Difference between revisions of "Frank Staff"
| Line 1: | Line 1: | ||
[[Frank Staff]] (1918-1971) was an influential ballet dancer, choreographer, producer and company director. | [[Frank Staff]] (1918-1971) was an influential ballet dancer, choreographer, producer and company director. | ||
| − | Born in Kimberley, he left the country to work internationally for Ballet Rambert, Sadler's Wells, the Metropolitan Ballet and other | + | == Biography == |
| + | Born in Kimberley, he left the country to work internationally for Ballet Rambert, Sadler's Wells, the Metropolitan Ballet and other companies. | ||
| − | He was married four times, to Elisabeth Schooling, Jaqueline St. Clere, [[Heather Lloyd-Jones]] and [[Veronica Paeper]], and | + | He was married four times, to Elisabeth Schooling, Jaqueline St. Clere, [[Heather Lloyd-Jones]] and [[Veronica Paeper]], and had a son by each of the wives. |
| + | |||
| + | |||
| + | ==Contribution to SA theatre, film, media and/or performance== | ||
| + | He returned in 1955 to found The South African Ballet for which he choreographed 15 dances, and worked for the Perfoming Arts Councils (inter alia [[PACOFS]]) and for private companies. | ||
| + | |||
| + | An investigation into Staff's choreographic contribution to [[Leslie French]]'s 1956 Johannesburg production of ''[[The Tempest]]'' as well as Staff's early involvement with [[Brian Brooke]]'s musical theatre encapsulates his important contribution to South African musical theatre, which was a major interest throughout his life. 1957 was the most important and prolific period for Staff. | ||
His most notable work in terms of theatre history is his works based on South African stories and works and became a precursor of the influential modern dance and physical theatre movements which developed to full strength in the late 1980s. Prominent among these were his seminal versions of [[N.P. van Wyk Louw]]'s poem ''[[Raka]]'' and the narrative of ''The Rain Queen''. Both performances were also filmed. | His most notable work in terms of theatre history is his works based on South African stories and works and became a precursor of the influential modern dance and physical theatre movements which developed to full strength in the late 1980s. Prominent among these were his seminal versions of [[N.P. van Wyk Louw]]'s poem ''[[Raka]]'' and the narrative of ''The Rain Queen''. Both performances were also filmed. | ||
Other stage productions choreographed by Staff include the choreography for Brian Brooke's ''[[Irma la Douce]]'' (1960) and [[Brian Brooke]] and [[John Kavan]]’s ''[[The Minstrel Show]]'' (1966). | Other stage productions choreographed by Staff include the choreography for Brian Brooke's ''[[Irma la Douce]]'' (1960) and [[Brian Brooke]] and [[John Kavan]]’s ''[[The Minstrel Show]]'' (1966). | ||
| + | |||
| + | ''[[Platonic Nymph]]'', ''[[How to Succeed in Business Without Really Trying]]'' | ||
== Sources == | == Sources == | ||
| Line 13: | Line 22: | ||
Programme, ''[[Raka]]'', [[Cape Town City Ballet]], [[KKNK]], April, | Programme, ''[[Raka]]'', [[Cape Town City Ballet]], [[KKNK]], April, | ||
| − | https://en.wikipedia.org/wiki/Frank_Staff | + | Wikipedia [https://en.wikipedia.org/wiki/Frank_Staff]. |
| + | |||
| + | [[ESAT Bibliography Tra-Tz|Tucker]], 1997. | ||
| + | |||
| + | G. Rosen's 1999 [[UCT]] Ph.D. | ||
| + | |||
| + | Go to [[ESAT Bibliography]] | ||
| + | |||
| + | == Return to == | ||
| + | |||
| + | Return to [[ESAT Personalities S]] | ||
| − | [[ | + | Return to [[South_African_Theatre/Personalities|South African Theatre |
| − | + | Personalities]] | |
| − | Return to [[ | + | Return to [[The ESAT Entries]] |
Return to [[Main Page]] | Return to [[Main Page]] | ||
Revision as of 15:43, 14 April 2020
Frank Staff (1918-1971) was an influential ballet dancer, choreographer, producer and company director.
Contents
Biography
Born in Kimberley, he left the country to work internationally for Ballet Rambert, Sadler's Wells, the Metropolitan Ballet and other companies.
He was married four times, to Elisabeth Schooling, Jaqueline St. Clere, Heather Lloyd-Jones and Veronica Paeper, and had a son by each of the wives.
Contribution to SA theatre, film, media and/or performance
He returned in 1955 to found The South African Ballet for which he choreographed 15 dances, and worked for the Perfoming Arts Councils (inter alia PACOFS) and for private companies.
An investigation into Staff's choreographic contribution to Leslie French's 1956 Johannesburg production of The Tempest as well as Staff's early involvement with Brian Brooke's musical theatre encapsulates his important contribution to South African musical theatre, which was a major interest throughout his life. 1957 was the most important and prolific period for Staff.
His most notable work in terms of theatre history is his works based on South African stories and works and became a precursor of the influential modern dance and physical theatre movements which developed to full strength in the late 1980s. Prominent among these were his seminal versions of N.P. van Wyk Louw's poem Raka and the narrative of The Rain Queen. Both performances were also filmed.
Other stage productions choreographed by Staff include the choreography for Brian Brooke's Irma la Douce (1960) and Brian Brooke and John Kavan’s The Minstrel Show (1966).
Platonic Nymph, How to Succeed in Business Without Really Trying
Sources
Programme, Raka, Cape Town City Ballet, KKNK, April,
Wikipedia [1].
Tucker, 1997.
G. Rosen's 1999 UCT Ph.D.
Go to ESAT Bibliography
Return to
Return to ESAT Personalities S
Return to South African Theatre Personalities
Return to The ESAT Entries
Return to Main Page
