Difference between revisions of "Dialogues des Carmélites"
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| − | The play is based on a film scenario which Bernanos had made of a story by Gertrude von Le Fort, portraying the sufferings and ultimate death on the guillotine of 16 Carmelite nuns during the French Revolution. | + | The play is based on a film scenario which Bernanos had made of a story by Gertrude von Le Fort, portraying the sufferings and ultimate death on the guillotine of 16 Carmelite nuns during the French Revolution. Published posthumously in French as a drama in 1949. |
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==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 17:37, 15 March 2021
Dialogues des Carmélites (" Dialogues of the Carmelites") is a play by George Bernanos (1888-1948)[].
Contents
The original text
The play is based on a film scenario which Bernanos had made of a story by Gertrude von Le Fort, portraying the sufferings and ultimate death on the guillotine of 16 Carmelite nuns during the French Revolution. Published posthumously in French as a drama in 1949.
Translations and adaptations
The text of the play was translated into English as The Chosen of God by Donald Inskip in 1955
The play forms the basis of Dialogues des Carmélites, an opera in three acts, divided into twelve scenes with linking orchestral interludes, with music and libretto by Francis Poulenc, completed in 1956.
Filmed in 1960 as Le Dialogue des Carmélites[1]
Performance history in South Africa
1955: Produced as The Chosen of God at the Little Theatre, Cape Town, by students of the School of Speech and Drama at the University of Cape Town, directed by Fred Engelen.
Sources
Inskip, 1972. p.142.
Go to ESAT Bibliography
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Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
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