Difference between revisions of "ESAT Bibliography Y"
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[[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] | [[ESAT Bibliography A|A]] [[ESAT Bibliography B|B]] [[ESAT Bibliography C|C]] [[ESAT Bibliography D|D]] [[ESAT Bibliography E|E]] [[ESAT Bibliography F|F]] [[ESAT Bibliography G|G]] [[ESAT Bibliography H|H]] [[ESAT Bibliography I|I]] [[ESAT Bibliography J|J]] [[ESAT Bibliography K|K]] [[ESAT Bibliography L|L]] [[ESAT Bibliography M|M]] [[ESAT Bibliography N|N]] [[ESAT Bibliography O|O]] [[ESAT Bibliography P|P]] [[ESAT Bibliography Q|Q]] [[ESAT Bibliography R|R]] [[ESAT Bibliography S|S]] [[ESAT Bibliography T|T]] [[ESAT Bibliography U|U]] [[ESAT Bibliography V|V]] [[ESAT Bibliography W|W]] [[ESAT Bibliography X|X]] [[ESAT Bibliography Y|Y]] | ||
[[ESAT Bibliography Z|Z]] | [[ESAT Bibliography Z|Z]] | ||
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Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | ||
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[[O. Yai|Yai, O.]] 1989. Issues in oral poetry: criticism, teaching and translation, in [[K. Barber|Barber, K.]] & [[P.F. de Moraes Farias|De Moraes Farias, P.F.]] (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: University of Birmingham. Centre of West African Sudies. | [[O. Yai|Yai, O.]] 1989. Issues in oral poetry: criticism, teaching and translation, in [[K. Barber|Barber, K.]] & [[P.F. de Moraes Farias|De Moraes Farias, P.F.]] (eds.). ''Discourse and Its Disguises: The Interpretation of African Oral Texts''. Birmingham: University of Birmingham. Centre of West African Sudies. | ||
| − | [[S.S. Yani|Yani, S.S.]] 1999. Ugcaleka ubuyile: Accents of culture: aspects of Raymond Williams's theory of culture in relation to South African drama. Unpublished master's thesis. Johannesburg: University of the Witwatersrand. | + | [[S.S. Yani|Yani, S.S.]] 1999. ''[[Ugcaleka Ubuyile|Ugcaleka ubuyile]]'': Accents of culture: aspects of Raymond Williams's theory of culture in relation to South African drama. Unpublished master's thesis. Johannesburg: University of the Witwatersrand. |
[[R.S. Yates|Yates, R.S.]] 1963. Lighting equipment for modern theatre. ''South African Electrical Review'', 54(545):41-45. | [[R.S. Yates|Yates, R.S.]] 1963. Lighting equipment for modern theatre. ''South African Electrical Review'', 54(545):41-45. | ||
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[[Miranda Eleanor Young|Young, Miranda Eleanor]] 1997. Gender dynamics and the role of participatory/development theatre in post-apartheid South Africa : the example of [[DramAidE]]. Unpublished master's thesis. Durban: Universtity of Natal. | [[Miranda Eleanor Young|Young, Miranda Eleanor]] 1997. Gender dynamics and the role of participatory/development theatre in post-apartheid South Africa : the example of [[DramAidE]]. Unpublished master's thesis. Durban: Universtity of Natal. | ||
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| + | [[Miranda Young-Jahangeer|Young-Jahangeer, Miranda]] 2005. Bringing in to play: investigating the appropriation of Prison Theatre in Westville Female prison, KwaZulu-Natal (2000-2004). ''[[South African Theatre Journal]]'', 19:143-156. | ||
[[Miranda Young-Jahangeer|Young-Jahangeer, Miranda]] 2007. A Luta Continua: a responsive intervention in Warwick Triangle Durban. ''[[South African Theatre Journal]]'', 21:135-148. | [[Miranda Young-Jahangeer|Young-Jahangeer, Miranda]] 2007. A Luta Continua: a responsive intervention in Warwick Triangle Durban. ''[[South African Theatre Journal]]'', 21:135-148. | ||
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[[Robert C. Young|Young, Robert C.]] 1995. ''Colonial Desire: Hybridity in Theory, Culture and Race''. London: Routledge. | [[Robert C. Young|Young, Robert C.]] 1995. ''Colonial Desire: Hybridity in Theory, Culture and Race''. London: Routledge. | ||
