Difference between revisions of "Love à la Mode"
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1824: Performed in Cape Town on 10 April by the [[English Theatricals]] amateur company in the [[African Theatre]], as afterpiece to ''[[Tekeli, or The Siege of Montgatz]]'' (Hook). | 1824: Performed in Cape Town on 10 April by the [[English Theatricals]] amateur company in the [[African Theatre]], as afterpiece to ''[[Tekeli, or The Siege of Montgatz]]'' (Hook). | ||
| − | 1853: Performed in Grahamstown on Tuesday 11 October by the [[Garrison Players]] in the [[Theatre Royal]], with as afterpiece ''[[The Three Clerks]]''. | + | 1853: Performed in Grahamstown on Tuesday 11 October by the [[Garrison Players]] in the [[Theatre Royal]], with as afterpiece ''[[The Three Clerks]]'' (Oxberry). |
== Sources == | == Sources == | ||
Revision as of 06:14, 22 February 2017
A comic satire by Charles Macklin (1699–1797)
Contents
The original text
First played: 1759 at the Drury Lane Theatre, London. First published: 1779.
Translations and adaptations
Performance history in South Africa
1807: Performed in Cape Town on 29 August by the Garrison Players in the African Theatre, as afterpiece to She Stoops to Conquer (Goldsmith).
1824: Performed in Cape Town on 10 April by the English Theatricals amateur company in the African Theatre, as afterpiece to Tekeli, or The Siege of Montgatz (Hook).
1853: Performed in Grahamstown on Tuesday 11 October by the Garrison Players in the Theatre Royal, with as afterpiece The Three Clerks (Oxberry).
Sources
Text of play (1806 version)[1]
http://en.wikipedia.org/wiki/Charles_Macklin
F.C.L. Bosman, 1928:pp. 73,
Go to ESAT Bibliography
Return to
Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
Return to South African Festivals and Competitions
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