Difference between revisions of "King Kong (musical)"

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'''King Kong''' is a giant movie monster, resembling a colossal gorilla, that has appeared in various media since 1933.
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#REDIRECT[[King Kong]]
 
 
'''''King Kong: An All-African Jazz Opera''''' (1959) [https://en.wikipedia.org/wiki/King_Kong_%28musical%29] is a South African musical, with music by [[Todd Matshikiza]], book by [[Harry Bloom]] and lyrics by [[Todd Matshikiza|Matshikiza]] and [[Pat Willams]].
 
 
 
== The original text ==
 
The character '''King Kong''' was created by English writer Edgar Wallace (1875–1932) [https://en.wikipedia.org/wiki/Edgar_Wallace] .
 
 
 
==Translations and adaptations==
 
''Wikipedia'' [https://en.wikipedia.org/wiki/King_Kong]: The character ('''King Kong'''} first appeared in the 1933 film ''King Kong'', which received universal acclaim upon its initial release and re-releases. The film was remade in 1976 and once again in 2005. The character has become one of the world's most famous movie icons, having inspired countless sequels, remakes, spin-offs, imitators, parodies, cartoons, books, comics, video games, theme park rides, and even a stage play [https://en.wikipedia.org/wiki/King_Kong_%282013_musical%29]. His role in the different narratives varies, ranging from a rampaging monster to a tragic antihero.
 
 
 
A jazz musical by [[Harry Bloom]] (book), [[Pat Williams]] (lyrics) and [[Todd Mitshikiza]]**** (Nguni lyrics and music). Musical about the rise and fall of heavyweight boxer [[Ezekiel Dhlamini]]. The producer was [[Leon Gluckman]], musical director [[Stanley Glasser|Stanley (Spike) Glasser]], the choreographer [[Arnold Dover]] and the designer [[Arthur Goldreich]]. The facilitators of the production were [[Clive Menell|Clive]] and [[Irene Menell]]. A production for [[Union Artists]], it had the [[Anglo-American Corporation]] as a major sponsor. Written in  (?*)1957, first performed in the [[Wits Great Hall]] in 1959. The production starred trumpeter [[Hugh Masekela]], [[Nathan Mdledle]] in the lead role, band vocalist [[Miriam Makeba]], [[Joe Mogotsi]] and [[Peggy Phango]]. Toured the country, playing in **, **, ** and other venues. One of the key theatrical events in the development of South African theatre, it has had its share of controversy. On the one hand it was seen as, and almost certainly was, an exploitation of black talent by white entrepreneurs, and a presented a white-washed European version of black community life. On the other hand it gave many performers access to professional theatre, launched the careers and made stars of many performers, some of them in the international arena (e.g.  Miriam Makeba and Hugh Masekela), and it contributed powerfully to the development of the so-called “township musical” tradition utilized by [[Gibson Kente]], [[Sam Manghwane]] and others, and even the eventual style and form of so-called “black theatre” and “protest theatre”. King Kong was unsuccessfully revived in the 1980s, while an attempt to revive it again in 2001 at the [[Spier Festival]] in Stellenbosch floundered on copyright and other issues. Text published by [[Collins]] in 1961 as '''''King Kong – An African Jazz Opera'''''. A version of the text by *** first published [[Fontana Books]] 1961, a second version by *** published by *** in 19**. There is also a book about the show by [[Mona Glasser]] called [[King Kong. A Venture in the Theatre]] (Cape Town: [[Norman Howell]], 1960). (Tucker, 1997)
 
 
 
== Performance history in South Africa ==
 
 
 
 
 
 
 
== Sources ==
 
''Wikipedia'': '''King Kong (musical)''' [https://en.wikipedia.org/wiki/King_Kong_%28musical%29]
 
 
 
''Wikipedia'': '''King Kong''' [https://en.wikipedia.org/wiki/King_Kong]
 
 
 
[[Union of South African Artists]] theatre programme, 1959.
 
 
 
Tucker 1997.
 
 
 
Go to [[ESAT Bibliography]]
 
 
 
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Latest revision as of 04:54, 30 March 2017

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