| − | [[S. Young|Young, S.]] 2010. ''Anthony and Cleopatra'': theatre reviews (A review of Antony and Cleopatra, directed by [[Marthinus Basson]] and performed at the [[Maynardville]] Open-air Theatre, Cape Town, during January and February, 2010). ''Shakespeare in Southern Africa'', 22:45-47. | + | [[S. Young|Young, S.]] 2010. ''[[Antony and Cleopatra|Anthony and Cleopatra]]'': theatre reviews (A review of ''Antony and Cleopatra'', directed by [[Marthinus Basson]] and performed at the [[Maynardville]] Open-air Theatre, Cape Town, during January and February, 2010). ''Shakespeare in Southern Africa'', 22:45-47. |
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| + | Young, Toby 2002. Colonial condescension. ''[[The Mysteries]]''. Reviewed in: ''The Spectator'', 9 March:59. | ||
[[Janni Younge|Younge, Janni]] 2007. Creating resonance in emptiness with visual theatre : how the metaphorical potential of puppets, objects and images in theatre can be used to explore the constructed nature of reality and the complexity of the self. Unpublished master's thesis. Cape Town: University of Cape Town. | [[Janni Younge|Younge, Janni]] 2007. Creating resonance in emptiness with visual theatre : how the metaphorical potential of puppets, objects and images in theatre can be used to explore the constructed nature of reality and the complexity of the self. Unpublished master's thesis. Cape Town: University of Cape Town. | ||
Latest revision as of 09:04, 1 April 2017
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Return to The ESAT Entries
Return to Main Page
Yai, O. 1989. Issues in oral poetry: criticism, teaching and translation, in Barber, K. & De Moraes Farias, P.F. (eds.). Discourse and Its Disguises: The Interpretation of African Oral Texts. Birmingham: University of Birmingham. Centre of West African Sudies.
Yani, S.S. 1999. Ugcaleka ubuyile: Accents of culture: aspects of Raymond Williams's theory of culture in relation to South African drama. Unpublished master's thesis. Johannesburg: University of the Witwatersrand.
Yates, R.S. 1963. Lighting equipment for modern theatre. South African Electrical Review, 54(545):41-45.
Yates, R.S. 1964. Rôle of light in the theatre. South African Electrical Review, 55(554)-(555).
Young, Edward 2005. I can explain : the work of art is no longer necessary. Unpublished master's thesis. Cape Town: University of Cape Town.
Young, Elma 2001. Indrukke van Aardklop Nasionale Kunstefees, September 2000. South African Theatre Journal, 15:149-152.
Young, Miranda Eleanor 1997. Gender dynamics and the role of participatory/development theatre in post-apartheid South Africa : the example of DramAidE. Unpublished master's thesis. Durban: Universtity of Natal.
Young-Jahangeer, Miranda 2005. Bringing in to play: investigating the appropriation of Prison Theatre in Westville Female prison, KwaZulu-Natal (2000-2004). South African Theatre Journal, 19:143-156.
Young-Jahangeer, Miranda 2007. A Luta Continua: a responsive intervention in Warwick Triangle Durban. South African Theatre Journal, 21:135-148.
Young, Robert 1990. White Mythologies: Writing History and the West. London : Routledge.
Young, Robert C. 1995. Colonial Desire: Hybridity in Theory, Culture and Race. London: Routledge.
Young, S. 2010. Anthony and Cleopatra: theatre reviews (A review of Antony and Cleopatra, directed by Marthinus Basson and performed at the Maynardville Open-air Theatre, Cape Town, during January and February, 2010). Shakespeare in Southern Africa, 22:45-47.
Young, Toby 2002. Colonial condescension. The Mysteries. Reviewed in: The Spectator, 9 March:59.
Younge, Janni 2007. Creating resonance in emptiness with visual theatre : how the metaphorical potential of puppets, objects and images in theatre can be used to explore the constructed nature of reality and the complexity of the self. Unpublished master's thesis. Cape Town: University of Cape Town.
Yudelman, Gillian Carol 1983. From protest to exile : the writings of J. Arthur Maimane. Unpublished master's thesis. Johannesburg: University of the Witwatersrand.
Yvonne Bryceland, in Herber, Avril 1979. Conversations: Some People, Some Place, Some Time South Africa. Johannesburg: Bateleur. 26-32.
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
