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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Wits_Theatre_Complex</id>
	<title>Wits Theatre Complex - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=Wits_Theatre_Complex"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;action=history"/>
	<updated>2026-09-02T07:28:21Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=221883&amp;oldid=prev</id>
		<title>Satj: Redirected page to Wits Theatre</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=221883&amp;oldid=prev"/>
		<updated>2022-05-12T14:18:14Z</updated>

		<summary type="html">&lt;p&gt;Redirected page to &lt;a href=&quot;/index.php/Wits_Theatre&quot; title=&quot;Wits Theatre&quot;&gt;Wits Theatre&lt;/a&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:18, 12 May 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The &lt;/del&gt;[[Wits Theatre &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Complex]] is a performing arts centre built by the [[University of the Witwatersrand]]. &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;#REDIRECT &lt;/ins&gt;[[Wits Theatre]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;It has various venues, including **, '''[[The Downstairs Theatre]]''', *  Sometimes referred to as the '''[[Wits Theatre]]'''&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;The Wits Theatre complex first opened its doors in July 1983 and the first manager was [[Mannie Manim]]. Ten years before that, the plan for the theatre was first announced. In the intervening years money was raised from the public and private sectors and the complex cost in the region of R5 million. The Schools of Dramatic Art and Music needed a laboratory where their students could learn to develop their craft; where they could experiment with the latest in performing arts technology and could display the results of their work and experiments to the university and the public at large; where this could be done in the comfort of relatively well-equipped venues. Before that, The Wits School of Arts (Dramatic Art) had been staging its productions in the Nunnery. This venue was once a convent hall and is steeped in theatrical tradition as companies like the Junction Avenue Theatre Company and the Market Theatre Company both staged productions there 20 to 25 years ago when there were no other theatres available. It has been retained as a teaching venue for use by the The Wits School of Arts (Dramatic Art). The complex consists of The Wits Theatre with 367 seats in an adaptable auditorium. Its foyer contains bar and cafetaria facilities, Cafè Dulce The Downstairs Theatre is directly below it, and was designated &amp;quot;store room&amp;quot; on the original plan by the architect Don Lennard but now houses a versatile experimental theatre with its own foyer which also serves as an exhibition space, the venue seats 120. On the ground level to the north of the building, the architect, whose consultant was John Bury, (one of the great British designers from the Royal Shakespeare Company and the Royal National Theatre), placed an open air Amphitheatre. For the first eight years of its existence, the occasional open air production was staged there when the winter nights were not too cold or it did not rain in summer. In 1992 it was enclosed and added a third venue to the complex - a 120-seater all enclosed theatre where work which cannot be housed in the other two venues can find a home. It has its own foyer space. One of the best features of this complex is that there is sufficient undercover parking for the entire audience of all three theatres in the Senate House parking garage, just a short stroll across an enclosed bridge, from the foyer. The theatres are also served by a fully equipped workshop and wardrobe which are situated above and alongside the dressing room areas adjacent to the theatres. The Wits Theatre has established itself as South Africa's major venue for contemporary dance. Annually the FNB Dance Umbrella celebrates its national festival here with top companies from around the country. All the region's major dance companies have danced here and book seasons on a regular basis. The Wits Great Hall is also managed by the PAA, and  seats up to 1035. (See Great Hall, University of the Witwatersrand.) The Wits University Theatre: It opened in 1983 and comprised a 370-seat main auditorium and an experimental theatre in the basement. It was built mainly as a learning laboratory for Wits students. Paul Regenas was its first manager. Ian Steadman directed its first production called The Comedy of Errors, cast with students. Athol Fugard’s Master Harold … and the Boys was staged here after a countrywide tour in 1983. Pieter-Dirk Uys’ Selle ou Storie starring Christine Basson was staged here in 1983. Graham Wright brought the Baxter production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Soyikwa presented Matsemela Manaka’s Vuka downstairs in March 1986 after its run at the Market. The Market presented Bobby Heaney’s productions of Harold Pinter’s One for the Road and Saumuel Beckett’s Catastrophe here in 1985. [[Nicholas Ellenbogen]]’s [[Theatre for Africa]] presented ''[[Raiders of the Lost Aardvark]]'' here in 1991. Nicholas Ellenbogen directed Cinderella for Theatre for Africa in 1991. Mannie Manim’s idea for the Amphitheatre, a new venue at the University, came into being in 1992. Nicholas Ellenbogen’s Theatre for Africa presented Kwamanzi and Elephant of Africa here in 1992. Pieter-Dirk Uys’s Paradise is Closing Down was staged here in 1992. **** [[Percy Tucker]], 1997&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;== Sources ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;[[Percy Tucker]]. 1997. ''Just the Ticket. My 50 Years in Show Business''. Johannesburg: Witwatersrand University Press.&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;== Return to ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Return to [[The ESAT Entries]]&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Return to [[Main Page&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=221882&amp;oldid=prev</id>
		<title>Satj at 14:17, 12 May 2022</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=221882&amp;oldid=prev"/>
		<updated>2022-05-12T14:17:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:17, 12 May 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [[Wits Theatre Complex]] is a performing arts centre built by the [[University of the Witwatersrand]].  