Yvonne Bryceland - Revision history

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Contribution to SA theatre, film, media and/or performance

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Career

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	== Sources ==		== Sources ==
		+	Wikipedia [https://en.wikipedia.org/wiki/Yvonne_Bryceland].
		+
		+	''South African History Online'' [http://www.sahistory.org.za/people/yvonne-bryceland].
		+
	''[[Teater SA]]'', 1(3), 1969.		''[[Teater SA]]'', 1(3), 1969.

@@ Line 68: / Line 68: @@
 [[ESAT Bibliography Tra-Tz|Tucker]], 1997.
-[[ESAT Bibliography Kru-Kz|Loren Kruger, 1999.
+[[ESAT Bibliography Kru-Kz|Loren Kruger]], 1999.
 Yvonne Bryceland. Encyclopædia Britannica : britannica.com Cassidy, S. (1992) Yvonne Bryceland Is Dead at 66;

@@ Line 68: / Line 68: @@
 [[ESAT Bibliography Tra-Tz|Tucker]], 1997.
-Kruger, 1999, )
+[[ESAT Bibliography Kru-Kz|Loren Kruger, 1999.
 Yvonne Bryceland. Encyclopædia Britannica : britannica.com Cassidy, S. (1992) Yvonne Bryceland Is Dead at 66;

@@ Line 75: / Line 75: @@
 The Laurence Olivier Awards: full list of winners 1976-2008: officiallondontheatre.co.uk
 Go to [[South African Theatre/Bibliography]]
 == Return to ==

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 Other plays Bryceland featured in include Eugene O'Neill's ''[[Long Day's Journey into Night]]'' and Tennessee Williams's ''[[The Glass Menagerie]]''.
-She came from London to the Wits [[University Great Hall]] in 1982 for a one-woman performance for [[PACT]] of plays by Dario Fo and Franca Rame .
+She came from London to the [[Wits Great Hall]] in 1982 for a one-woman performance for [[PACT]] of plays by Dario Fo and Franca Rame .
 == Awards, etc ==

@@ Line 15: / Line 15: @@
 She started as an amateur performer while a librarian in Cape Town, playing inter alia at the [[Barn Theatre]] and the [[Masque Theatre]] in Muizenberg.
-She worked as a newspaper librarian before her theatre debut in [[Stage Door]] in 1947.  Her talents were first recognised through her association with the renowned Port Elizabeth playwright [[Athol Fugard]].   Bryceland joined the [[CAPAB|Cape Performing Arts Board]] in 1969 until 1971.  She delivered inspired performances in Fugard's ''[[People Are Living There]]'' and ''[[Boesman and Lena]]'', in which she made her European debut in London.
+She worked as a newspaper librarian before her theatre debut in [[Stage Door]] in 1947.  Her talents were first recognised through her association with the renowned Port Elizabeth playwright [[Athol Fugard]].   Bryceland joined the [[CAPAB|Cape Performing Arts Board]] in 1969 until 1971.  She delivered inspired performances in Fugard's ''[[People are Living There]]'' and ''[[Boesman and Lena]]'', in which she made her European debut in London.
 [[Athol Fugard|Fugard]] wrote many roles specifically for Bryceland and was also influenced by her. The New York Times called her an actress 'who reads the soul' of Fugard. Bryceland's collaborations with Fugard were many and included ''[[Statements After an Arrest Under the Immorality Act]]'' and ''[[The Road to Mecca]]''.  The former premiered at [[The Space]], South Africa's first non-racial theatre in Cape Town that Bryceland founded in 1972 with her theatre photographer husband, [[Brian Astbury]], defying racial segregation.

