William H. Bell - Revision history

Darryl: Redirected page to William Henry Bell

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Redirected page to William Henry Bell

Satj at 06:38, 6 October 2023

2023-10-06T06:38:12Z

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2017-03-20T13:46:29Z

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Satj at 07:28, 12 June 2012

2012-06-12T07:28:00Z

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Gaerin: Created page with "(1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director (19**-..."

2011-03-25T13:38:55Z

Created page with "(1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director (19**-..."

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(1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director (19**-1934) of the [[South African College of Music]], (later the faculty of Music at the University of Cape Town). Made dramatic studies part of music training. Prime mover to obtain and first general director (1931-1934) of the [[University of Cape Town]]’s [[Little Theatre]], which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the [[College of Music]] and the [[Little Theatre]], he was an active member of the [[Cape Town Repertory Theatre Society]], instrumental beginning the [[UCT Ballet School]] (bringing [[Dulcie Howes]] back to South Africa to run it) and in founding of the [[UCT Drama Department]] (19*-) .

== Sources ==
See Du Toit, 1988; Inskip, 197*; Binge , 1969 [TH, JH]

Return to [[ESAT Personalities B]]

Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

Return to [[Main Page]]

← Older revision		Revision as of 17:02, 25 February 2024
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−	~~'''~~William H. Bell~~''' (1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country.~~	+	#REDIRECT[[William Henry Bell]]
−
−	Professor in and first director of the [[South African College of Music]] (later the Faculty of Music at the University of Cape Town)(19*-1934). Made dramatic studies part of music training. Prime mover to obtain, and first general director (1931-1934) of, the [[University of Cape Town]]'s [[Little Theatre]], which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the [[College of Music]] and the [[Little Theatre]], he was an active member of the [[Cape Town Repertory Theatre Society]], instrumental beginning the [[UCT Ballet School]] (bringing [[Dulcie Howes]] back to South Africa to run it) and in founding of the [[UCT Drama Department]] (19-) . [TH, JH]
−
−	~~== Sources ==~~
−
−	~~[[ESAT Bibliography Dur-Dz\|Du Toit, P.J.]], 1988.~~
−
−	~~[[ESAT Bibliography I\|Inskip, Donald P.]], 1972.~~
−
−	~~[[ESAT Bibliography Beu-Blo\|Binge]], 1969.~~
−
−	~~== Return to ==~~
−
−	~~Return to [[ESAT Personalities B]]~~
−
−	~~Return to [[South_African_Theatre/Personalities\|South African Theatre Personalities]]~~
−
−	~~Return to [[The ESAT Entries]]~~
−
−	~~Return to [[Main Page~~]]

← Older revision		Revision as of 06:38, 6 October 2023
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−	'''William H. Bell''' (1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director of the [[South African College of Music]] (later the Faculty of Music at the University of Cape Town)(19*-1934). Made dramatic studies part of music training. Prime mover to obtain, and first general director (1931-1934) of, the [[University of Cape Town]]’s [[Little Theatre]], which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the [[College of Music]] and the [[Little Theatre]], he was an active member of the [[Cape Town Repertory Theatre Society]], instrumental beginning the [[UCT Ballet School]] (bringing [[Dulcie Howes]] back to South Africa to run it) and in founding of the [[UCT Drama Department]] (19-) . [TH, JH]	+	'''William H. Bell''' (1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country.
		+
		+	Professor in and first director of the [[South African College of Music]] (later the Faculty of Music at the University of Cape Town)(19*-1934). Made dramatic studies part of music training. Prime mover to obtain, and first general director (1931-1934) of, the [[University of Cape Town]]'s [[Little Theatre]], which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the [[College of Music]] and the [[Little Theatre]], he was an active member of the [[Cape Town Repertory Theatre Society]], instrumental beginning the [[UCT Ballet School]] (bringing [[Dulcie Howes]] back to South Africa to run it) and in founding of the [[UCT Drama Department]] (19-) . [TH, JH]

	== Sources ==		== Sources ==

@@ Line 5: / Line 5: @@
 [[ESAT Bibliography Dur-Dz|Du Toit, P.J.]], 1988.
-[[ESAT Bibliography I|Inskip, Donald P.]], 19
+[[ESAT Bibliography I|Inskip, Donald P.]], 1972.
 [[ESAT Bibliography Beu-Blo|Binge]], 1969.