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [[Wits Theatre Complex]] is a performing arts centre built by the [[University of the Witwatersrand]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It has various venues, including **, '''[[The Downstairs Theatre]]''', *  Sometimes referred to as the '''[[Wits &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;University &lt;/del&gt;Theatre]]'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It has various venues, including **, '''[[The Downstairs Theatre]]''', *  Sometimes referred to as the '''[[Wits Theatre]]'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Wits Theatre complex first opened its doors in July 1983 and the first manager was [[Mannie Manim]]. Ten years before that, the plan for the theatre was first announced. In the intervening years money was raised from the public and private sectors and the complex cost in the region of R5 million. The Schools of Dramatic Art and Music needed a laboratory where their students could learn to develop their craft; where they could experiment with the latest in performing arts technology and could display the results of their work and experiments to the university and the public at large; where this could be done in the comfort of relatively well-equipped venues. Before that, The Wits School of Arts (Dramatic Art) had been staging its productions in the Nunnery. This venue was once a convent hall and is steeped in theatrical tradition as companies like the Junction Avenue Theatre Company and the Market Theatre Company both staged productions there 20 to 25 years ago when there were no other theatres available. It has been retained as a teaching venue for use by the The Wits School of Arts (Dramatic Art). The complex consists of The Wits Theatre with 367 seats in an adaptable auditorium. Its foyer contains bar and cafetaria facilities, Cafè Dulce The Downstairs Theatre is directly below it, and was designated &amp;quot;store room&amp;quot; on the original plan by the architect Don Lennard but now houses a versatile experimental theatre with its own foyer which also serves as an exhibition space, the venue seats 120. On the ground level to the north of the building, the architect, whose consultant was John Bury, (one of the great British designers from the Royal Shakespeare Company and the Royal National Theatre), placed an open air Amphitheatre. For the first eight years of its existence, the occasional open air production was staged there when the winter nights were not too cold or it did not rain in summer. In 1992 it was enclosed and added a third venue to the complex - a 120-seater all enclosed theatre where work which cannot be housed in the other two venues can find a home. It has its own foyer space. One of the best features of this complex is that there is sufficient undercover parking for the entire audience of all three theatres in the Senate House parking garage, just a short stroll across an enclosed bridge, from the foyer. The theatres are also served by a fully equipped workshop and wardrobe which are situated above and alongside the dressing room areas adjacent to the theatres. The Wits Theatre has established itself as South Africa's major venue for contemporary dance. Annually the FNB Dance Umbrella celebrates its national festival here with top companies from around the country. All the region's major dance companies have danced here and book seasons on a regular basis. The Wits Great Hall is also managed by the PAA, and  seats up to 1035. (See Great Hall, University of the Witwatersrand.) The Wits University Theatre: It opened in 1983 and comprised a 370-seat main auditorium and an experimental theatre in the basement. It was built mainly as a learning laboratory for Wits students. Paul Regenas was its first manager. Ian Steadman directed its first production called The Comedy of Errors, cast with students. Athol Fugard’s Master Harold … and the Boys was staged here after a countrywide tour in 1983. Pieter-Dirk Uys’ Selle ou Storie starring Christine Basson was staged here in 1983. Graham Wright brought the Baxter production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Soyikwa presented Matsemela Manaka’s Vuka downstairs in March 1986 after its run at the Market. The Market presented Bobby Heaney’s productions of Harold Pinter’s One for the Road and Saumuel Beckett’s Catastrophe here in 1985. [[Nicholas Ellenbogen]]’s [[Theatre for Africa]] presented ''[[Raiders of the Lost Aardvark]]'' here in 1991. Nicholas Ellenbogen directed Cinderella for Theatre for Africa in 1991. Mannie Manim’s idea for the Amphitheatre, a new venue at the University, came into being in 1992. Nicholas Ellenbogen’s Theatre for Africa presented Kwamanzi and Elephant of Africa here in 1992. Pieter-Dirk Uys’s Paradise is Closing Down was staged here in 1992. **** [[Percy Tucker]], 1997&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Wits Theatre complex first opened its doors in July 1983 and the first manager was [[Mannie Manim]]. Ten years before that, the plan for the theatre was first announced. In the intervening years money was raised from the public and private sectors and the complex cost in the region of R5 million. The Schools of Dramatic Art and Music needed a laboratory where their students could learn to develop their craft; where they could experiment with the latest in performing arts technology and could display the results of their work and experiments to the university and the public at large; where this could be done in the comfort of relatively well-equipped venues. Before that, The Wits School of Arts (Dramatic Art) had been staging its productions in the Nunnery. This venue was once a convent hall and is steeped in theatrical tradition as companies like the Junction Avenue Theatre Company and the Market Theatre Company both staged productions there 20 to 25 years ago when there were no other theatres available. It has been retained as a teaching venue for use by the The Wits School of Arts (Dramatic Art). The complex consists of The Wits Theatre with 367 seats in an adaptable auditorium. Its foyer contains bar and cafetaria facilities, Cafè Dulce The Downstairs Theatre is directly below it, and was designated &amp;quot;store room&amp;quot; on the original plan by the architect Don Lennard but now houses a versatile experimental theatre with its own foyer which also serves as an exhibition space, the venue seats 120. On the ground level to the north of the building, the architect, whose consultant was John Bury, (one of the great British designers from the Royal Shakespeare Company and the Royal National Theatre), placed an open air Amphitheatre. For the first eight years of its existence, the occasional open air production was staged there when the winter nights were not too cold or it did not rain in summer. In 1992 it was enclosed and added a third venue to the complex - a 120-seater all enclosed theatre where work which cannot be housed in the other two venues can find a home. It has its own foyer space. One of the best features of this complex is that there is sufficient undercover parking for the entire audience of all three theatres in the Senate House parking garage, just a short stroll across an enclosed bridge, from the foyer. The theatres are also served by a fully equipped workshop and wardrobe which are situated above and alongside the dressing room areas adjacent to the theatres. The Wits Theatre has established itself as South Africa's major venue for contemporary dance. Annually the FNB Dance Umbrella celebrates its national festival here with top companies from around the country. All the region's major dance companies have danced here and book seasons on a regular basis. The Wits Great Hall is also managed by the PAA, and  seats up to 1035. (See Great Hall, University of the Witwatersrand.) The Wits University Theatre: It opened in 1983 and comprised a 370-seat main auditorium and an experimental theatre in the basement. It was built mainly as a learning laboratory for Wits students. Paul Regenas was its first manager. Ian Steadman directed its first production called The Comedy of Errors, cast with students. Athol Fugard’s Master Harold … and the Boys was staged here after a countrywide tour in 1983. Pieter-Dirk Uys’ Selle ou Storie starring Christine Basson was staged here in 1983. Graham Wright brought the Baxter production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Soyikwa presented Matsemela Manaka’s Vuka downstairs in March 1986 after its run at the Market. The Market presented Bobby Heaney’s productions of Harold Pinter’s One for the Road and Saumuel Beckett’s Catastrophe here in 1985. [[Nicholas Ellenbogen]]’s [[Theatre for Africa]] presented ''[[Raiders of the Lost Aardvark]]'' here in 1991. Nicholas Ellenbogen directed Cinderella for Theatre for Africa in 1991. Mannie Manim’s idea for the Amphitheatre, a new venue at the University, came into being in 1992. Nicholas Ellenbogen’s Theatre for Africa presented Kwamanzi and Elephant of Africa here in 1992. Pieter-Dirk Uys’s Paradise is Closing Down was staged here in 1992. **** [[Percy Tucker]], 1997&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=221881&amp;oldid=prev</id>