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-== TO BE EDITED ==
+[[Yvonne Bryceland]]. (1926-1992).  Superb Cape Town born actress.
-(1926-1992) Superb Cape Town born actress. Starting as an amateur performer while a librarian in Cape Town, playing inter alia at the [[Barn Theatre]] and the [[Masque Theatre]] in Muizenberg. She acted in ''[[The Italian Straw Hat]]'' at the [[Little Theatre]], December 1953. One of her early professional roles was in [[James Ambrose Brown]]’s ''[[The Year of the Locust]]'' (Toerien-Rubin/CAPAB?, 1966). Later employed as professional actress by the [[Cape Performing Arts Board]] (1969-1971), performing in ''[[Rosencrantz and Guildenstern are Dead]]'',***, and a number of [[Athol Fugard]]’s plays -  ''[[People are Living There]]'' (19*) ''[[Hello and Goodbye]]'' (19**), ''[[Boesman and Lena]]'' (19*) and ''[[Orestes]]'' (197*). In 1972 she and her husband [[Brian Astbury]] founded The [[Space Theatre]] in  Cape Town. There she performed in numerous plays, from classical Greek to modern South African work, building up a formidable reputation for her range and earthy passion. Plays include the opening production at the [[Space Theatre]] (Fugard’s ''[[Statements After an Arrest Under the Immorality Act]]'') as well as  ''[[Fragments]]'', ''[[The Glass Menagerie]]'', ''[[Going to Pot]]'', ''[[Dimetos]]''¸ ''[[Hello and Goodbye]]'', ''[[The House of Blue Leaves]]'', ''[[Kennedy's Children]]'', ''[[A Long Day's Journey into Night]]'', ''[[Madly in Love]]'', ''[[Medea]]'','' [[Miss South Africa]]'', ''[[Occupations]]'', ''[[Othello Slegs Blankes]]'', ''[[People are Living There]]'', ''[[A Phoenix too Frequent]]'',  ''[[Ruffian on the Stair]]'', ''[[The Tiger]]'', ''[[Alpha Beta]]'', ''[[Ashes]]'', ''[[Bar and Ger]]'', ''[[The Bear]]'' and ''[[The Bitter Tears of Petra Von Kant]]''.  She also directed ''[[Thirteen Clocks]]'' for The [[Space Theatre]].  In 1979 they closed the Space and went to London, where she worked for the National Theatre company and won a number of awards, including the Olivier Award and the Evening Standard Award. Among her most memorable roles however are those of Athol Fugard’s women, often performing with the author: She was the original and indeed definitive “Lena” in ''[[Boesman and Lena]]'', “Milly” in ''[[People are Living There]]'', “Hester” in ''[[Hello and Goodbye]]'', *** in ''[[Statements]]'', and perhaps best remembered of all - “Helen Martins” in ''[[The Road to Mecca]]''. She also starred in the filmed versions of  most of these plays. ''[[The Road to Mecca]]'', which also featured [[Athol Fugard]] and [[Kathy Bates]],  went on international distribution.
+== Biography ==
-Three Leaf Awards for 1966, Yvonne Bryceland for ''[[Years of the Locust]]''.
