Difference between revisions of "Het Privaat Hollandsch Toneellievend Gezelschap"

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[[Het Privaat Hollandsch Toneellievend Gezelschap]] ("The Private Dutch Theatre-loving Company") (1844 – 1846- 1855; 1865-1910)  
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[[Het Privaat Hollandsch Toneellievend Gezelschap]] ("The Private [[Dutch]] Theatre-loving Company") is a generic name used to refer to a number of amateur companies over the years (e.g 1833, 1844–1846-1855 and 1865-1910).
  
(Also written as '''[[Het Privaat Hollandsch Tooneellievend Gezelschap]]'''.)
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Also written as '''[[Het Privaat Hollandsch Tooneellievend Gezelschap]]'''
  
One of the longest lasting of Dutch amateur theatre society formed in Cape Town 1844 from the amalgamation of [[Tot Nut en Vermaak]] and [[Door Yver Vruchtbaar]].  Their motto was "[[Door Yver Bloeit de Kunst]]", under which name they were also known. 
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The companies were usually identified by the mottoes they used, among them:
  
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[[Door Yver Bloeit de Kunst]]
  
== 1844 – 1846 ==
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[[Tot Nut en Vermaak en Door Yver Vruchtbaar]]
 
 
 
 
First production ''[[Natuur en Pligt]]'' (Volmeranges) and ''[[De Dronkaard]]'' (Kotzebue) was held on 5 June 1844  in the [[Roeland Street Theatre]].  Unlike the English companies at the time the Dutch allowed actresses in their company.  The company received good reviews throughout 1844/5. 
 
 
 
Other pieces  in this period included ''[[Roland de Monglave, of De Zegepraal der Onschuld]]'' and  ''[[Het Misverstand, of Elk is een Dief in zyne Nering]]''  (3 April 1846);
 
 
 
 
 
Finally on 2 November 1846 it was announced that the company would stage its last production,  reason being insufficient support from the Dutch community.  ''[[De Baron van Felsheim]]'' (Bernos) and ''[[Uilenspiegel]]'' (Kotzebue) was its last performance.
 
 
 
== 1848-1855 ==
 
 
 
 
 
According to [[F.C.L. Bosman]] (1928) they re-emerged in 1848/9, under the leadership of [[J.C. Combrink]]. Now included actresses. In June 1855 it closed down for ten years, because no suitable vanue was available. According to [[Ludwig Binge]] (1969) the final presentation of this phase was on 28 June 1855.
 
 
 
 
 
== 1865-1910 ==
 
 
 
 
 
In August 1865 it was once more resuscitated by Combrink, and it entered a very busy and influential period, performing at a variety of venues in Cape Town, Paarl, Stellenbosch, even Robben Island. Its final production was a rather dated performance of ''[[ Het Geheim]]'' by A de Bruine on 4 June 1910 at the [[Good Hope Theatre]]. They often performed for charity and offered benefits for captains and officers of visiting ships.
 
 
 
== Sources ==
 
 
 
Bosman, 1928;
 
 
 
Fletcher, 1994;
 
 
 
Binge, 1969;
 
 
 
Du Toit, 1988 [TH, JH]
 
  
  
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== Return to ==
 
== Return to ==
 
  
 
Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]
 
Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]

Latest revision as of 06:02, 31 January 2017

Het Privaat Hollandsch Toneellievend Gezelschap ("The Private Dutch Theatre-loving Company") is a generic name used to refer to a number of amateur companies over the years (e.g 1833, 1844–1846-1855 and 1865-1910).

Also written as Het Privaat Hollandsch Tooneellievend Gezelschap

The companies were usually identified by the mottoes they used, among them:

Door Yver Bloeit de Kunst

Tot Nut en Vermaak en Door Yver Vruchtbaar



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Return to South African Theatre Venues, Companies, Societies, etc

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