		<title>Satj: /* Sources */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=221881&amp;oldid=prev"/>
		<updated>2022-05-12T14:17:01Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Sources&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:17, 12 May 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot; &gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Percy Tucker]]. 1997. ''Just the Ticket. My 50 Years in Show Business''. Johannesburg: Witwatersrand University Press.&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Return to ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Return to ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=221880&amp;oldid=prev</id>
		<title>Satj: /* For more information */</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=221880&amp;oldid=prev"/>
		<updated>2022-05-12T14:14:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;For more information&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:14, 12 May 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;== For more information ==&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=221879&amp;oldid=prev</id>
		<title>Satj at 14:14, 12 May 2022</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=221879&amp;oldid=prev"/>
		<updated>2022-05-12T14:14:16Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 14:14, 12 May 2022&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [[Wits Theatre Complex]] is a performing arts centre built by the [[University of the Witwatersrand]].  &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The [[Wits Theatre Complex]] is a performing arts centre built by the [[University of the Witwatersrand]].  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It has various venues, including **, [[The Downstairs Theatre]], *  Sometimes referred to as the '''[[Wits University Theatre]]'''&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It has various venues, including **, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;[[The Downstairs Theatre]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'''&lt;/ins&gt;, *  Sometimes referred to as the '''[[Wits University Theatre]]'''&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Wits Theatre complex first opened its doors in July 1983 and the first manager was [[Mannie Manim]]. Ten years before that, the plan for the theatre was first announced. In the intervening years money was raised from the public and private sectors and the complex cost in the region of R5 million. The Schools of Dramatic Art and Music needed a laboratory where their students could learn to develop their craft; where they could experiment with the latest in performing arts technology and could display the results of their work and experiments to the university and the public at large; where this could be done in the comfort of relatively well-equipped venues. Before that, The Wits School of Arts (Dramatic Art) had been staging its productions in the Nunnery. This venue was once a convent hall and is steeped in theatrical tradition as companies like the Junction Avenue Theatre Company and the Market Theatre Company both staged productions there 20 to 25 years ago when there were no other theatres available. It has been retained as a teaching venue for use by the The Wits School of Arts (Dramatic Art). The complex consists of The Wits Theatre with 367 seats in an adaptable auditorium. Its foyer contains bar and cafetaria facilities, Cafè Dulce The Downstairs Theatre is directly below it, and was designated &amp;quot;store room&amp;quot; on the original plan by the architect Don Lennard but now houses a versatile experimental theatre with its own foyer which also serves as an exhibition space, the venue seats 120. On the ground level to the north of the building, the architect, whose consultant was John Bury, (one of the great British designers from the Royal Shakespeare Company and the Royal National Theatre), placed an open air Amphitheatre. For the first eight years of its existence, the occasional open air production was staged there when the winter nights were not too cold or it did not rain in summer. In 1992 it was enclosed and added a third venue to the complex - a 120-seater all enclosed theatre where work which cannot be housed in the other two venues can find a home. It has its own foyer space. One of the best features of this complex is that there is sufficient undercover parking for the entire audience of all three theatres in the Senate House parking garage, just a short stroll across an enclosed bridge, from the foyer. The theatres are also served by a fully equipped workshop and wardrobe which are situated above and alongside the dressing room areas adjacent to the theatres. The Wits Theatre has established itself as South Africa's major venue for contemporary dance. Annually the FNB Dance Umbrella celebrates its national festival here with top companies from around the country. All the region's major dance companies have danced here and book seasons on a regular basis. The Wits Great Hall is also managed by the PAA, and  seats up to 1035. (See Great Hall, University of the Witwatersrand.) The Wits University Theatre: It opened in 1983 and comprised a 370-seat main auditorium and an experimental theatre in the basement. It was built mainly as a learning laboratory for Wits students. Paul Regenas was its first manager. Ian Steadman directed its first production called The Comedy of Errors, cast with students. Athol Fugard’s Master Harold … and the Boys was staged here after a countrywide tour in 1983. Pieter-Dirk Uys’ Selle ou Storie starring Christine Basson was staged here in 1983. Graham Wright brought the Baxter production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Soyikwa presented Matsemela Manaka’s Vuka downstairs in March 1986 after its run at the Market. The Market presented Bobby Heaney’s productions of Harold Pinter’s One for the Road and Saumuel Beckett’s Catastrophe here in 1985. [[Nicholas Ellenbogen]]’s [[Theatre for Africa]] presented ''[[Raiders of the Lost Aardvark]]'' here in 1991. Nicholas Ellenbogen directed Cinderella for Theatre for Africa in 1991. Mannie Manim’s idea for the Amphitheatre, a new venue at the University, came into being in 1992. Nicholas Ellenbogen’s Theatre for Africa presented Kwamanzi and Elephant of Africa here in 1992. Pieter-Dirk Uys’s Paradise is Closing Down was staged here in 1992. **** [[Percy Tucker]], 1997&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Wits Theatre complex first opened its doors in July 1983 and the first manager was [[Mannie Manim]]. Ten years before that, the plan for the theatre was first announced. In the intervening years money was raised from the public and private sectors and the complex cost in the region of R5 million. The Schools of Dramatic Art and Music needed a laboratory where their students could learn to develop their craft; where they could experiment with the latest in performing arts technology and could display the results of their work and experiments to the university and the public at large; where