<?xml version="1.0"?>
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	<id>https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=William_Bell</id>
	<title>William Bell - Revision history</title>
	<link rel="self" type="application/atom+xml" href="https://esat.sun.ac.za/index.php?action=history&amp;feed=atom&amp;title=William_Bell"/>
	<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=William_Bell&amp;action=history"/>
	<updated>2026-09-12T05:00:35Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.33.2</generator>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=138758&amp;oldid=prev</id>
		<title>Fogterop at 18:38, 9 December 2017</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=138758&amp;oldid=prev"/>
		<updated>2017-12-09T18:38:26Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:38, 9 December 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938), Geboortegrond ([[Pierre de Wet]]/1946), Simon Beyers ([[Pierre de Wet]]/1947), ''[[Die Kaskenades van Dokter Kwak]]'' ([[Pierre de Wet]]/1948), Kom Saam Vanaand! ([[Pierre de Wet]]/1949), Hier’s Ons Weer! ([[Hyman Kirstein]]/1950), Alles Sal Regkom! ([[Hyman Kirstein]]/1951), Cry, the Beloved Country (uncredited) ([[Zoltan Korda]]/1951), Altyd In My Drome ([[Pierre de Wet]]/1952), Hans-die-Skipper ([[Bladon Peake]]/1952), Inspan ([[Bladon Peake]]/1953), Daar Doer In die Stad ([[Jamie Uys]]/1953), ‘n Plan is ‘n Boerdery ([[Pierre de Wet]]/1954), Vadertjie Langbeen ([[Pierre de Wet]]/1955), Matieland! ([[Pierre de Wet]]/1955), Dis Lekker Om Te Lewe ([[Pierre de Wet]]/1957), Fratse In die Vloot ([[Pierre de Wet]]/1958), Nooi Van My Hart ([[Pierre de Wet]]/1959), Piet Se Tante ([[Pierre de Wet]]/1959), Die Vlugteling ([[Gordon Vorster]]/1960), Oupa en die Plaasnooientjie ([[Pierre de Wet]]/1960), Die Jagters ([[Gordon Vorster]]/1960), Basie ([[Gordon Vorster]]/1961), En die Vonke Spat ([[Pierre de Wet]]/1961), Die Tweede Slaapkamer ([[Gordon Vorster]]/1961), As Ons Twee Eers Getroud Is! ([[Jan Perold]]/1962), Jy’s Lieflik Vanaand ([[Gordon Vorster]]/1962), Die Ruiter In die Nag ([[Jan Perold]]/1963), Piet My Niggie ([[Jan Perold]]/1964), Seven Against the Sun ([[David Millin]]/1964), Ride the High Wind / African Gold ([[David Millin]]/1965), The Second Sin ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair ([[Robert D. Webb]]/1967), The Jackals ([[Robert D. Webb]]/1967), Majuba: Heuwel Van Duiwe ([[David Millin]]/1968), Stadig Oor die Klippe ([[Richard Daneel]]/1969), The Winners / My Way ([[Emil Nofal]] &amp;amp; [[Roy Sargeant]]/1972), Bait ([[Mario Schiess]]/1974), The Savage Sport ([[Keith G. van der Wat]]/1974), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), My Skryf Matriek ([[Franz Marx]]/1975), Ter Wille Van Christine ([[Elmo de Witt]]/1975), Vergeet my Nie ([[Elmo de Witt]]/1976), ‘n Beeld Vir Jeannie ([[Elmo de Witt]]/1976), The Winners II / My Way II ([[Jans Rautenbach]]/1977), Kom Tot Rus ([[Elmo de Witt]]/1977), Dit Was Aand En Dit Was Môre ([[Franz Marx]]/1977), Sonja ([[Daan Retief]]/1978), Billy Boy ([[Tim Spring]]/1978), Elsa Se Geheim ([[Chris du Toit]]/1979), The Gods Must Be Crazy ([[Jamie Uys]]/1980), Beloftes Van Môre ([[Daan Retief]]/1981).