Difference between revisions of "Dimpho di Kompane"

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https://www.charleshazlewood.com/ucarmen
 
https://www.charleshazlewood.com/ucarmen
  
 
 
[[Ludwig Wilhelm  Berthold Binge]]. 1969. ''Ontwikkeling van die Afrikaanse toneel (1832-1950)''. Pretoria: J.L. van Schaik: pp.
 
 
[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage",  in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.)
 
 
[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp.
 
 
[[F.C.L. Bosman]], 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp.
 
 
[[P.J. du Toit]], 1988. ''Amateurtoneel in Suid-Afrika''. Pretoria: Academica
 
 
[[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg.
 
  
 
Go to [[ESAT Bibliography]]
 
Go to [[ESAT Bibliography]]

Revision as of 06:27, 6 December 2019

Dimpho di Kompane is South African multiracial opera company.

In 1999, Charles Hazlewood and Mark Dornford-May were invited to create a new opera company in Cape Town. After auditioning in the townships and villages of South Africa, the mostly black lyric-theatre company DDK (Dimpho di Kopane – Sotho for “combined talents”) was formed. Of the 40 members, only three had professional training as opera singers.

In January 2001, the company made its debut with Bizet’s Carmen (as U-Carmen) at the Spier Amphitheatre, Stellenbosch. They later also co-produced the film version, U-Carmen eKhayelitsha (as Spier Films).

Sources

https://www.charleshazlewood.com/ucarmen


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