helped edit The Breytie Book (Hauptfleisch, 1985) and wrote a masters thesis on the methodology of theatre research, which was published by the HSRC as ******* (198*). Published articles and gave lectures on theatre research methodology and theatre history for a number of years and acted as advisor and contributor to various publications on South African theatre history. Married inter alia to Pieter-Paul Fourie and Charles Malan.
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