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938), Geboortegrond ([[Pierre de Wet]]/1946), Simon Beyers ([[Pierre de Wet]]/1947), ''[[Die Kaskenades van Dokter Kwak]]'' ([[Pierre de Wet]]/1948), Kom Saam Vanaand! ([[Pierre de Wet]]/1949), Hier’s Ons Weer! ([[Hyman Kirstein]]/1950), Alles Sal Regkom! ([[Hyman Kirstein]]/1951), Cry, the Beloved Country (uncredited) ([[Zoltan Korda]]/1951), Altyd In My Drome ([[Pierre de Wet]]/1952), Hans-die-Skipper ([[Bladon Peake]]/1952), Inspan ([[Bladon Peake]]/1953), Daar Doer In die Stad ([[Jamie Uys]]/1953), ‘n Plan is ‘n Boerdery ([[Pierre de Wet]]/1954), Vadertjie Langbeen ([[Pierre de Wet]]/1955), Matieland! ([[Pierre de Wet]]/1955), Dis Lekker Om Te Lewe ([[Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]/1957), Diamond Safari ([[Gerald Mayer&lt;/ins&gt;]]/1957), Fratse In die Vloot ([[Pierre de Wet]]/1958), Nooi Van My Hart ([[Pierre de Wet]]/1959), Piet Se Tante ([[Pierre de Wet]]/1959), Die Vlugteling ([[Gordon Vorster]]/1960), Oupa en die Plaasnooientjie ([[Pierre de Wet]]/1960), Die Jagters ([[Gordon Vorster]]/1960), Basie ([[Gordon Vorster]]/1961), En die Vonke Spat ([[Pierre de Wet]]/1961), Die Tweede Slaapkamer ([[Gordon Vorster]]/1961), As Ons Twee Eers Getroud Is! ([[Jan Perold]]/1962), Jy’s Lieflik Vanaand ([[Gordon Vorster]]/1962), Die Ruiter In die Nag ([[Jan Perold]]/1963), Piet My Niggie ([[Jan Perold]]/1964), Seven Against the Sun ([[David Millin]]/1964), Ride the High Wind / African Gold ([[David Millin]]/1965), The Second Sin ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair ([[Robert D. Webb]]/1967), The Jackals ([[Robert D. Webb]]/1967), Majuba: Heuwel Van Duiwe ([[David Millin]]/1968), Stadig Oor die Klippe ([[Richard Daneel]]/1969), The Winners / My Way ([[Emil Nofal]] &amp;amp; [[Roy Sargeant]]/1972), Bait ([[Mario Schiess]]/1974), The Savage Sport ([[Keith G. van der Wat]]/1974), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), My Skryf Matriek ([[Franz Marx]]/1975), Ter Wille Van Christine ([[Elmo de Witt]]/1975), Vergeet my Nie ([[Elmo de Witt]]/1976), ‘n Beeld Vir Jeannie ([[Elmo de Witt]]/1976), The Winners II / My Way II ([[Jans Rautenbach]]/1977), Kom Tot Rus ([[Elmo de Witt]]/1977), Dit Was Aand En Dit Was Môre ([[Franz Marx]]/1977), Sonja ([[Daan Retief]]/1978), Billy Boy ([[Tim Spring]]/1978), Elsa Se Geheim ([[Chris du Toit]]/1979), The Gods Must Be Crazy ([[Jamie Uys]]/1980), Beloftes Van Môre ([[Daan Retief]]/1981).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119607&amp;oldid=prev</id>
		<title>Fogterop at 18:30, 9 December 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119607&amp;oldid=prev"/>
		<updated>2016-12-09T18:30:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:30, 9 December 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l20&quot; &gt;Line 20:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 20:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Trivia ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Trivia ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He appeared uncredited as a bank manager in [[Hyman Kirstein]]’s &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/del&gt;Hier’s Ons Weer!