Difference between revisions of "ESAT Bibliography Wem-Wil"
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| − | Wertheim, Albert 1986. The darkness of bondage, the freedom of light: Athol | + | [[Albert Wertheim|Wertheim, Albert]] 1986. The darkness of bondage, the freedom of light: [[Athol Fugard]]’s ''[[The Road to Mecca]]''. ''Essays in Theatre'', 5(1):15-25. |
| − | Wertheim, Albert 1987. The prison theatre and the theatre as prison: Athol | + | [[Albert Wertheim|Wertheim, Albert]] 1987. The prison theatre and the theatre as prison: [[Athol Fugard]]’s ''[[The Island]]''. ''Themes in Drama'', 9:229-237. |
| − | Wertheim, Albert 1995. Euripides in South Africa: Medea and Demea. Comparative Drama, 29(3):334-347. | + | [[Albert Wertheim|Wertheim, Albert]] 1995. Euripides in South Africa: Medea and Demea. ''Comparative Drama'', 29(3):334-347. |
| − | Wertheim, Albert 1996. The 1995 Grahamstown Festival. South African Theatre Journal, 10(1):94-100. | + | [[Albert Wertheim|Wertheim, Albert]] 1996. The 1995 [[Grahamstown Festival]]. ''[[South African Theatre Journal]]'', 10(1):94-100. |
| − | Wertheim, Albert 2000. The Dramatic Art of Athol Fugard: From South Africa to the World. Bloomington: Indiana University Press. | + | [[Albert Wertheim|Wertheim, Albert]] 2000. ''The Dramatic Art of [[Athol Fugard]]: From South Africa to the World''. Bloomington: Indiana University Press. |
| − | Wessels, I. 1976. Toegewyd en afgerond – dis Wilna. Sarie Marais, 27(23):109-111. May 5. | + | [[I. Wessels|Wessels, I.]] 1976. Toegewyd en afgerond – dis [[Wilna Snyman|Wilna]]. ''Sarie Marais'', 27(23):109-111. May 5. |
| − | Wessels, I. 1978. Anna Neethling-Pohl, ‘n porttret. Sarie, 29(20):42-46. April 5. | + | [[I. Wessels|Wessels, I.]] 1978. [[Anna Neethling-Pohl]], ‘n porttret. ''Sarie'', 29(20):42-46. April 5. |
| − | Weston, L. 1954. They keep our theatre alive. Spotlight, 6-9. September. | + | [[L/ Weston|Weston, L.]] 1954. They keep our theatre alive. ''Spotlight'', 6-9. September. |
| − | Wetmore, Kevin J. 2002. The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy. Jefferson, N. C.: McFarland. | + | [[Kevin J. Wetmore|Wetmore, Kevin J.]] 2002. ''The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy''. Jefferson, N. C.: McFarland. |
| − | Wetmore, Kevin J 2005.Exits and | + | [[Kevin J. Wetmore|Wetmore, Kevin J.]] 2005. ''[[Exits and Entrances]]'', by [[Athol Fugard]]; ''[[Nothing But the Truth]]'' by [[John Kani]]. Reviewed in: ''Theatre Journal'', 57(2):269-272. |
| − | Wetherell, Violet 1940. Wenke vir amateuropvoerings: hoe Leontine Sagan reperteer. Huisgenoot | + | [[Violet Wetherell|Wetherell, Violet]] 1940. Wenke vir amateuropvoerings: hoe [[Leontine Sagan]] reperteer. ''Huisgenoot'', 25(959):22. Augustus 9. |
Whitaker, R. 1981. Dimoetes to Dimetos: the evolution of myth: [literary criticism of Fugard’s Dimetos]. English Studies in Africa, 24:45-59. | Whitaker, R. 1981. Dimoetes to Dimetos: the evolution of myth: [literary criticism of Fugard’s Dimetos]. English Studies in Africa, 24:45-59. | ||
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White, L. 1982. Power and the Praise Poem. Journal of Southern African Studies, 9:1. | White, L. 1982. Power and the Praise Poem. Journal of Southern African Studies, 9:1. | ||
| + | |||
White, L. 1989. Poetic licence: oral poetry and history, in Barber, K. and de Moraes Farias, P.F. (eds.). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University African Studies Series No. 1. | White, L. 1989. Poetic licence: oral poetry and history, in Barber, K. and de Moraes Farias, P.F. (eds.). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University African Studies Series No. 1. | ||
Revision as of 21:13, 7 March 2011
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Wertheim, Albert 1986. The darkness of bondage, the freedom of light: Athol Fugard’s The Road to Mecca. Essays in Theatre, 5(1):15-25.
