Difference between revisions of "W. Burnet"
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| − | [[W. Burnet]] (17**-18**) was an amateur performer. | + | [[W. Burnet]] (17**-18**) was an amateur performer, primarily a dancer. |
| − | A member of [[C.E. Boniface]]'s society, [[Honi Soit qui Mal y Pense]], he appeared as "Cabriolin" (as well as one of the "Turkish dancers") in ''[[De Burger Edelman]]'' (Molière) on 28 May, 1825; | + | A member of [[C.E. Boniface]]'s society, [[Honi Soit qui Mal y Pense]], he appeared as "Cabriolin" (as well as one of the "Turkish dancers") in ''[[De Burger Edelman]]'' (Molière) on 28 May, 1825; and on 15 October, 1825 appeared as a dancer in various items in "het groot finaal ballet" (the grand final ballet") which followed on performances of ''[[De Vrouw]]'' () and ''[[The Liar]]'' (Foote). |
Possibly a relation (son?) of the [[A. Burnet]] who had sold tickets for performances by [[Tot Leering en Vermaak]] and [[Tot Nut en Vermaak]] between 1803 and 1809. | Possibly a relation (son?) of the [[A. Burnet]] who had sold tickets for performances by [[Tot Leering en Vermaak]] and [[Tot Nut en Vermaak]] between 1803 and 1809. | ||
Revision as of 05:50, 7 July 2016
W. Burnet (17**-18**) was an amateur performer, primarily a dancer.
A member of C.E. Boniface's society, Honi Soit qui Mal y Pense, he appeared as "Cabriolin" (as well as one of the "Turkish dancers") in De Burger Edelman (Molière) on 28 May, 1825; and on 15 October, 1825 appeared as a dancer in various items in "het groot finaal ballet" (the grand final ballet") which followed on performances of De Vrouw () and The Liar (Foote).
Possibly a relation (son?) of the A. Burnet who had sold tickets for performances by Tot Leering en Vermaak and Tot Nut en Vermaak between 1803 and 1809.
Sources
F.C.L. Bosman, 1928. Drama en Toneel in Suid-Afrika, Deel I: 1652-1855. Pretoria: J.H. de Bussy. [1]: pp. 282, 295, 372
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