&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/del&gt;(1950), while Colleen Bell made an uncredited appearance as one of the women at a tea party in [[Pierre de Wet]]’s &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/del&gt;Oupa en die Plaasnooientjie&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/del&gt;(1960).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;He appeared uncredited as a bank manager in [[Hyman Kirstein]]’s Hier’s Ons Weer! (1950), while Colleen Bell made an uncredited appearance as one of the women at a tea party in [[Pierre de Wet]]’s Oupa en die Plaasnooientjie (1960).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Sources ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119606&amp;oldid=prev</id>
		<title>Fogterop at 18:29, 9 December 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119606&amp;oldid=prev"/>
		<updated>2016-12-09T18:29:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:29, 9 December 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938), Geboortegrond ([[Pierre de Wet]]/1946), Simon Beyers ([[Pierre de Wet]]/1947), ''[[Die Kaskenades van Dokter Kwak]]'' ([[Pierre de Wet]]/1948), Kom Saam Vanaand! ([[Pierre de Wet]]/1949), Hier’s Ons Weer! ([[Hyman Kirstein]]/1950), Alles Sal Regkom! ([[Hyman Kirstein]]/1951), Cry, the Beloved Country (uncredited) ([[Zoltan Korda]]/1951), Altyd In My Drome ([[Pierre de Wet]]/1952), Hans-die-Skipper ([[Bladon Peake]]/1952), Inspan ([[Bladon Peake]]/1953), Daar Doer In die Stad ([[Jamie Uys]]/1953), ‘n Plan is ‘n Boerdery ([[Pierre de Wet]]/1954), Vadertjie Langbeen ([[Pierre de Wet]]/1955), Matieland! ([[Pierre de Wet]]/1955), Dis Lekker Om Te Lewe ([[Pierre de Wet]]/1957), Fratse In die Vloot ([[Pierre de Wet]]/1958), Nooi Van My Hart ([[Pierre de Wet]]/1959), Piet Se Tante ([[Pierre de Wet]]/1959), Die Vlugteling ([[Gordon Vorster]]/1960), Oupa en die Plaasnooientjie ([[Pierre de Wet]]/1960), Die Jagters ([[Gordon Vorster]]/1960), Basie ([[Gordon Vorster]]/1961), En die Vonke Spat ([[Pierre de Wet]]/1961), Die Tweede Slaapkamer ([[Gordon Vorster]]/1961), As Ons Twee Eers Getroud Is! ([[Jan Perold]]/1962), Jy’s Lieflik Vanaand ([[Gordon Vorster]]/1962), Die Ruiter In die Nag ([[Jan Perold]]/1963), Piet My Niggie ([[Jan Perold]]/1964), &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/del&gt;Seven Against the Sun&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/del&gt;([[David Millin]]/1964), Ride the High Wind / African Gold ([[David Millin]]/1965), The Second Sin ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair ([[Robert D. Webb]]/1967), The Jackals ([[Robert D. Webb]]/1967), Majuba: Heuwel Van Duiwe ([[David Millin]]/1968), Stadig Oor die Klippe ([[Richard Daneel]]/1969), The Winners / My Way ([[Emil Nofal]] &amp;amp; [[Roy Sargeant]]/1972), Bait ([[Mario Schiess]]/1974), The Savage Sport ([[Keith G. van der Wat]]/1974), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), My Skryf Matriek ([[Franz Marx]]/1975), Ter Wille Van Christine ([[Elmo de Witt]]/1975), Vergeet my Nie ([[Elmo de Witt]]/1976), ‘n Beeld Vir Jeannie ([[Elmo de Witt]]/1976), The Winners II / My Way II ([[Jans Rautenbach]]/1977), Kom Tot Rus ([[Elmo de Witt]]/1977), Dit Was Aand En Dit Was Môre ([[Franz Marx]]/1977), Sonja ([[Daan Retief]]/1978), Billy Boy ([[Tim Spring]]/1978), Elsa Se Geheim ([[Chris du Toit]]/1979), The Gods Must Be Crazy ([[Jamie Uys]]/1980), Beloftes Van Môre ([[Daan Retief]]/1981).