Difference between revisions of "Scenaria"

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A glossy, informative journal devoted to the performing arts, founded in 1977 by [[Julius Eichbaum]], and edited and published by him through his publishing house [[Triad Publishers]].  Discontinued with the passing away of Julius Eichbaum in 1998. Published sharp and  provocative editorials and articles on the state of arts and culture in South Africa. Ostensibly intended to serve all art forms, it gradually began to display a distinct preference for Eichbaum’s real passion: opera. For this reason too Eichbaum and the journal were at the forefront of all efforts to save the so-called “universal arts” (elite arts) in the face of the pressures towards Africanization in the 1990s.
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A glossy, informative monthly journal (incorporating ''[[Arabesque]]''), devoted to the performing arts. It was founded in 1977 by [[Julius Eichbaum]], and edited and published by him through his publishing house [[Triad Publishers]] and also by [[''Seven Arts Publishers (Pty) Ltd'']] who were located in Parkview, Johannesburg.  Discontinued with the passing away of Julius Eichbaum in 1998. Published sharp and  provocative editorials and articles on the state of arts and culture in South Africa. Ostensibly intended to serve all art forms, it gradually began to display a distinct preference for Eichbaum’s real passion: opera. For this reason too Eichbaum and the journal were at the forefront of all efforts to save the so-called “universal arts” (elite arts) in the face of the pressures towards Africanization in the 1990s.
  
 
== Sources ==
 
== Sources ==

Revision as of 11:23, 6 February 2018

A glossy, informative monthly journal (incorporating Arabesque), devoted to the performing arts. It was founded in 1977 by Julius Eichbaum, and edited and published by him through his publishing house Triad Publishers and also by ''Seven Arts Publishers (Pty) Ltd'' who were located in Parkview, Johannesburg. Discontinued with the passing away of Julius Eichbaum in 1998. Published sharp and provocative editorials and articles on the state of arts and culture in South Africa. Ostensibly intended to serve all art forms, it gradually began to display a distinct preference for Eichbaum’s real passion: opera. For this reason too Eichbaum and the journal were at the forefront of all efforts to save the so-called “universal arts” (elite arts) in the face of the pressures towards Africanization in the 1990s.

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