Difference between revisions of "The Cape Mail"
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Revision as of 06:34, 14 June 2019
The Cape Mail is a one act play by Clement Scott (1841–1904)[1]
Contents
The original text
Founded on an incident in Jeanne qui Pleure et Jeanne qui Rit, a French comedy in four acts by (1859) by Philippe François Pinel Dumanoir and Ange de Kéraniou (published in January 1860 by Michel Lévy frères and first performed in Paris at the Théâtre Gymnase-dramatique, 4 April 1860).
In 1864 Jacques Offenbach (1819-1880) adapted it as an operetta in one act by called Die Hanni weint, der Hansi lacht ("Hanni who cries and Hansi who laughs"), in German (with a libretto by an unnamed author) and in French as Jeanne qui Pleure et Jeanne qui Rit (with a libretto by Charles Nuitter (1828-1899) and Etienne Tréfeu ).
Scott's play (probably based on the one act opera) was written shortly after, and refers to the battle of Rorke's Drift in Natal (1879). Originally published in English by Samuel French in 1881, as French's acting edition, no. 1784.; and again in London and New York by Macmillan in 1899.
Performed at the Vaudeville Theatre, London on 11 October, 1897, playing till 2 February 1898.
Translations and adaptations
Performance history in South Africa
1885: Performed as The Cape Mail in the Theatre Royal, Cape Town, produced by Mr H.C. Sidney and partner Mr H.J. Fiedler during the course of the year.
Sources
Ruth Silvestre. 2009. Final Perormance. Troubador Publishing Ltd: p.42[2]
https://catalog.hathitrust.org/Record/011541633
http://www.worldcat.org/title/cape-mail-a-drama-in-one-act/oclc/9151818
J.P. Wearing. 2013. The London Stage 1890-1899: A Calendar of Productions, Performers, and Personnel. Scarecrow Press: p. 358[3]
D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: p. 381.
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