Difference between revisions of "Florence Calzado"

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== Biography ==
 
== Biography ==
  
Born [[Florence Beverley]] in 1850, she made a career as a singer in Australia under the stage name [[Florence Calzado]], sometimes billed as a "serio-comic vocalist". Apparently she became the "wife" of violinist [[Horace Poussard]], and toured with him and the [[Poussard-Bailey Opera Company]] in the late 1860s
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According to the blog , virtually nothing seems to be known about either [[Florence Beverley]] or [[Florence Calzado]] (her stage name for a while), but in South Africa she was billed as a "serio-comic vocalist". Apparently she became the "wife" of violinist [[Horace Poussard]], had a child by him, and toured with him and the [[Poussard-Bailey Opera Company]] in the late 1860s.
 
 
  
 
==Contribution to SA theatre, film, media and/or performance==
 
==Contribution to SA theatre, film, media and/or performance==

Revision as of 06:31, 26 August 2021

Florence Calzado (fl circa 1860s)[1] is the professional name of the "serio-comic vocalist" Florence Beverley.

Biography

According to the blog , virtually nothing seems to be known about either Florence Beverley or Florence Calzado (her stage name for a while), but in South Africa she was billed as a "serio-comic vocalist". Apparently she became the "wife" of violinist Horace Poussard, had a child by him, and toured with him and the Poussard-Bailey Opera Company in the late 1860s.

Contribution to SA theatre, film, media and/or performance

She joined forces with violinist Horace Poussard, the manager Robert Smythe and the latter's wife, the soprano Amelia Bailey, to found the Poussard-Bailey Opera Company, with which they undertook a 4-year tour of India and South Africa, giving more than 300 performances.

Sources

D.C. Boonzaier, 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 223, 243-6,

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