Difference between revisions of "Matteo Falcone"

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Full title: ''[[Matteo Falcone; or The Brigand and Son]]''. A romantic drama in one act,  based on a popular short story ("Mateo Falcone", 1829) by Prosper Merimée (1803 – 1870). The story of a Corsican man who kills his son in the name of justice.  
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''[[Matteo Falcone; or The Brigand and Son]]'' is a romantic drama in one act by Oxberry. 
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Also found simply as ''[[Matteo Falcone]]''
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== The original text ==
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Based on a popular short story ("Mateo Falcone", 1829) by Prosper Merimée (1803 – 1870), the story of a Corsican man who kills his son in the name of justice.  
  
 
First produced at the Theatre Royal, Lyceum, June 6th, 1836. This performance text was printed , with ''[[The Middy Ashore]]'', by John Dicks, 313 Strand, London 313.   
 
First produced at the Theatre Royal, Lyceum, June 6th, 1836. This performance text was printed , with ''[[The Middy Ashore]]'', by John Dicks, 313 Strand, London 313.   
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==Translations and adaptations==
  
 
The story has been made into a short opera of the same name by the Russian composer César Cui (1906-1907) and has been filmed a number of times.   
 
The story has been made into a short opera of the same name by the Russian composer César Cui (1906-1907) and has been filmed a number of times.   
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== Performance history in South Africa ==
 
== Performance history in South Africa ==
  
Performed in the [[Hope Street Theatre]] on 17 December 1850 by the [[New English Theatrical Company]] of [[W.F.H. Parker]]; with ''[[Woman's the Devil]]'' (Stirling) as  afterpiece. Apparently they did not use the English stage adaptation by Oxberry, for a translator, named "Wilson", is listed by [[F.C.L. Bosman|Bosman]] (1928, p.419).  
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1850: Performed as ''[[Matteo Falcone]]'' in the [[Hope Street Theatre]] on 17 December by the [[New English Theatrical Company]] of [[W.F.H. Parker]]; with ''[[Woman's the Devil]]'' (Stirling) as  afterpiece. Apparently they did not use the English stage adaptation by Oxberry, for a translator, named "Wilson", is listed by [[F.C.L. Bosman|Bosman]] (1928, p.419).  
 
 
 
 
==Translations and adaptations==
 
  
 
== Sources ==
 
== Sources ==
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Internet Archive: The Middy Ashore and Matteo Falcone[http://archive.org/stream/middyashoreandma00bernuoft/middyashoreandma00bernuoft_djvu.txt]
 
Internet Archive: The Middy Ashore and Matteo Falcone[http://archive.org/stream/middyashoreandma00bernuoft/middyashoreandma00bernuoft_djvu.txt]
  
[[F.C.L. Bosman|Bosman]], 1928: p. 419
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[[F.C.L. Bosman]]. 1928. ''Drama en Toneel in Suid-Afrika'', Deel I: 1652-1855. Pretoria: [[J.H. de Bussy]]. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 419
  
Go to [[South African Theatre/Bibliography|ESAT Bibliography]]
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Go to [[ESAT Bibliography]]
  
 
== Return to ==
 
== Return to ==
 
Return to [[ESAT Plays 2 M|M]] in Plays II Foreign Plays
 
  
 
Return to [[PLAYS I: Original SA plays]]
 
Return to [[PLAYS I: Original SA plays]]

Revision as of 05:17, 24 April 2017

Matteo Falcone; or The Brigand and Son is a romantic drama in one act by Oxberry.

Also found simply as Matteo Falcone


The original text

Based on a popular short story ("Mateo Falcone", 1829) by Prosper Merimée (1803 – 1870), the story of a Corsican man who kills his son in the name of justice.

First produced at the Theatre Royal, Lyceum, June 6th, 1836. This performance text was printed , with The Middy Ashore, by John Dicks, 313 Strand, London 313.

Translations and adaptations

The story has been made into a short opera of the same name by the Russian composer César Cui (1906-1907) and has been filmed a number of times.

Performance history in South Africa

1850: Performed as Matteo Falcone in the Hope Street Theatre on 17 December by the New English Theatrical Company of W.F.H. Parker; with Woman's the Devil (Stirling) as afterpiece. Apparently they did not use the English stage adaptation by Oxberry, for a translator, named "Wilson", is listed by Bosman (1928, p.419).

Sources

http://en.wikipedia.org/wiki/Mateo_Falcone

Internet Archive: The Middy Ashore and Matteo Falcone[1]

F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [2]: pp. 419

Go to ESAT Bibliography

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