+Yvonne was married to [Brian Astbury]]. She had three daughters, one of them being [[Mavourneen Bryceland]].
 She was presented with the Gallery Award in Johannesburg in September 1970.
-Best Actress Award  for her role in ''[[Long Day's Journey into Night]]'', 1973.
+The first [[DALRO]] award for Best Actress was won by her for her role in ''[[Boesman and Lena]]'' in 1972.
-== EDITING REQUIRED ==
+[[ESAT Bibliography Ar-Az|Astbury]] 1979.
-Together with [[Glynn Day]] she starred in Athol Fugard’s Boesman and Lena and People are Living There, both directed by Fugard, for a PACT, CAPAB and Phoenix Players collaboration in 1970. Together with her husband Brian Astbury and Athol Fugard she started The Space Theatre in Cape Town. She starred in the opening production on 28 May 1972 of Fugard’s Statements After an Arrest Under the Immorality Act together with Fugard and Christopher Prophet. She starred in The Company’s presentation of Barney Simon’s revival of People Are Living There with Wilson Dunster, Vanessa Cooke and Danny Keogh at The Market Theatre in 1977. She starred in Brecht’s Mother Courage together with Aletta Bezuidenhout in 1977. It was directed by Barney Simon and staged in the main house at the Market Theatre. She came to the University Great Hall in 1982 with a one-woman show for PACT. She starred in Athol Fugard’s The Road to Mecca together with Elize Cawood and Louis van Niekerk at the Market in November 1984. She died in London in 1992. (Astbury, 1979; Tucker, 1997; Kruger, 1999, ) Names: Bryceland, Yvonne Born: 18 November 1925, Cape Town, South Africa Died: 13 January 1992, London, England. In Summary: Actress. Actress Yvonne Bryceland, née Heilbuth, was born in Cape Town on 18 November 1925. She worked as a newspaper librarian before her theatre debut in Stage Door in 1947.  Her talents were first recognised through her association with the renowned Port Elizabeth playwright Athol Fugard.   Bryceland joined the Cape Performing Arts Board in 1964.  She delivered inspired performances in Fugard's People Are Living There and Boesman and Lena, in which she made her European debut in London.
+[[ESAT Bibliography Tra-Tz|Tucker]], 1997.
-== Sources ==
+Kruger, 1999, )
 Yvonne Bryceland. Encyclopædia Britannica : britannica.com Cassidy, S. (1992) Yvonne Bryceland Is Dead at 66;
 Actress in Plays by Athol Fugard. The New York Times [Online] 29 January:nytimes.com
 The Laurence Olivier Awards: full list of winners 1976-2008: officiallondontheatre.co.uk
 Go to [[South African Theatre/Bibliography]]
 == Return to ==
-Return to [[ESAT Personalities B]]
+Return to [[ESAT Personalities  B]]
 Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

