Difference between revisions of "William Layton Sammons"
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| − | (1801-1882) | + | William Layton Sammons (1801-1882) was an author, theatre reviewer and commentator, journalist, columnist and editor. |
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| + | He was best known in South Africa by his ''nom-de-plume'' of '''[[Sam Sly]]'''. | ||
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| + | == Biography == | ||
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| + | Born in Bedford, England, and having resided in the spa town of Bath for several years as a member of the minor gentry, Sammons counted amongst his friends the eminent caricaturist George Cruikshank, and made acquaintance with prominent figures such as Charles Dickens. Having contributed satire and commentary to the Bath press, including acting as a theatrical critic for Keenes's Bath Journal. | ||
He came to Cape Town in 1842. He was a decided champion of the theatre against the strict Methodism of the times (while himself being a convinced Christian, who later opened a shop selling Christian literature), as well as one of the earliest regular theatre critics in South Africa. Aside from regularly publishing in the more established newspapers, such as the [[Cape Town Mail]], Sammons soon started his own weekly review, [[Sam Sly's African Journal]] (1843–1851) to promote culture and entertainment in general in the Cape. According to C.A. Holdridge (2010), it was "a hybrid newspaper and literary and satirical periodical aimed at an Anglophone immigrant readership in the period between the abolition of slavery and the granting of representative government to the Cape Colony". The first issue appeared in Cape Town on 1 June 1843, and appeared weekly thereafter, with brief intermissions, until 1851. It gave a humerous and lively picture of literature and public entertainment, particularly the sport, music and theatre of the time. Of particular note is the fact that he also covered Dutch culture and theatre of the time. It was often also polemical and took up specific issues, with and satire being a strong element in its approach. For example, in 1845 he took the lead in campaigning for a new theatre for Cape Town, which resulted in 1846 in the building of the [[Drury Lane Theatre]]. | He came to Cape Town in 1842. He was a decided champion of the theatre against the strict Methodism of the times (while himself being a convinced Christian, who later opened a shop selling Christian literature), as well as one of the earliest regular theatre critics in South Africa. Aside from regularly publishing in the more established newspapers, such as the [[Cape Town Mail]], Sammons soon started his own weekly review, [[Sam Sly's African Journal]] (1843–1851) to promote culture and entertainment in general in the Cape. According to C.A. Holdridge (2010), it was "a hybrid newspaper and literary and satirical periodical aimed at an Anglophone immigrant readership in the period between the abolition of slavery and the granting of representative government to the Cape Colony". The first issue appeared in Cape Town on 1 June 1843, and appeared weekly thereafter, with brief intermissions, until 1851. It gave a humerous and lively picture of literature and public entertainment, particularly the sport, music and theatre of the time. Of particular note is the fact that he also covered Dutch culture and theatre of the time. It was often also polemical and took up specific issues, with and satire being a strong element in its approach. For example, in 1845 he took the lead in campaigning for a new theatre for Cape Town, which resulted in 1846 in the building of the [[Drury Lane Theatre]]. | ||
Revision as of 07:36, 24 September 2016
William Layton Sammons (1801-1882) was an author, theatre reviewer and commentator, journalist, columnist and editor.
He was best known in South Africa by his nom-de-plume of Sam Sly.
Biography
Born in Bedford, England, and having resided in the spa town of Bath for several years as a member of the minor gentry, Sammons counted amongst his friends the eminent caricaturist George Cruikshank, and made acquaintance with prominent figures such as Charles Dickens. Having contributed satire and commentary to the Bath press, including acting as a theatrical critic for Keenes's Bath Journal.
He came to Cape Town in 1842. He was a decided champion of the theatre against the strict Methodism of the times (while himself being a convinced Christian, who later opened a shop selling Christian literature), as well as one of the earliest regular theatre critics in South Africa. Aside from regularly publishing in the more established newspapers, such as the Cape Town Mail, Sammons soon started his own weekly review, Sam Sly's African Journal (1843–1851) to promote culture and entertainment in general in the Cape. According to C.A. Holdridge (2010), it was "a hybrid newspaper and literary and satirical periodical aimed at an Anglophone immigrant readership in the period between the abolition of slavery and the granting of representative government to the Cape Colony". The first issue appeared in Cape Town on 1 June 1843, and appeared weekly thereafter, with brief intermissions, until 1851. It gave a humerous and lively picture of literature and public entertainment, particularly the sport, music and theatre of the time. Of particular note is the fact that he also covered Dutch culture and theatre of the time. It was often also polemical and took up specific issues, with and satire being a strong element in its approach. For example, in 1845 he took the lead in campaigning for a new theatre for Cape Town, which resulted in 1846 in the building of the Drury Lane Theatre.
After the closure of the journal, he became a bookseller and journalist for the Graaff-Reinet Herald.
He also wrote occasional poetry, which was published mainly in pamphlet form. [TH, JH]
Sources
Jill Fletcher, 1994
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp. 464-468;491
Holdridge, 2010.
William Layton Sammons in ESAACH[2]
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