this could be done in the comfort of relatively well-equipped venues. Before that, The Wits School of Arts (Dramatic Art) had been staging its productions in the Nunnery. This venue was once a convent hall and is steeped in theatrical tradition as companies like the Junction Avenue Theatre Company and the Market Theatre Company both staged productions there 20 to 25 years ago when there were no other theatres available. It has been retained as a teaching venue for use by the The Wits School of Arts (Dramatic Art). The complex consists of The Wits Theatre with 367 seats in an adaptable auditorium. Its foyer contains bar and cafetaria facilities, Cafè Dulce The Downstairs Theatre is directly below it, and was designated &amp;quot;store room&amp;quot; on the original plan by the architect Don Lennard but now houses a versatile experimental theatre with its own foyer which also serves as an exhibition space, the venue seats 120. On the ground level to the north of the building, the architect, whose consultant was John Bury, (one of the great British designers from the Royal Shakespeare Company and the Royal National Theatre), placed an open air Amphitheatre. For the first eight years of its existence, the occasional open air production was staged there when the winter nights were not too cold or it did not rain in summer. In 1992 it was enclosed and added a third venue to the complex - a 120-seater all enclosed theatre where work which cannot be housed in the other two venues can find a home. It has its own foyer space. One of the best features of this complex is that there is sufficient undercover parking for the entire audience of all three theatres in the Senate House parking garage, just a short stroll across an enclosed bridge, from the foyer. The theatres are also served by a fully equipped workshop and wardrobe which are situated above and alongside the dressing room areas adjacent to the theatres. The Wits Theatre has established itself as South Africa's major venue for contemporary dance. Annually the FNB Dance Umbrella celebrates its national festival here with top companies from around the country. All the region's major dance companies have danced here and book seasons on a regular basis. The Wits Great Hall is also managed by the PAA, and  seats up to 1035. (See Great Hall, University of the Witwatersrand.) The Wits University Theatre: It opened in 1983 and comprised a 370-seat main auditorium and an experimental theatre in the basement. It was built mainly as a learning laboratory for Wits students. Paul Regenas was its first manager. Ian Steadman directed its first production called The Comedy of Errors, cast with students. Athol Fugard’s Master Harold … and the Boys was staged here after a countrywide tour in 1983. Pieter-Dirk Uys’ Selle ou Storie starring Christine Basson was staged here in 1983. Graham Wright brought the Baxter production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Soyikwa presented Matsemela Manaka’s Vuka downstairs in March 1986 after its run at the Market. The Market presented Bobby Heaney’s productions of Harold Pinter’s One for the Road and Saumuel Beckett’s Catastrophe here in 1985. [[Nicholas Ellenbogen]]’s [[Theatre for Africa]] presented ''[[Raiders of the Lost Aardvark]]'' here in 1991. Nicholas Ellenbogen directed Cinderella for Theatre for Africa in 1991. Mannie Manim’s idea for the Amphitheatre, a new venue at the University, came into being in 1992. Nicholas Ellenbogen’s Theatre for Africa presented Kwamanzi and Elephant of Africa here in 1992. Pieter-Dirk Uys’s Paradise is Closing Down was staged here in 1992. **** [[Percy Tucker]], 1997&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=163700&amp;oldid=prev</id>
		<title>Satj at 04:50, 11 February 2019</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=163700&amp;oldid=prev"/>
		<updated>2019-02-11T04:50:55Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 04:50, 11 February 2019&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The performing arts centre built by the University of the Witwatersrand &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;in 19**. The first manager was Mannie Manim&lt;/del&gt;. It has various venues, including **, The Downstairs Theatre, * The Wits Theatre complex first opened its doors in July 1983. Ten years before that, the plan for the theatre was first announced. In the intervening years money was raised from the public and private sectors and the complex cost in the region of R5 million. The Schools of Dramatic Art and Music needed a laboratory where their students could learn to develop their craft; where they could experiment with the latest in performing arts technology and could display the results of their work and experiments to the university and the public at large; where this could be done in the comfort of relatively well-equipped venues. Before that, The Wits School of Arts (Dramatic Art) had been staging its productions in the Nunnery. This venue was once a convent hall and is steeped in theatrical tradition as companies like the Junction Avenue Theatre Company and the Market Theatre Company both staged productions there 20 to 25 years ago when there were no other theatres available. It has been retained as a teaching venue for use by the The Wits School of Arts (Dramatic Art). The complex consists of The Wits Theatre with 367 seats in an adaptable auditorium. Its foyer contains bar and cafetaria facilities, Cafè Dulce The Downstairs Theatre is directly below it, and was designated &amp;quot;store room&amp;quot; on the original plan by the architect Don Lennard but now houses a versatile experimental theatre with its own foyer which also serves as an exhibition space, the venue seats 120. On the ground level to the north of the building, the architect, whose consultant was John Bury, (one of the great British designers from the Royal Shakespeare Company and the Royal National Theatre), placed an open air Amphitheatre. For the first eight years of its existence, the occasional open air production was staged there when the winter nights were not too cold or it did not rain in summer. In 1992 it was enclosed and added a third venue to the complex - a 120-seater all enclosed theatre where work which cannot be housed in the other two venues can find a home. It has its own foyer space. One of the best features of this complex is that there is sufficient undercover parking for the entire audience of all three theatres in the Senate House parking garage, just a short stroll across an enclosed bridge, from the foyer. The theatres are also served by a fully equipped workshop and wardrobe which are situated above and alongside the dressing room areas adjacent to the theatres. The Wits Theatre has established itself as South Africa's major venue for contemporary dance. Annually the FNB Dance Umbrella celebrates its national festival here with top companies from around the country. All the region's major dance companies have danced here and book seasons on a regular basis. The Wits Great Hall is also managed by the PAA, and  seats up to 1035. (See Great Hall, University of the Witwatersrand.) The Wits University Theatre: It opened in 1983 and comprised a 370-seat main auditorium and an experimental theatre in the basement. It was built mainly as a learning laboratory for Wits students. Paul Regenas was its first manager. Ian Steadman directed its first production called The Comedy of Errors, cast with students. Athol Fugard’s Master Harold … and the Boys was staged here after a countrywide tour in 1983. Pieter-Dirk Uys’ Selle ou Storie starring Christine Basson was staged here in 1983. Graham Wright brought the Baxter production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Soyikwa presented Matsemela Manaka’s Vuka downstairs in March 1986 after its run at the Market. The Market presented Bobby Heaney’s productions of Harold Pinter’s One for the Road and Saumuel Beckett’s Catastrophe here in 1985. [[Nicholas Ellenbogen]]’s [[Theatre for Africa]] presented ''[[Raiders of the Lost Aardvark]]'' here in 1991. Nicholas Ellenbogen directed Cinderella for Theatre for Africa in 1991. Mannie Manim’s idea for the Amphitheatre, a new venue at the University, came into being in 1992. Nicholas Ellenbogen’s Theatre for Africa presented Kwamanzi and Elephant of Africa here in 1992. Pieter-Dirk Uys’s Paradise is Closing Down was staged here in 1992. **** [[Percy Tucker]], 1997&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[Wits Theatre Complex]] is a &lt;/ins&gt;performing arts centre built by the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;University of the Witwatersrand&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;.  &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It has various venues, including **, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;The Downstairs Theatre&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;, * &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; Sometimes referred to as the '''[[Wits University Theatre]]'''&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt; &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The Wits Theatre complex first opened its doors in July 1983 &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;and the first manager was [[Mannie Manim]]&lt;/ins&gt;. Ten years before that, the plan for the theatre was first announced. In the intervening years money was raised from the public and private sectors and the complex cost in the region of R5 million. The Schools of Dramatic Art and Music needed a laboratory where their students could learn to develop their craft; where they could experiment with the latest in performing arts technology and could display the results of their work and experiments to the university and the public at large; where this could be done in the comfort of relatively well-equipped venues. Before that, The Wits School of Arts (Dramatic Art) had been staging its productions in the Nunnery. This venue was once a convent hall and is steeped in theatrical tradition as companies like the Junction Avenue Theatre Company and the Market Theatre Company both staged productions there 20 to 25 years ago when there were no other theatres available. It has been retained as a teaching venue for use by the The Wits School of Arts (Dramatic Art). The complex consists of The Wits Theatre with 367 seats in an adaptable auditorium. Its foyer contains bar and cafetaria facilities, Cafè Dulce The Downstairs Theatre is directly below it, and was designated &amp;quot;store room&amp;quot; on the original plan by the architect Don Lennard but now houses a versatile experimental theatre with its own foyer which also serves as an exhibition space, the venue seats 120. On the ground level to the north of the building, the architect, whose consultant was John Bury, (one of the great British designers from the Royal Shakespeare Company and the Royal National Theatre), placed an open air Amphitheatre. For the first eight years of its existence, the occasional open air production was staged there when the winter nights were not too cold or it did not rain in summer. In 1992 it was enclosed and added a third venue to the complex - a 120-seater all enclosed theatre where work which cannot be housed in the other two venues can find a home. It has its own foyer space. One of the best features of this complex is that there is sufficient undercover parking for the entire audience of all three theatres in the Senate House parking garage, just a short stroll across an enclosed bridge, from the foyer. The theatres are also served by a fully equipped workshop and wardrobe which are situated above and alongside the dressing room areas adjacent to the theatres. The Wits Theatre has established itself as South Africa's major venue for contemporary dance. Annually the FNB Dance Umbrella celebrates its national festival here with top companies from around the country. All the region's major dance companies have danced here and book seasons on a regular basis. The Wits Great Hall is also managed by the PAA, and  seats up to 1035. (See Great Hall, University of the Witwatersrand.) The Wits University Theatre: It opened in 1983 and comprised a 370-seat main auditorium and an experimental theatre in the basement. It was built mainly as a learning laboratory for Wits students. Paul Regenas was its first manager. Ian Steadman directed its first production called The Comedy of Errors, cast with students. Athol Fugard’s Master Harold … and the Boys was staged here after a countrywide tour in 1983. Pieter-Dirk Uys’ Selle ou Storie starring Christine Basson was staged here in 1983. Graham Wright brought the Baxter production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Soyikwa presented Matsemela Manaka’s Vuka downstairs in March 1986 after its run at the Market. The Market presented Bobby Heaney’s productions of Harold Pinter’s One for the Road and Saumuel Beckett’s Catastrophe here in 1985. [[Nicholas Ellenbogen]]’s [[Theatre for Africa]] presented ''[[Raiders of the Lost Aardvark]]'' here in 1991. Nicholas Ellenbogen directed Cinderella for Theatre for Africa in 1991. Mannie Manim’s idea for the Amphitheatre, a new venue at the University, came into being in 1992. Nicholas Ellenbogen’s Theatre for Africa presented Kwamanzi and Elephant of Africa here in 1992. Pieter-Dirk Uys’s Paradise is Closing Down was staged here in 1992. **** [[Percy Tucker]], 1997&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Satj</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=92472&amp;oldid=prev</id>
		<title>Miriamt at 15:57, 29 October 2015</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=92472&amp;oldid=prev"/>
		<updated>2015-10-29T15:57:45Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:57, 29 October 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The performing arts centre built by the University of the Witwatersrand in 19**. The first manager was Mannie Manim. It has various venues, including **, The Downstairs Theatre, * The Wits Theatre complex first opened its doors in July 1983. Ten years before that, the plan for the theatre was first announced. In the intervening years money was raised from the public and private sectors and the complex cost in the region of R5 million. The Schools of Dramatic Art and Music needed a laboratory where their students could learn to develop their craft; where they could experiment with the latest in performing arts technology and could display the results of their work and experiments to the university and the public at large; where this could be done in the comfort of relatively well-equipped venues. Before that, The Wits School of Arts (Dramatic Art) had been staging its productions in the Nunnery. This venue was once a convent hall and is steeped in theatrical tradition as companies like the Junction Avenue Theatre Company and the Market Theatre Company both staged productions there 20 to 25 years ago when there were no other theatres available. It has been retained as a teaching venue for use by the The Wits School of Arts (Dramatic Art). The complex consists of The Wits Theatre with 367 seats in an adaptable auditorium. Its