Wertheim, Albert 1987. The prison theatre and the theatre as prison: Athol Fugard’s The Island. Themes in Drama, 9:229-237.
Wertheim, Albert 1995. Euripides in South Africa: Medea and Demea. Comparative Drama, 29(3):334-347.
Wertheim, Albert 1996. The 1995 Grahamstown Festival. South African Theatre Journal, 10(1):94-100.
Wertheim, Albert 2000. The Dramatic Art of Athol Fugard: From South Africa to the World. Bloomington: Indiana University Press.
Wessels, I. 1976. Toegewyd en afgerond – dis Wilna. Sarie Marais, 27(23):109-111. May 5.
Wessels, I. 1978. Anna Neethling-Pohl, ‘n porttret. Sarie, 29(20):42-46. April 5.
Weston, L. 1954. They keep our theatre alive. Spotlight, 6-9. September.
Wetmore, Kevin J. 2002. The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy. Jefferson, N. C.: McFarland.
Wetmore, Kevin J. 2005. Exits and Entrances, by Athol Fugard; Nothing But the Truth by John Kani. Reviewed in: Theatre Journal, 57(2):269-272.
Wetherell, Violet 1940. Wenke vir amateuropvoerings: hoe Leontine Sagan reperteer. Huisgenoot, 25(959):22. Augustus 9.
Whitaker, R. 1981. Dimoetes to Dimetos: the evolution of myth: [literary criticism of Fugard’s Dimetos]. English Studies in Africa, 24:45-59.
Whales, R.D. 1974. Young playmakers. South African Panorama, 19(3):36-37. March.
White, L. 1982. Power and the Praise Poem. Journal of Southern African Studies, 9:1.
White, L. 1989. Poetic licence: oral poetry and history, in Barber, K. and de Moraes Farias, P.F. (eds.). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: Birmingham University African Studies Series No. 1.
White, Landeg and Couzens, Tim. 1984. Literature and Society in South Africa. Cape Town: Maskew Miller Longman.
Whitehouse, Audrey 1985. Port Elizabeth Shakespearean Festival: the first 25 years. Education and Culure, 8(3):8-10.
Wilkens, Ivor and Strydom, Hans 1980. Die Super Afrikaners. Johannesburg: Ball.
Wilkinson J. 1999. 'The Sayings of Tsikinya-Chaka': Shakespeare in South Africa. Africa: Rivista Trimestrale di Studi e Documentazione dell'Istituto Italo-Africano, 54(2):193.
Wille, Franz 1992. Wir spielen Weiter. Theater Heute, 2:69-70.
Willems, Jos (ed.). 1966. Die H.B. Thom-teater, Universiteit van Stellenbosch. Stellenbosch: Pro Ecclesia.
Williams, J.J. 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. Critical Arts 10(1):107.
Williams, Owen 1965. Theatre in South Africa. Contrast, 4(1) 59-68.
Willoughby, Guy 1995. Abroad on the boards: a new-look Fiona Ramsay faces the international limelight. Style, 17(7): 64-67.
Wilmot, E. de B. 1951. Rep’s new theatre has everything. Outspan, 48(1274):22. July 27.
Click on the appropriate letters of the alphabet in the sub-list below.
Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
