Difference between revisions of "ESAT Bibliography Lew-Lim"
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[[J.H. Lewis|Lewis, J.H.]] 1984. ''[[Jaar van die Vuur-os]]'' ([[W.A. de Klerk]]). ''[[Tydskrif vir Letterkunde]]'', 22(4):136-149. | [[J.H. Lewis|Lewis, J.H.]] 1984. ''[[Jaar van die Vuur-os]]'' ([[W.A. de Klerk]]). ''[[Tydskrif vir Letterkunde]]'', 22(4):136-149. | ||
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| + | [[Janine Lewis|Lewis, Janine]] 2010. Physical actions as expressive performance narratives: a self-reflexive journey. ''[[South African Theatre Journal]]'', 24:175-200. | ||
[[Megan Lewis|Lewis, Megan]] 1998. Standard Bank [[National Arts Festival]]. ''Theatre Journal'', 50(1):105-107. | [[Megan Lewis|Lewis, Megan]] 1998. Standard Bank [[National Arts Festival]]. ''Theatre Journal'', 50(1):105-107. | ||
Revision as of 11:10, 16 March 2011
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L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
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Lewis, C. 1972. Yiddish theatre. Jewish Affairs, 27(5):31-32. May.
Lewis, J.H. 1980. Germanicus as tragiese held. Tydskrif vir Letterkunde, 18(3):133-138.
Lewis, J.H. 1984. Jaar van die Vuur-os (W.A. de Klerk). Tydskrif vir Letterkunde, 22(4):136-149.
Lewis, Janine 2010. Physical actions as expressive performance narratives: a self-reflexive journey. South African Theatre Journal, 24:175-200.
Lewis, Megan 1998. Standard Bank National Arts Festival. Theatre Journal, 50(1):105-107.
Lewis, Megan & Walen, Denise A. 2000. Performance review. Theatre Journal, 52(2):280.
Lewis, Megan 2008a. Past, present, and future: a tense South Africa performs. PAJ: A Journal of Performance & Art, 30(89):93-101.
Lewis, Megan 2008b. (Un)patriotic acts of an imagined community: the Klein Karoo Nasional Kunstefees (KKNK). Theatre Journal, 60(4):654-659.
Lewis, Megan 2010. South Africa’s National Arts Festival. Theatre Journal, 62(2):275-280.
Lewis Nkosi interviewed by Kevin Goddard 1992, in Kevin Goddard & Wessels, Charles (eds.). Out of Exile: South African Writers Speak: Interviews with Albie Sachs, Lewis Nkosi, Mbulelo Mzamane, Breyten Breytenbach, Denis Brutus, Keorapetse Kgositsile. Grahamstown, National English Literary Museum. 26-36.
Libin, M. 2003. Can the subaltern be heard? Response and responsibility in South Africa’s human spirit. Textual Practice, 17(1):119-140.
Lickindorf, Elisabeth 1987. The verse music of Suzman’s Orhello. Shakespeare in Southern Africa, 1:69-71.
Liebenberg, Rozelle 1977. Prinsipes van die kinderdrama in Suid-Afrika. Unpublished honour’s essay. Pretoria: University of Pretoria.
Lieberfeld, Daniel 1997. Pieter-Dirk Uys: crossing apartheid lines. The Drama Review, 41(1):61-71.
Lieberman, Susan 1985. Jumping into madness: South Africa’s Market Theatre against Apartheid. Theatre Crafts, 19(8):38-41, 57-61.
Liefhebber skuilnaam 1956. Afrikaanse toneel: kom ons praat reguit. Helikon, 6(23):66-69.
Lieskounig, J. 1985. Act it out! : theatrical scenes for language teaching in conversation classes. Journal for Language Teaching, 19(2):11-16.
Lighting the stage: a guide to the type of equipment available and its location in the theatre. 1986. Scenaria, (61):35-37.
Lijphart-Bezuidenhout, T. 1972. Onderveldse dorpstonele. Standpunte, 25(4):8-21. April.
Lilley, E. 1979. Founding of the South African Association for Drama and Youth Theatre. Crux, 13(3):8-9. October.
Click on the appropriate letters of the alphabet in the sub-list below.
L-Laz Lea-Lev Lew-Lim Lin-Loo Lop-Lz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