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938), Geboortegrond ([[Pierre de Wet]]/1946), Simon Beyers ([[Pierre de Wet]]/1947), ''[[Die Kaskenades van Dokter Kwak]]'' ([[Pierre de Wet]]/1948), Kom Saam Vanaand! ([[Pierre de Wet]]/1949), Hier’s Ons Weer! ([[Hyman Kirstein]]/1950), Alles Sal Regkom! ([[Hyman Kirstein]]/1951), Cry, the Beloved Country (uncredited) ([[Zoltan Korda]]/1951), Altyd In My Drome ([[Pierre de Wet]]/1952), Hans-die-Skipper ([[Bladon Peake]]/1952), Inspan ([[Bladon Peake]]/1953), Daar Doer In die Stad ([[Jamie Uys]]/1953), ‘n Plan is ‘n Boerdery ([[Pierre de Wet]]/1954), Vadertjie Langbeen ([[Pierre de Wet]]/1955), Matieland! ([[Pierre de Wet]]/1955), Dis Lekker Om Te Lewe ([[Pierre de Wet]]/1957), Fratse In die Vloot ([[Pierre de Wet]]/1958), Nooi Van My Hart ([[Pierre de Wet]]/1959), Piet Se Tante ([[Pierre de Wet]]/1959), Die Vlugteling ([[Gordon Vorster]]/1960), Oupa en die Plaasnooientjie ([[Pierre de Wet]]/1960), Die Jagters ([[Gordon Vorster]]/1960), Basie ([[Gordon Vorster]]/1961), En die Vonke Spat ([[Pierre de Wet]]/1961), Die Tweede Slaapkamer ([[Gordon Vorster]]/1961), As Ons Twee Eers Getroud Is! ([[Jan Perold]]/1962), Jy’s Lieflik Vanaand ([[Gordon Vorster]]/1962), Die Ruiter In die Nag ([[Jan Perold]]/1963), Piet My Niggie ([[Jan Perold]]/1964), Seven Against the Sun ([[David Millin]]/1964), Ride the High Wind / African Gold ([[David Millin]]/1965), The Second Sin ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair ([[Robert D. Webb]]/1967), The Jackals ([[Robert D. Webb]]/1967), Majuba: Heuwel Van Duiwe ([[David Millin]]/1968), Stadig Oor die Klippe ([[Richard Daneel]]/1969), The Winners / My Way ([[Emil Nofal]] &amp;amp; [[Roy Sargeant]]/1972), Bait ([[Mario Schiess]]/1974), The Savage Sport ([[Keith G. van der Wat]]/1974), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), My Skryf Matriek ([[Franz Marx]]/1975), Ter Wille Van Christine ([[Elmo de Witt]]/1975), Vergeet my Nie ([[Elmo de Witt]]/1976), ‘n Beeld Vir Jeannie ([[Elmo de Witt]]/1976), The Winners II / My Way II ([[Jans Rautenbach]]/1977), Kom Tot Rus ([[Elmo de Witt]]/1977), Dit Was Aand En Dit Was Môre ([[Franz Marx]]/1977), Sonja ([[Daan Retief]]/1978), Billy Boy ([[Tim Spring]]/1978), Elsa Se Geheim ([[Chris du Toit]]/1979), The Gods Must Be Crazy ([[Jamie Uys]]/1980), Beloftes Van Môre ([[Daan Retief]]/1981).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119603&amp;oldid=prev</id>
		<title>Fogterop at 18:26, 9 December 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119603&amp;oldid=prev"/>
