Difference between revisions of "The Returned Volunteer"
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| − | [[The Returned Volunteer]] is a | + | ''[[The Returned Volunteer]]'' is a Christy's style sketch |
| − | Also found | + | Also found are the titles ''[[Returned Volunteer]]'' and ''[[The Returned Volunteer from Abessynia]], probably the same work. |
A number of American performances of an Ethiopian sketch called ''[[Returned Volunteer]]'' are recorded by Mahar (1999: p. 159)They are listed for 22 May and 28 December, 1849 by the Virginia Serenaders; 9 December 1851 and 22 August 1853 by Wood's Minstrels. | A number of American performances of an Ethiopian sketch called ''[[Returned Volunteer]]'' are recorded by Mahar (1999: p. 159)They are listed for 22 May and 28 December, 1849 by the Virginia Serenaders; 9 December 1851 and 22 August 1853 by Wood's Minstrels. | ||
Revision as of 05:26, 27 September 2018
The Returned Volunteer is a Christy's style sketch
Also found are the titles Returned Volunteer and The Returned Volunteer from Abessynia, probably the same work.
A number of American performances of an Ethiopian sketch called Returned Volunteer are recorded by Mahar (1999: p. 159)They are listed for 22 May and 28 December, 1849 by the Virginia Serenaders; 9 December 1851 and 22 August 1853 by Wood's Minstrels.
Circa 1868-1869 the Young Men’s Institute Amateur Christy’s of Cape Town performed a number of minstrelsy shows and so-called Ethiopian burlesques or [[Negro farces], that included a piece called The Returned Volunteer from Abessynia.
W.J. Mahar. 1999. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. Volume 442 of Music in American life. University of Illinois Press, 1999: p. 159.[1]
