Difference between revisions of "J. Rainford"
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== Sources == | == Sources == | ||
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| + | ''Sydney Morning Herald'', 5 May, 1863[https://trove.nla.gov.au/newspaper/article/13078075] | ||
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| + | The Australian ''Circus History Society'' Website[https://barlowtheinimitablebluetailedfly.weebly.com/uploads/2/8/3/6/28364443/troupes_with_connections_to_barlow.pdf] | ||
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| + | W.J. Mahar. 1999. ''Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture''. Volume 442 of ''Music in American life''. University of Illinois Press, 1999 | ||
[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. 139-140. | [[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1916''. Pretoria: [[J.L. van Schaik]]: pp. 139-140. | ||
Go to the [[ESAT Bibliography]] | Go to the [[ESAT Bibliography]] | ||
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Revision as of 06:15, 12 January 2019
J. Rainford, (fl 1860s) was an American singer, musician and actor.
Also known as Mr Rainford
Contents
Biography
Contribution to SA theatre, film, media and/or performance
A member of the "original" Christy Minstrels that visited South Africa in 1862, he was apparently an excellent bass singer, and among his performances, he appeared in the burlesque, La Somnambula.
The company's successful appearances had a huge impact on popular entertainment in Cape Town and the country during the 19th century.
Sources
Sydney Morning Herald, 5 May, 1863[1]
The Australian Circus History Society Website[2]
W.J. Mahar. 1999. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. Volume 442 of Music in American life. University of Illinois Press, 1999
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp. 139-140.
Go to the ESAT Bibliography
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