		<updated>2016-12-09T18:26:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:26, 9 December 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938), Geboortegrond ([[Pierre de Wet]]/1946), Simon Beyers ([[Pierre de Wet]]/1947), Die Kaskenades van Dokter Kwak ([[Pierre de Wet]]/1948), Kom Saam Vanaand! ([[Pierre de Wet]]/1949), Hier’s Ons Weer! ([[Hyman Kirstein]]/1950), Alles Sal Regkom! ([[Hyman Kirstein]]/1951), Cry, the Beloved Country (uncredited) ([[Zoltan Korda]]/1951), Altyd In My Drome ([[Pierre de Wet]]/1952), Hans-die-Skipper ([[Bladon Peake]]/1952), Inspan ([[Bladon Peake]]/1953), Daar Doer In die Stad ([[Jamie Uys]]/1953), ‘n Plan is ‘n Boerdery ([[Pierre de Wet]]/1954), Vadertjie Langbeen ([[Pierre de Wet]]/1955), Matieland! ([[Pierre de Wet]]/1955), Dis Lekker Om Te Lewe ([[Pierre de Wet]]/1957), Fratse In die Vloot ([[Pierre de Wet]]/1958), Nooi Van My Hart ([[Pierre de Wet]]/1959), Piet Se Tante ([[Pierre de Wet]]/1959), Die Vlugteling ([[Gordon Vorster]]/1960), Oupa en die Plaasnooientjie ([[Pierre de Wet]]/1960), Die Jagters ([[Gordon Vorster]]/1960), Basie ([[Gordon Vorster]]/1961), En die Vonke Spat ([[Pierre de Wet]]/1961), Die Tweede Slaapkamer ([[Gordon Vorster]]/1961), As Ons Twee Eers Getroud Is! ([[Jan Perold]]/1962), Jy’s Lieflik Vanaand ([[Gordon Vorster]]/1962), Die Ruiter In die Nag ([[Jan Perold]]/1963), Piet My Niggie ([[Jan Perold]]/1964), Seven Against the Sun ([[David Millin]]/1964), Ride the High Wind / African Gold ([[David Millin]]/1965), The Second Sin ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair ([[Robert D. Webb]]/1967), The Jackals ([[Robert D. Webb]]/1967), Majuba: Heuwel Van Duiwe ([[David Millin]]/1968), Stadig Oor die Klippe ([[Richard Daneel]]/1969), The Winners / My Way ([[Emil Nofal]] &amp;amp; [[Roy Sargeant]]/1972), Bait ([[Mario Schiess]]/1974), The Savage Sport ([[Keith G. van der Wat]]/1974), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), My Skryf Matriek ([[Franz Marx]]/1975), Ter Wille Van Christine ([[Elmo de Witt]]/1975), Vergeet my Nie ([[Elmo de Witt]]/1976), ‘n Beeld Vir Jeannie ([[Elmo de Witt]]/1976), The Winners II / My Way II ([[Jans Rautenbach]]/1977), Kom Tot Rus ([[Elmo de Witt]]/1977), Dit Was Aand En Dit Was Môre ([[Franz Marx]]/1977), Sonja ([[Daan Retief]]/1978), Billy Boy ([[Tim Spring]]/1978), Elsa Se Geheim ([[Chris du Toit]]/1979), The Gods Must Be Crazy ([[Jamie Uys]]/1980), Beloftes Van Môre ([[Daan Retief]]/1981).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938), Geboortegrond ([[Pierre de Wet]]/1946), Simon Beyers ([[Pierre de Wet]]/1947), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Die Kaskenades van Dokter Kwak&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;([[Pierre de Wet]]/1948), Kom Saam Vanaand! ([[Pierre de Wet]]/1949), Hier’s Ons Weer! ([[Hyman Kirstein]]/1950), Alles Sal Regkom! ([[Hyman Kirstein]]/1951), Cry, the Beloved Country (uncredited) ([[Zoltan Korda]]/1951), Altyd In My Drome ([[Pierre de Wet]]/1952), Hans-die-Skipper ([[Bladon Peake]]/1952), Inspan ([[Bladon Peake]]/1953), Daar Doer In die Stad ([[Jamie Uys]]/1953), ‘n Plan is ‘n Boerdery ([[Pierre de Wet]]/1954), Vadertjie Langbeen ([[Pierre de Wet]]/1955), Matieland! ([[Pierre de Wet]]/1955), Dis Lekker Om Te Lewe ([[Pierre de Wet]]/1957), Fratse In die Vloot ([[Pierre de Wet]]/1958), Nooi Van My Hart ([[Pierre de Wet]]/1959), Piet Se Tante ([[Pierre de Wet]]/1959), Die Vlugteling ([[Gordon