foyer contains bar and cafetaria facilities, Cafè Dulce The Downstairs Theatre is directly below it, and was designated &amp;quot;store room&amp;quot; on the original plan by the architect Don Lennard but now houses a versatile experimental theatre with its own foyer which also serves as an exhibition space, the venue seats 120. On the ground level to the north of the building, the architect, whose consultant was John Bury, (one of the great British designers from the Royal Shakespeare Company and the Royal National Theatre), placed an open air Amphitheatre. For the first eight years of its existence, the occasional open air production was staged there when the winter nights were not too cold or it did not rain in summer. In 1992 it was enclosed and added a third venue to the complex - a 120-seater all enclosed theatre where work which cannot be housed in the other two venues can find a home. It has its own foyer space. One of the best features of this complex is that there is sufficient undercover parking for the entire audience of all three theatres in the Senate House parking garage, just a short stroll across an enclosed bridge, from the foyer. The theatres are also served by a fully equipped workshop and wardrobe which are situated above and alongside the dressing room areas adjacent to the theatres. The Wits Theatre has established itself as South Africa's major venue for contemporary dance. Annually the FNB Dance Umbrella celebrates its national festival here with top companies from around the country. All the region's major dance companies have danced here and book seasons on a regular basis. The Wits Great Hall is also managed by the PAA, and  seats up to 1035. (See Great Hall, University of the Witwatersrand.) The Wits University Theatre: It opened in 1983 and comprised a 370-seat main auditorium and an experimental theatre in the basement. It was built mainly as a learning laboratory for Wits students. Paul Regenas was its first manager. Ian Steadman directed its first production called The Comedy of Errors, cast with students. Athol Fugard’s Master Harold … and the Boys was staged here after a countrywide tour in 1983. Pieter-Dirk Uys’ Selle ou Storie starring Christine Basson was staged here in 1983. Graham Wright brought the Baxter production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Soyikwa presented Matsemela Manaka’s Vuka downstairs in March 1986 after its run at the Market. The Market presented Bobby Heaney’s productions of Harold Pinter’s One for the Road and Saumuel Beckett’s Catastrophe here in 1985. Nicholas &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Ellenbogen’s &lt;/del&gt;Theatre for Africa presented Raiders of the Lost Aardvark here in 1991. Nicholas Ellenbogen directed Cinderella for Theatre for Africa in 1991. Mannie Manim’s idea for the Amphitheatre, a new venue at the University, came into being in 1992. Nicholas Ellenbogen’s Theatre for Africa presented Kwamanzi and Elephant of Africa here in 1992. Pieter-Dirk Uys’s Paradise is Closing Down was staged here in 1992. **** [[Percy Tucker]], 1997&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The performing arts centre built by the University of the Witwatersrand in 19**. The first manager was Mannie Manim. It has various venues, including **, The Downstairs Theatre, * The Wits Theatre complex first opened its doors in July 1983. Ten years before that, the plan for the theatre was first announced. In the intervening years money was raised from the public and private sectors and the complex cost in the region of R5 million. The Schools of Dramatic Art and Music needed a laboratory where their students could learn to develop their craft; where they could experiment with the latest in performing arts technology and could display the results of their work and experiments to the university and the public at large; where this could be done in the comfort of relatively well-equipped venues. Before that, The Wits School of Arts (Dramatic Art) had been staging its productions in the Nunnery. This venue was once a convent hall and is steeped in theatrical tradition as companies like the Junction Avenue Theatre Company and the Market Theatre Company both staged productions there 20 to 25 years ago when there were no other theatres available. It has been retained as a teaching venue for use by the The Wits School of Arts (Dramatic Art). The complex consists of The Wits Theatre with 367 seats in an adaptable auditorium. Its foyer contains bar and cafetaria facilities, Cafè Dulce The Downstairs Theatre is directly below it, and was designated &amp;quot;store room&amp;quot; on the original plan by the architect Don Lennard but now houses a versatile experimental theatre with its own foyer which also serves as an exhibition space, the venue seats 120. On the ground level to the north of the building, the architect, whose consultant was John Bury, (one of the great British designers from the Royal Shakespeare Company and the Royal National Theatre), placed an open air Amphitheatre. For the first eight years of its existence, the occasional open air production was staged there when the winter nights were not too cold or it did not rain in summer. In 1992 it was enclosed and added a third venue to the complex - a 120-seater all enclosed theatre where work which cannot be housed in the other two venues can find a home. It has its own foyer space. One of the best features of this complex is that there is sufficient undercover parking for the entire audience of all three theatres in the Senate House parking garage, just a short stroll across an enclosed bridge, from the foyer. The theatres are also served by a fully equipped workshop and wardrobe which are situated above and alongside the dressing room areas adjacent to the theatres. The Wits Theatre has established itself as South Africa's major venue for contemporary dance. Annually the FNB Dance Umbrella celebrates its national festival here with top companies from around the country. All the region's major dance companies have danced here and book seasons on a regular basis. The Wits Great Hall is also managed by the PAA, and  seats up to 1035. (See Great Hall, University of the Witwatersrand.) The Wits University Theatre: It opened in 1983 and comprised a 370-seat main auditorium and an experimental theatre in the basement. It was built mainly as a learning laboratory for Wits students. Paul Regenas was its first manager. Ian Steadman directed its first production called The Comedy of Errors, cast with students. Athol Fugard’s Master Harold … and the Boys was staged here after a countrywide tour in 1983. Pieter-Dirk Uys’ Selle ou Storie starring Christine Basson was staged here in 1983. Graham Wright brought the Baxter production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Soyikwa presented Matsemela Manaka’s Vuka downstairs in March 1986 after its run at the Market. The Market presented Bobby Heaney’s productions of Harold Pinter’s One for the Road and Saumuel Beckett’s Catastrophe here in 1985. &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Nicholas &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Ellenbogen]]’s [[&lt;/ins&gt;Theatre for Africa&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;presented &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Raiders of the Lost Aardvark&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;here in 1991. Nicholas Ellenbogen directed Cinderella for Theatre for Africa in 1991. Mannie Manim’s idea for the Amphitheatre, a new venue at the University, came into being in 1992. Nicholas Ellenbogen’s Theatre for Africa presented Kwamanzi and Elephant of Africa here in 1992. Pieter-Dirk Uys’s Paradise is Closing Down was staged here in 1992. **** [[Percy Tucker]], 1997&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=34361&amp;oldid=prev</id>