← Older revision		Revision as of 10:24, 29 May 2017
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	(1926-1992) Superb Cape Town born actress. Starting as an amateur performer while a librarian in Cape Town, playing inter alia at the [[Barn Theatre]] and the [[Masque Theatre]] in Muizenberg. She acted in ''[[The Italian Straw Hat]]'' at the [[Little Theatre]], December 1953. One of her early professional roles was in [[James Ambrose Brown]]’s ''[[The Year of the Locust]]'' (Toerien-Rubin/CAPAB?, 1966). Later employed as professional actress by the [[Cape Performing Arts Board]] (1969-1971), performing in ''[[Rosencrantz and Guildenstern are Dead]]'',**, and a number of [[Athol Fugard]]’s plays - ''[[People are Living There]]'' (19) ''[[Hello and Goodbye]]'' (19*), ''[[Boesman and Lena]]'' (19) and ''[[Orestes]]'' (197). In 1972 she and her husband [[Brian Astbury]] founded The [[Space Theatre]] in Cape Town. There she performed in numerous plays, from classical Greek to modern South African work, building up a formidable reputation for her range and earthy passion. Plays include the opening production at the [[Space Theatre]] (Fugard’s ''[[Statements After an Arrest Under the Immorality Act]]'') as well as ''[[Fragments]]'', ''[[The Glass Menagerie]]'', ''[[Going to Pot]]'', ''[[Dimetos]]''¸ ''[[Hello and Goodbye]]'', ''[[The House of Blue Leaves]]'', ''[[Kennedy's Children]]'', ''[[A Long Day's Journey into Night]]'', ''[[Madly in Love]]'', ''[[Medea]]'','' [[Miss South Africa]]'', ''[[Occupations]]'', ''[[Othello Slegs Blankes]]'', ''[[People are Living There]]'', ''[[A Phoenix too Frequent]]'', ''[[Ruffian on the Stair]]'', ''[[The Tiger]]'', ''[[Alpha Beta]]'', ''[[Ashes]]'', ''[[Bar and Ger]]'', ''[[The Bear]]'' and ''[[The Bitter Tears of Petra Von Kant]]''. She also directed ''[[Thirteen Clocks]]'' for The [[Space Theatre]]. In 1979 they closed the Space and went to London, where she worked for the National Theatre company and won a number of awards, including the Olivier Award and the Evening Standard Award. Among her most memorable roles however are those of Athol Fugard’s women, often performing with the author: She was the original and indeed definitive “Lena” in ''[[Boesman and Lena]]'', “Milly” in ''[[People are Living There]]'', “Hester” in ''[[Hello and Goodbye]]'', ** in ''[[Statements]]'', and perhaps best remembered of all - “Helen Martins” in ''[[The Road to Mecca]]''. She also starred in the filmed versions of most of these plays. ''[[The Road to Mecca]]'', which also featured [[Athol Fugard]] and [[Kathy Bates]], went on international distribution.		(1926-1992) Superb Cape Town born actress. Starting as an amateur performer while a librarian in Cape Town, playing inter alia at the [[Barn Theatre]] and the [[Masque Theatre]] in Muizenberg. She acted in ''[[The Italian Straw Hat]]'' at the [[Little Theatre]], December 1953. One of her early professional roles was in [[James Ambrose Brown]]’s ''[[The Year of the Locust]]'' (Toerien-Rubin/CAPAB?, 1966). Later employed as professional actress by the [[Cape Performing Arts Board]] (1969-1971), performing in ''[[Rosencrantz and Guildenstern are Dead]]'',**, and a number of [[Athol Fugard]]’s plays - ''[[People are Living There]]'' (19) ''[[Hello and Goodbye]]'' (19*), ''[[Boesman and Lena]]'' (19) and ''[[Orestes]]'' (197). In 1972 she and her husband [[Brian Astbury]] founded The [[Space Theatre]] in Cape Town. There she performed in numerous plays, from classical Greek to modern South African work, building up a formidable reputation for her range and earthy passion. Plays include the opening production at the [[Space Theatre]] (Fugard’s ''[[Statements After an Arrest Under the Immorality Act]]'') as well as ''[[Fragments]]'', ''[[The Glass Menagerie]]'', ''[[Going to Pot]]'', ''[[Dimetos]]''¸ ''[[Hello and Goodbye]]'', ''[[The House of Blue Leaves]]'', ''[[Kennedy's Children]]'', ''[[A Long Day's Journey into Night]]'', ''[[Madly in Love]]'', ''[[Medea]]'','' [[Miss South Africa]]'', ''[[Occupations]]'', ''[[Othello Slegs Blankes]]'', ''[[People are Living There]]'', ''[[A Phoenix too Frequent]]'', ''[[Ruffian on the Stair]]'', ''[[The Tiger]]'', ''[[Alpha Beta]]'', ''[[Ashes]]'', ''[[Bar and Ger]]'', ''[[The Bear]]'' and ''[[The Bitter Tears of Petra Von Kant]]''. She also directed ''[[Thirteen Clocks]]'' for The [[Space Theatre]]. In 1979 they closed the Space and went to London, where she worked for the National Theatre company and won a number of awards, including the Olivier Award and the Evening Standard Award. Among her most memorable roles however are those of Athol Fugard’s women, often performing with the author: She was the original and indeed definitive “Lena” in ''[[Boesman and Lena]]'', “Milly” in ''[[People are Living There]]'', “Hester” in ''[[Hello and Goodbye]]'', ** in ''[[Statements]]'', and perhaps best remembered of all - “Helen Martins” in ''[[The Road to Mecca]]''. She also starred in the filmed versions of most of these plays. ''[[The Road to Mecca]]'', which also featured [[Athol Fugard]] and [[Kathy Bates]], went on international distribution.
		+
		+	Three Leaf Awards for 1966, Yvonne Bryceland for ''[[Years of the Locust]]''.

