Difference between revisions of "Kaatje Kekkelbek or Life Among the Hottentots"
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− | + | [[Kaatje Kekkelbek, or Life Among the Hottentots]]'' (or ''[[Caatje Kekelbek, or Life Among the Hottentots]]'') is a sketch in verse and prose, in the form of a "comic song", by [[Andrew Geddes Bain]] and [[George Rex]]. (Though the father [[George Rex]], was long seen as the author, [[Ludwig Binge]] - 1969, pp3-4 - argues convincingly for the son, [[Andrew Rex]].) There is also some uncertainty about the first performed Grahamstown, with both Laidler (1925) and Fletcher (1991) saying 25 October 1838, Du Toit 5 November 1839, and F.C.L. Bosman arguing that at the earliest it could have been in 1844. First published in [[Sam Sly]]’s [[Journal Space]] 1846, also reproduced in Bosman (1928) pp. 541-543 and in Wikipedia (http://en.wikipedia.org/wiki/Andrew_Geddes_Bain). | |
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== Full text == | == Full text == | ||
− | There are a number of versions of the original text apparently. The following version is the one published as ''Appendix X'' in his 1928 by [[F.C.L. Bosman]] | + | There are a number of versions of the original text apparently. The following version is the one originally published [[P.W. Laidler]] (1926) and reproduced as ''Appendix X'' in his 1928 in his history of South African theatre by [[F.C.L. Bosman]]: |
My name is Kaatje Kekkelbek, | My name is Kaatje Kekkelbek, |
Revision as of 06:44, 8 April 2017
Kaatje Kekkelbek, or Life Among the Hottentots (or Caatje Kekelbek, or Life Among the Hottentots) is a sketch in verse and prose, in the form of a "comic song", by Andrew Geddes Bain and George Rex. (Though the father George Rex, was long seen as the author, Ludwig Binge - 1969, pp3-4 - argues convincingly for the son, Andrew Rex.) There is also some uncertainty about the first performed Grahamstown, with both Laidler (1925) and Fletcher (1991) saying 25 October 1838, Du Toit 5 November 1839, and F.C.L. Bosman arguing that at the earliest it could have been in 1844. First published in Sam Sly’s Journal Space 1846, also reproduced in Bosman (1928) pp. 541-543 and in Wikipedia (http://en.wikipedia.org/wiki/Andrew_Geddes_Bain).
Generally accepted as the first piece of performed stage writing incorporating "kitchen-Dutch", or Afrikaans. Very popular and apparently performed a number of times over the years, esp. between 1834 and 1843. Possibly also in Cape Town (see P.W. Laidler, 1926). The central character of "Caatje Kekelbek" (or "Kaatje Kekkelbek", as she is more commonly known today), the fiery and articulate housemaid, has become a stock figure in a number of South African works over the years, including plays by Stephen Black and Guy Butler. (See further Binge pp 4-5 for the general influence of this song, especially on the Afrikaans literary and playwriting tradition.)
Full text
There are a number of versions of the original text apparently. The following version is the one originally published P.W. Laidler (1926) and reproduced as Appendix X in his 1928 in his history of South African theatre by F.C.L. Bosman:
My name is Kaatje Kekkelbek,
I come from Kat Rivier,
Daar’s van water geen gebrek,
But scarce of wine and beer.
Myn A B C at Philip's school
I learnt a kleine beetje,
But left it just as great a fool
As gekke Tante Meitje.
Sources
http://www.thegreatkaroo.com/page/andrew_geddes_bain
http://en.wikipedia.org/wiki/Andrew_Geddes_Bain
Ludwig Wilhelm Berthold Binge. 1969. Ontwikkeling van die Afrikaanse toneel (1832-1950). Pretoria: J.L. van Schaik: pp.
F.C.L. Bosman. 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp.
F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1916. Pretoria: J.L. van Schaik: pp.
P.J. du Toit. 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica
Jill Fletcher. 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg: p.
P.W. Laidler. 1926. The Annals of the Cape Stage. Edinburgh: William Bryce: p.
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