		<title>Miriamt at 08:45, 25 October 2012</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=34361&amp;oldid=prev"/>
		<updated>2012-10-25T08:45:10Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 08:45, 25 October 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The performing arts centre built by the University of the Witwatersrand in 19**. The first manager was Mannie Manim. It has various venues, including **, The Downstairs Theatre, * The Wits Theatre complex first opened its doors in July 1983. Ten years before that, the plan for the theatre was first announced. In the intervening years money was raised from the public and private sectors and the complex cost in the region of R5 million. The Schools of Dramatic Art and Music needed a laboratory where their students could learn to develop their craft; where they could experiment with the latest in performing arts technology and could display the results of their work and experiments to the university and the public at large; where this could be done in the comfort of relatively well-equipped venues. Before that, The Wits School of Arts (Dramatic Art) had been staging its productions in the Nunnery. This venue was once a convent hall and is steeped in theatrical tradition as companies like the Junction Avenue Theatre Company and the Market Theatre Company both staged productions there 20 to 25 years ago when there were no other theatres available. It has been retained as a teaching venue for use by the The Wits School of Arts (Dramatic Art). The complex consists of The Wits Theatre with 367 seats in an adaptable auditorium. Its foyer contains bar and cafetaria facilities, Cafè Dulce The Downstairs Theatre is directly below it, and was designated &amp;quot;store room&amp;quot; on the original plan by the architect Don Lennard but now houses a versatile experimental theatre with its own foyer which also serves as an exhibition space, the venue seats 120. On the ground level to the north of the building, the architect, whose consultant was John Bury, (one of the great British designers from the Royal Shakespeare Company and the Royal National Theatre), placed an open air Amphitheatre. For the first eight years of its existence, the occasional open air production was staged there when the winter nights were not too cold or it did not rain in summer. In 1992 it was enclosed and added a third venue to the complex - a 120-seater all enclosed theatre where work which cannot be housed in the other two venues can find a home. It has its own foyer space. One of the best features of this complex is that there is sufficient undercover parking for the entire audience of all three theatres in the Senate House parking garage, just a short stroll across an enclosed bridge, from the foyer. The theatres are also served by a fully equipped workshop and wardrobe which are situated above and alongside the dressing room areas adjacent to the theatres. The Wits Theatre has established itself as South Africa's major venue for contemporary dance. Annually the FNB Dance Umbrella celebrates its national festival here with top companies from around the country. All the region's major dance companies have danced here and book seasons on a regular basis. The Wits Great Hall is also managed by the PAA, and  seats up to 1035. (See Great Hall, University of the Witwatersrand.) The Wits University Theatre: It opened in 1983 and comprised a 370-seat main auditorium and an experimental theatre in the basement. It was built mainly as a learning laboratory for Wits students. Paul Regenas was its first manager. Ian Steadman directed its first production called The Comedy of Errors, cast with students. Athol Fugard’s Master Harold … and the Boys was staged here after a countrywide tour in 1983. Pieter-Dirk Uys’ Selle ou Storie starring Christine Basson was staged here in 1983. Graham Wright brought the Baxter production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Soyikwa presented Matsemela Manaka’s Vuka downstairs in March 1986 after its run at the Market. The Market presented Bobby Heaney’s productions of Harold Pinter’s One for the Road and Saumuel Beckett’s Catastrophe here in 1985. Nicholas Ellenbogen’s Theatre for Africa presented Raiders of the Lost Aardvark here in 1991. Nicholas Ellenbogen directed Cinderella for Theatre for Africa in 1991. Mannie Manim’s idea for the Amphitheatre, a new venue at the University, came into being in 1992. Nicholas Ellenbogen’s Theatre for Africa presented Kwamanzi and Elephant of Africa here in 1992. Pieter-Dirk &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Uys’ &lt;/del&gt;Paradise is Closing Down was staged here in 1992. **** [[Percy Tucker]], 1997&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The performing arts centre built by the University of the Witwatersrand in 19**. The first manager was Mannie Manim. It has various venues, including **, The Downstairs Theatre, * The Wits Theatre complex first opened its doors in July 1983. Ten years before that, the plan for the theatre was first announced. In the intervening years money was raised from the public and private sectors and the complex cost in the region of R5 million. The Schools of Dramatic Art and Music needed a laboratory where their students could learn to develop their craft; where they could experiment with the latest in performing arts technology and could display the results of their work and experiments to the university and the public at large; where this could be done in the comfort of relatively well-equipped venues. Before that, The Wits School of Arts (Dramatic Art) had been staging its productions in the Nunnery. This venue was once a convent hall and is steeped in theatrical tradition as companies like the Junction Avenue Theatre Company and the Market Theatre Company both staged productions there 20 to 25 years ago when there were no other theatres available. It has been retained as a teaching venue for use by the The Wits School of Arts (Dramatic Art). The complex consists of The Wits Theatre with 367 seats in an adaptable auditorium. Its foyer contains bar and cafetaria facilities, Cafè Dulce The Downstairs Theatre is directly below it, and was designated &amp;quot;store room&amp;quot; on the original plan by the architect Don Lennard but now houses a versatile experimental theatre with its own foyer which also serves as an exhibition space, the venue seats 120. On the ground level to the north of the building, the architect, whose consultant was John Bury, (one of the great British designers from the Royal Shakespeare Company and the Royal National Theatre), placed an open air Amphitheatre. For the first eight years of its existence, the occasional open air production was staged there when the winter nights were not too cold or it did not rain in summer. In 1992 it was enclosed and added a third venue to the complex - a 120-seater all enclosed theatre where work which cannot be housed in the other two venues can find a home. It has its own foyer space. One of the best features of this complex is that there is sufficient undercover parking for the entire audience of all three theatres in the Senate House parking garage, just a short stroll across an enclosed bridge, from the foyer. The theatres are also served by a fully equipped workshop and wardrobe which are situated above and