Difference between revisions of "Notes for the Curious"
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"The Art of Presence", in ''[[Rhodes Drama Review]]'' 2003'': p.19[https://www.ru.ac.za/media/rhodesuniversity/content/drama/documents/review%202003.pdf] | "The Art of Presence", in ''[[Rhodes Drama Review]]'' 2003'': p.19[https://www.ru.ac.za/media/rhodesuniversity/content/drama/documents/review%202003.pdf] | ||
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| + | [[Daniël Botha Stander]]. 2016. ''Reza de Wet’s Channeling of the Long Nineteenth Century on Post-1994 South African Stages''. Unpublished MA thesis, University of Stellenbosch.[http://scholar.sun.ac.za/handle/10019.1/98824] | ||
Go to [[ESAT Bibliography]] | Go to [[ESAT Bibliography]] | ||
Revision as of 14:57, 30 June 2018
Notes for the Curious is a text by Reza de Wet (1952-2012).
Contents
The original text
A performance text written by De Wet for use by Orlando Vincent Truter, a student in the Masters in Contemporary Performance at Rhodes University, for use as an exercise in butoh, the Japanese avant-garde dance.
The text is unpublished.
Translations and adaptations
Performance history in South Africa
2003: Performed at Rhodes University by Orlando Vincent Truter, assisted by Greg Parvess, directed by Reza de Wet, with designs by Truter.
Sources
"The Art of Presence", in Rhodes Drama Review 2003: p.19[1]
Daniël Botha Stander. 2016. Reza de Wet’s Channeling of the Long Nineteenth Century on Post-1994 South African Stages. Unpublished MA thesis, University of Stellenbosch.[2]
Go to ESAT Bibliography
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Return to PLAYS II: Foreign plays
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Return to PLAYS IV: Pageants and public performances
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