	She was presented with the Gallery Award in Johannesburg in September 1970.		She was presented with the Gallery Award in Johannesburg in September 1970.

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 == EDITING REQUIRED ==
-Together with [[Glyn Day]] she starred in Athol Fugard’s Boesman and Lena and People are Living There, both directed by Fugard, for a PACT, CAPAB and Phoenix Players collaboration in 1970. Together with her husband Brian Astbury and Athol Fugard she started The Space Theatre in Cape Town. She starred in the opening production on 28 May 1972 of Fugard’s Statements After an Arrest Under the Immorality Act together with Fugard and Christopher Prophet. She starred in The Company’s presentation of Barney Simon’s revival of People Are Living There with Wilson Dunster, Vanessa Cooke and Danny Keogh at The Market Theatre in 1977. She starred in Brecht’s Mother Courage together with Aletta Bezuidenhout in 1977. It was directed by Barney Simon and staged in the main house at the Market Theatre. She came to the University Great Hall in 1982 with a one-woman show for PACT. She starred in Athol Fugard’s The Road to Mecca together with Elize Cawood and Louis van Niekerk at the Market in November 1984. She died in London in 1992. (Astbury, 1979; Tucker, 1997; Kruger, 1999, ) Names: Bryceland, Yvonne Born: 18 November 1925, Cape Town, South Africa Died: 13 January 1992, London, England. In Summary: Actress. Actress Yvonne Bryceland, née Heilbuth, was born in Cape Town on 18 November 1925. She worked as a newspaper librarian before her theatre debut in Stage Door in 1947.  Her talents were first recognised through her association with the renowned Port Elizabeth playwright Athol Fugard.   Bryceland joined the Cape Performing Arts Board in 1964.  She delivered inspired performances in Fugard's People Are Living There and Boesman and Lena, in which she made her European debut in London.
+Together with [[Glynn Day]] she starred in Athol Fugard’s Boesman and Lena and People are Living There, both directed by Fugard, for a PACT, CAPAB and Phoenix Players collaboration in 1970. Together with her husband Brian Astbury and Athol Fugard she started The Space Theatre in Cape Town. She starred in the opening production on 28 May 1972 of Fugard’s Statements After an Arrest Under the Immorality Act together with Fugard and Christopher Prophet. She starred in The Company’s presentation of Barney Simon’s revival of People Are Living There with Wilson Dunster, Vanessa Cooke and Danny Keogh at The Market Theatre in 1977. She starred in Brecht’s Mother Courage together with Aletta Bezuidenhout in 1977. It was directed by Barney Simon and staged in the main house at the Market Theatre. She came to the University Great Hall in 1982 with a one-woman show for PACT. She starred in Athol Fugard’s The Road to Mecca together with Elize Cawood and Louis van Niekerk at the Market in November 1984. She died in London in 1992. (Astbury, 1979; Tucker, 1997; Kruger, 1999, ) Names: Bryceland, Yvonne Born: 18 November 1925, Cape Town, South Africa Died: 13 January 1992, London, England. In Summary: Actress. Actress Yvonne Bryceland, née Heilbuth, was born in Cape Town on 18 November 1925. She worked as a newspaper librarian before her theatre debut in Stage Door in 1947.  Her talents were first recognised through her association with the renowned Port Elizabeth playwright Athol Fugard.   Bryceland joined the Cape Performing Arts Board in 1964.  She delivered inspired performances in Fugard's People Are Living There and Boesman and Lena, in which she made her European debut in London.
 Fugard wrote many roles specifically for Bryceland and was also influenced by her. The New York Times called her an actress 'who reads the soul' of Fugard.
 Bryceland's collaborations with Fugard were many and included Statements After an Arrest Under the Immorality Act and The Road to Mecca.  The former premiered at The Space, a theatre in Cape Town that Bryceland founded in 1972 with her theatre photographer husband, Brian Astbury. Other plays Bryceland featured in included [[Eugene O'Neill]]'s ''[[Long Day's Journey into Night]]'', [[Tennessee Williams]]'s ''[[The Glass Menagerie]]'' and [[Bertolt Brecht]]'s ''[[Mother Courage and Her Children]]''. Of his experience of working with Bryceland, Fugard, John Kani and Winston Ntshona, in Statements After an Arrest Under the Immorality Act in the late 1960s, actor Ben Kingsley said it was one of the best experiences of his career – 'a young actor's dream'. In 1971, Bryceland performed outside South Africa for the first time in Boesman and Lena at the Royal Court Theatre in London. Bryceland moved to London in 1978 to take the lead role in ''[[The Woman]]'', a play by English playwright Edward Bond [https://en.wikipedia.org/wiki/Edward_Bond], at the Royal National Theatre. She spent eight years at the National, playing leading roles in Bertolt Brecht's Mother, Fugard's Road to Mecca and others.  She relished the opportunity she had there to play a variety of parts at the same time. She once did 12 performances of four different productions in a single week. Bryceland is probably most celebrated for her role as the unconventional sculptor Helen Martins in The Road to Mecca, which marked her American debut. Based on the true story of the elderly Martins, who created a wonderland of life-sized sculptures in the yard of her cottage in a remote Karoo village, Nieuw Bethesda, the play asserts the challenging role of the artist in society. Bryceland was awarded Britain's most prestigious theatre award, the Laurence Olivier Theatre Award, in 1985, for this portrayal. She repeated the role in the film version of the play, as she did with her role in Boesman and Lena. Her acting skills earned her international recognition, including the 1984 Evening Standard award for Best Actress.  Among other made-for-television and feature films she acted in was Shawn Slovo's acclaimed A World Apart in 1988, which won a British Academy of Film and Television Arts Award.