Difference between revisions of "Frank Staff"
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He was married four times, to Elisabeth Schooling, Jaqueline St. Clere, [[Heather Lloyd-Jones]] and [[Veronica Paeper]], and had a son by each of the wives. | He was married four times, to Elisabeth Schooling, Jaqueline St. Clere, [[Heather Lloyd-Jones]] and [[Veronica Paeper]], and had a son by each of the wives. | ||
| − | His most notable work in terms of theatre history is his works based on South African stories and works and became a precursor of the influential modern dance and physical theatre movements which developed to full strength in the late 1980s. | + | His most notable work in terms of theatre history is his works based on South African stories and works and became a precursor of the influential modern dance and physical theatre movements which developed to full strength in the late 1980s. Prominent among these were his seminal versions of [[N.P. van Wyk Louw]]'s poem ''[[Raka]]'' and the narrative of ''[[The Rain Queen]]''. Both performances were also filmed. |
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Other stage productions include the choreography for Brian Brooke's ''[[Irma la Douce]]'' (1960) and [[Brian Brooke]] and [[John Kavan]]’s ''[[The Minstrel Show]]'' (1966). | Other stage productions include the choreography for Brian Brooke's ''[[Irma la Douce]]'' (1960) and [[Brian Brooke]] and [[John Kavan]]’s ''[[The Minstrel Show]]'' (1966). | ||
Revision as of 05:20, 16 October 2018
Frank Staff (1918-1971) was an influential ballet dancer, choreographer, producer and company director.
Born in Kimberley, he left the country to work internationally for Ballet Rambert, Sadler's Wells, the Metropolitan Ballet and other companies. Returned in 1955 to found The South African Ballet for which he choreographed 15 dances, and worked for the Perfoming Arts Councils (inter alia PACOFS) and for private companies.
He was married four times, to Elisabeth Schooling, Jaqueline St. Clere, Heather Lloyd-Jones and Veronica Paeper, and had a son by each of the wives.
His most notable work in terms of theatre history is his works based on South African stories and works and became a precursor of the influential modern dance and physical theatre movements which developed to full strength in the late 1980s. Prominent among these were his seminal versions of N.P. van Wyk Louw's poem Raka and the narrative of The Rain Queen. Both performances were also filmed.
Other stage productions include the choreography for Brian Brooke's Irma la Douce (1960) and Brian Brooke and John Kavan’s The Minstrel Show (1966).
Sources
Programme, Raka, Cape Town City Ballet, KKNK, April,
https://en.wikipedia.org/wiki/Frank_Staff
Percy Tucker, 1997
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