alongside the dressing room areas adjacent to the theatres. The Wits Theatre has established itself as South Africa's major venue for contemporary dance. Annually the FNB Dance Umbrella celebrates its national festival here with top companies from around the country. All the region's major dance companies have danced here and book seasons on a regular basis. The Wits Great Hall is also managed by the PAA, and  seats up to 1035. (See Great Hall, University of the Witwatersrand.) The Wits University Theatre: It opened in 1983 and comprised a 370-seat main auditorium and an experimental theatre in the basement. It was built mainly as a learning laboratory for Wits students. Paul Regenas was its first manager. Ian Steadman directed its first production called The Comedy of Errors, cast with students. Athol Fugard’s Master Harold … and the Boys was staged here after a countrywide tour in 1983. Pieter-Dirk Uys’ Selle ou Storie starring Christine Basson was staged here in 1983. Graham Wright brought the Baxter production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Soyikwa presented Matsemela Manaka’s Vuka downstairs in March 1986 after its run at the Market. The Market presented Bobby Heaney’s productions of Harold Pinter’s One for the Road and Saumuel Beckett’s Catastrophe here in 1985. Nicholas Ellenbogen’s Theatre for Africa presented Raiders of the Lost Aardvark here in 1991. Nicholas Ellenbogen directed Cinderella for Theatre for Africa in 1991. Mannie Manim’s idea for the Amphitheatre, a new venue at the University, came into being in 1992. Nicholas Ellenbogen’s Theatre for Africa presented Kwamanzi and Elephant of Africa here in 1992. Pieter-Dirk &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Uys’s &lt;/ins&gt;Paradise is Closing Down was staged here in 1992. **** [[Percy Tucker]], 1997&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Miriamt</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=16502&amp;oldid=prev</id>
		<title>Centaps: Created page with &quot;The performing arts centre built by the University of the Witwatersrand in 19**. The first manager was Mannie Manim. It has various venues, including **, The Downstairs Theatre, ...&quot;</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=Wits_Theatre_Complex&amp;diff=16502&amp;oldid=prev"/>
		<updated>2011-03-08T07:55:52Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;The performing arts centre built by the University of the Witwatersrand in 19**. The first manager was Mannie Manim. It has various venues, including **, The Downstairs Theatre, ...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;The performing arts centre built by the University of the Witwatersrand in 19**. The first manager was Mannie Manim. It has various venues, including **, The Downstairs Theatre, * The Wits Theatre complex first opened its doors in July 1983. Ten years before that, the plan for the theatre was first announced. In the intervening years money was raised from the public and private sectors and the complex cost in the region of R5 million. The Schools of Dramatic Art and Music needed a laboratory where their students could learn to develop their craft; where they could experiment with the latest in performing arts technology and could display the results of their work and experiments to the university and the public at large; where this could be done in the comfort of relatively well-equipped venues. Before that, The Wits School of Arts (Dramatic Art) had been staging its productions in the Nunnery. This venue was once a convent hall and is steeped in theatrical tradition as companies like the Junction Avenue Theatre Company and the Market Theatre Company both staged productions there 20 to 25 years ago when there were no other theatres available. It has been retained as a teaching venue for use by the The Wits School of Arts (Dramatic Art). The complex consists of The Wits Theatre with 367 seats in an adaptable auditorium. Its foyer contains bar and cafetaria facilities, Cafè Dulce The Downstairs Theatre is directly below it, and was designated &amp;quot;store room&amp;quot; on the original plan by the architect Don Lennard but now houses a versatile experimental theatre with its own foyer which also serves as an exhibition space, the venue seats 120. On the ground level to the north of the building, the architect, whose consultant was John Bury, (one of the great British designers from the Royal Shakespeare Company and the Royal National Theatre), placed an open air Amphitheatre. For the first eight years of its existence, the occasional open air production was staged there when the winter nights were not too cold or it did not rain in summer. In 1992 it was enclosed and added a third venue to the complex - a 120-seater all enclosed theatre where work which cannot be housed in the other two venues can find a home. It has its own foyer space. One of the best features of this complex is that there is sufficient undercover parking for the entire audience of all three theatres in the Senate House parking garage, just a short stroll across an enclosed bridge, from the foyer. The theatres are also served by a fully equipped workshop and wardrobe which are situated above and alongside the dressing room areas adjacent to the theatres. The Wits Theatre has established itself as South Africa's major venue for contemporary dance. Annually the FNB Dance Umbrella celebrates its national festival here with top companies from around the country. All the region's major dance companies have danced here and book seasons on a regular basis. The Wits Great Hall is also managed by the PAA, and  seats up to 1035. (See Great Hall, University of the Witwatersrand.) The Wits University Theatre: It opened in 1983 and comprised a 370-seat main auditorium and an experimental theatre in the basement. It was built mainly as a learning laboratory for Wits students. Paul Regenas was its first manager. Ian Steadman directed its first production called The Comedy of Errors, cast with students. Athol Fugard’s Master Harold … and the Boys was staged here after a countrywide tour in 1983. Pieter-Dirk Uys’ Selle ou Storie starring Christine Basson was staged here in 1983. Graham Wright brought the Baxter production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Soyikwa presented Matsemela Manaka’s Vuka downstairs in March 1986 after its run at the Market. The Market presented Bobby Heaney’s productions of Harold Pinter’s One for the Road and Saumuel Beckett’s Catastrophe here in 1985. Nicholas Ellenbogen’s Theatre for Africa presented Raiders of the Lost Aardvark here in 1991. Nicholas Ellenbogen directed Cinderella for Theatre for Africa in 1991. Mannie Manim’s idea for the Amphitheatre, a new venue at the University, came into being in 1992. Nicholas Ellenbogen’s Theatre for Africa presented Kwamanzi and Elephant of Africa here in 1992. Pieter-Dirk Uys’ Paradise is Closing Down was staged here in 1992. **** [[Percy Tucker]], 1997&lt;br /&gt;
&lt;br /&gt;
== Sources ==&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== For more information ==&lt;br /&gt;
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== Return to ==&lt;br /&gt;
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Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]&lt;br /&gt;
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Return to [[The ESAT Entries]]&lt;br /&gt;
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Return to [[Main Page]]&lt;/div&gt;</summary>
		<author><name>Centaps</name></author>
		
	</entry>
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