@@ Line 2: / Line 2: @@
 == Sources ==
-Go to [[South African Theatre/Bibliography]]
+[[ESAT Bibliography Dur-Dz|Du Toit, P.J.]], 1988.
 == Return to ==

@@ Line 1: / Line 1: @@
-(1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director of the [[South African College of Music]] (later the Faculty of Music at the University of Cape Town)(19**-1934). Made dramatic studies part of music training. Prime mover to obtain,  and first general director (1931-1934) of, the [[University of Cape Town]]’s [[Little Theatre]], which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the [[College of Music]] and the [[Little Theatre]], he was an active member of the [[Cape Town Repertory Theatre Society]], instrumental beginning the [[UCT Ballet School]] (bringing [[Dulcie Howes]] back to South Africa to run it) and in  founding of the [[UCT Drama Department]] (19*-) . [TH, JH]
+'''William H. Bell''' (1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director of the [[South African College of Music]] (later the Faculty of Music at the University of Cape Town)(19**-1934). Made dramatic studies part of music training. Prime mover to obtain,  and first general director (1931-1934) of, the [[University of Cape Town]]’s [[Little Theatre]], which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the [[College of Music]] and the [[Little Theatre]], he was an active member of the [[Cape Town Repertory Theatre Society]], instrumental beginning the [[UCT Ballet School]] (bringing [[Dulcie Howes]] back to South Africa to run it) and in founding of the [[UCT Drama Department]] (19*-) . [TH, JH]
 == Sources ==
-See Du Toit,  1988; Inskip, 197*; Binge , 1969
+See Du Toit,  1988; Inskip, 197*; Binge , 1969.
 Go to [[South African Theatre/Bibliography]]

← Older revision		Revision as of 07:28, 12 June 2012
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−	(1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director ~~(19*-1934)~~ of the [[South African College of Music]], (later the ~~faculty~~ of Music at the University of Cape Town). Made dramatic studies part of music training. Prime mover to obtain and first general director (1931-1934) of the [[University of Cape Town]]’s [[Little Theatre]], which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the [[College of Music]] and the [[Little Theatre]], he was an active member of the [[Cape Town Repertory Theatre Society]], instrumental beginning the [[UCT Ballet School]] (bringing [[Dulcie Howes]] back to South Africa to run it) and in founding of the [[UCT Drama Department]] (19-) . [TH, JH]	+	(1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director of the [[South African College of Music]] (later the Faculty of Music at the University of Cape Town)(19*-1934). Made dramatic studies part of music training. Prime mover to obtain, and first general director (1931-1934) of, the [[University of Cape Town]]’s [[Little Theatre]], which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the [[College of Music]] and the [[Little Theatre]], he was an active member of the [[Cape Town Repertory Theatre Society]], instrumental beginning the [[UCT Ballet School]] (bringing [[Dulcie Howes]] back to South Africa to run it) and in founding of the [[UCT Drama Department]] (19-) . [TH, JH]

	== Sources ==		== Sources ==

@@ Line 1: / Line 1: @@
-(1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director (19**-1934) of the [[South African College of Music]], (later the faculty of Music at the University of Cape Town). Made dramatic studies part of music training. Prime mover to obtain and first general director (1931-1934) of the [[University of Cape Town]]’s [[Little Theatre]], which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the [[College of Music]] and the [[Little Theatre]], he was an active member of the [[Cape Town Repertory Theatre Society]], instrumental beginning the [[UCT Ballet School]] (bringing [[Dulcie Howes]] back to South Africa to run it) and in  founding of the [[UCT Drama Department]] (19*-) .
+(1873-1946). Affectionally nick-named ‘Daddy Bell’ An important influence on the development of formal theatre training in the country. Professor in and first director (19**-1934) of the [[South African College of Music]], (later the faculty of Music at the University of Cape Town). Made dramatic studies part of music training. Prime mover to obtain and first general director (1931-1934) of the [[University of Cape Town]]’s [[Little Theatre]], which opened in 1931. He helped open up the venue for “guest performances” by the amateur societies of Cape Town in dire need of suitable venues. Besides his critical role in the [[College of Music]] and the [[Little Theatre]], he was an active member of the [[Cape Town Repertory Theatre Society]], instrumental beginning the [[UCT Ballet School]] (bringing [[Dulcie Howes]] back to South Africa to run it) and in  founding of the [[UCT Drama Department]] (19*-) . [TH, JH]
 == Sources ==
-See Du Toit,  1988; Inskip, 197*; Binge , 1969  [TH, JH]
+See Du Toit,  1988; Inskip, 197*; Binge , 1969
 Return to [[ESAT Personalities B]]
 Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 Return to [[Main Page]]