You Strike the Woman You Strike the Rock - Revision history

Satj: Redirected page to Wathint' Abafazi, Wathint' Imbokodo

2020-11-10T08:02:46Z

Redirected page to Wathint' Abafazi, Wathint' Imbokodo

Miriamt at 08:31, 8 July 2013

2013-07-08T08:31:25Z

Hannah: Created page with "[both versions are found, the first title apparently used initially, as does the published version – but the 2006 production uses the second title] by Phyllis Klotz, [[Thob..."

2012-07-15T18:40:59Z

Created page with "[both versions are found, the first title apparently used initially, as does the published version – but the 2006 production uses the second title] by Phyllis Klotz, [[Thob..."

New page

[both versions are found, the first title apparently used initially, as does the published version – but the 2006 production uses the second title] by [[Phyllis Klotz]], [[Thobeka Macutyana]], [[Nomvula Qosha]] and [[Poppy Tsira]] (calling themselves [[Vusisiswe Players]]). [In [[Itumeleng Wa-Lehure]]’s CV he claims he wrote it, and he does seem to be credited as part of the ensamble.] (This is the English title for ''[[Wathint’ Abafazi, Wathint’ Imbokodo]]''– more properly translated as “You strike the women, you strike a/the rock”, but published and normally referred to as “woman” ) A workshopped play, utilizing the title of the signature song of the 1956 women’s march as its title and theme, and dealing with the trials and tribulations of three women in Crossroads squatter camp outside Cape Town. Facilitated and directed by Klotz, with Macutyana, Qosha and Tsira, it was first produced by the [[Communty Arts Project]] in Cape Town in 1986, then toured the country for a long time. Also performed internationally, for example in New York in 1988, ** In 2005 produced with a UK cast in Birmingham and London. and bIn 2006 it was revived with a new cast in celebration of the 1956 Women’s March, from which the original title derives. Done by [[Connie Chiume]], [[Poppy Tsira]] and [[Busi Zolufa]] at the [[Market Theatre]], the [[Arena State Theatre]] and the [[Baxter's Sanlam Studio]], directed by Phyllis Klotz. First published in Kani (ed): ''[[More Market Plays]]'' by [[Ad Donker]], 1996.

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← Older revision		Revision as of 08:02, 10 November 2020
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−	[~~both versions are found, the first title apparently used initially, as does the published version – but the 2006 production uses the second title] by~~ [[Phyllis Klotz]], [[Thobeka Macutyana\|Thobeka Maqutyama]], [[Nomvula Qosha]] and [[Poppy Tsira]] (calling themselves [[Vusisiswe Players]]). [In [[Itumeleng Wa-Lehure]]’s CV he claims he wrote it, and he does seem to be credited as part of the ensamble.] (This is the English title for ''~~[[Wathint’~~ Abafazi, ~~Wathint’~~ Imbokodo]]''– more properly translated as “You strike the women, you strike a/the rock”, but published and normally referred to as “woman” ) A workshopped play, utilizing the title of the signature song of the 1956 women’s march as its title and theme, and dealing with the trials and tribulations of three women in Crossroads squatter camp outside Cape Town. Facilitated and directed by Klotz, with Macutyana, Qosha and Tsira, it was first produced by the [[Communty Arts Project]] in Cape Town in 1986, then toured the country for a long time. Also performed internationally, for example in New York in 1988, ** In 2005 produced with a UK cast in Birmingham and London. and bIn 2006 it was revived with a new cast in celebration of the 1956 Women’s March, from which the original title derives. Done by [[Connie Chiume]], [[Poppy Tsira]] and [[Busi Zolufa]] at the [[Market Theatre]], the [[Arena State Theatre]] and the [[Baxter's Sanlam Studio]], directed by Phyllis Klotz. First published in Kani (ed): ''[[More Market Plays]]'' by [[Ad Donker]], 1996.	+	#REDIRECT [[Wathint' Abafazi, Wathint' Imbokodo]]
−
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−	~~Return to [[ESAT Plays 1 Y\|Y]]~~
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−	~~Return to [[South_African_Theatre/Plays\|South African Theatre Plays]]~~
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−	~~Return to [[Main Page~~]]

← Older revision		Revision as of 08:31, 8 July 2013
Line 1:		Line 1:
−	[both versions are found, the first title apparently used initially, as does the published version – but the 2006 production uses the second title] by [[Phyllis Klotz]], [[Thobeka Macutyana]], [[Nomvula Qosha]] and [[Poppy Tsira]] (calling themselves [[Vusisiswe Players]]). [In [[Itumeleng Wa-Lehure]]’s CV he claims he wrote it, and he does seem to be credited as part of the ensamble.] (This is the English title for ''[[Wathint’ Abafazi, Wathint’ Imbokodo]]''– more properly translated as “You strike the women, you strike a/the rock”, but published and normally referred to as “woman” ) A workshopped play, utilizing the title of the signature song of the 1956 women’s march as its title and theme, and dealing with the trials and tribulations of three women in Crossroads squatter camp outside Cape Town. Facilitated and directed by Klotz, with Macutyana, Qosha and Tsira, it was first produced by the [[Communty Arts Project]] in Cape Town in 1986, then toured the country for a long time. Also performed internationally, for example in New York in 1988, ** In 2005 produced with a UK cast in Birmingham and London. and bIn 2006 it was revived with a new cast in celebration of the 1956 Women’s March, from which the original title derives. Done by [[Connie Chiume]], [[Poppy Tsira]] and [[Busi Zolufa]] at the [[Market Theatre]], the [[Arena State Theatre]] and the [[Baxter's Sanlam Studio]], directed by Phyllis Klotz. First published in Kani (ed): ''[[More Market Plays]]'' by [[Ad Donker]], 1996.	+	[both versions are found, the first title apparently used initially, as does the published version – but the 2006 production uses the second title] by [[Phyllis Klotz]], [[Thobeka Macutyana\|Thobeka Maqutyama]], [[Nomvula Qosha]] and [[Poppy Tsira]] (calling themselves [[Vusisiswe Players]]). [In [[Itumeleng Wa-Lehure]]’s CV he claims he wrote it, and he does seem to be credited as part of the ensamble.] (This is the English title for ''[[Wathint’ Abafazi, Wathint’ Imbokodo]]''– more properly translated as “You strike the women, you strike a/the rock”, but published and normally referred to as “woman” ) A workshopped play, utilizing the title of the signature song of the 1956 women’s march as its title and theme, and dealing with the trials and tribulations of three women in Crossroads squatter camp outside Cape Town. Facilitated and directed by Klotz, with Macutyana, Qosha and Tsira, it was first produced by the [[Communty Arts Project]] in Cape Town in 1986, then toured the country for a long time. Also performed internationally, for example in New York in 1988, ** In 2005 produced with a UK cast in Birmingham and London. and bIn 2006 it was revived with a new cast in celebration of the 1956 Women’s March, from which the original title derives. Done by [[Connie Chiume]], [[Poppy Tsira]] and [[Busi Zolufa]] at the [[Market Theatre]], the [[Arena State Theatre]] and the [[Baxter's Sanlam Studio]], directed by Phyllis Klotz. First published in Kani (ed): ''[[More Market Plays]]'' by [[Ad Donker]], 1996.