Vorster]]/1960), Oupa en die Plaasnooientjie ([[Pierre de Wet]]/1960), Die Jagters ([[Gordon Vorster]]/1960), Basie ([[Gordon Vorster]]/1961), En die Vonke Spat ([[Pierre de Wet]]/1961), Die Tweede Slaapkamer ([[Gordon Vorster]]/1961), As Ons Twee Eers Getroud Is! ([[Jan Perold]]/1962), Jy’s Lieflik Vanaand ([[Gordon Vorster]]/1962), Die Ruiter In die Nag ([[Jan Perold]]/1963), Piet My Niggie ([[Jan Perold]]/1964), &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''[[&lt;/ins&gt;Seven Against the Sun&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]'' &lt;/ins&gt;([[David Millin]]/1964), Ride the High Wind / African Gold ([[David Millin]]/1965), The Second Sin ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair ([[Robert D. Webb]]/1967), The Jackals ([[Robert D. Webb]]/1967), Majuba: Heuwel Van Duiwe ([[David Millin]]/1968), Stadig Oor die Klippe ([[Richard Daneel]]/1969), The Winners / My Way ([[Emil Nofal]] &amp;amp; [[Roy Sargeant]]/1972), Bait ([[Mario Schiess]]/1974), The Savage Sport ([[Keith G. van der Wat]]/1974), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), My Skryf Matriek ([[Franz Marx]]/1975), Ter Wille Van Christine ([[Elmo de Witt]]/1975), Vergeet my Nie ([[Elmo de Witt]]/1976), ‘n Beeld Vir Jeannie ([[Elmo de Witt]]/1976), The Winners II / My Way II ([[Jans Rautenbach]]/1977), Kom Tot Rus ([[Elmo de Witt]]/1977), Dit Was Aand En Dit Was Môre ([[Franz Marx]]/1977), Sonja ([[Daan Retief]]/1978), Billy Boy ([[Tim Spring]]/1978), Elsa Se Geheim ([[Chris du Toit]]/1979), The Gods Must Be Crazy ([[Jamie Uys]]/1980), Beloftes Van Môre ([[Daan Retief]]/1981).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119601&amp;oldid=prev</id>
		<title>Fogterop at 18:12, 9 December 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119601&amp;oldid=prev"/>
		<updated>2016-12-09T18:12:50Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:12, 9 December 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot; &gt;Line 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://www.imdb.com/name/nm0068585/?ref_=fn_nm_nm_5&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://www.imdb.com/name/nm0068585/?ref_=fn_nm_nm_5&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Susan Drzewicka&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Private correspondence&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Return to ==	&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Return to ==	&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119600&amp;oldid=prev</id>
		<title>Fogterop at 18:11, 9 December 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119600&amp;oldid=prev"/>
		<updated>2016-12-09T18:11:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:11, 9 December 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938), Geboortegrond ([[Pierre de Wet]]/1946), Simon Beyers ([[Pierre de Wet]]/1947), Die Kaskenades van Dokter Kwak ([[Pierre de Wet]]/1948), Kom Saam Vanaand! ([[Pierre de Wet]]/1949), Hier’s Ons Weer! ([[Hyman Kirstein]]/1950), Alles Sal Regkom! ([[Hyman Kirstein]]/1951), Cry, the Beloved Country (uncredited) ([[Zoltan Korda]]/1951), Altyd In My Drome ([[Pierre de Wet]]/1952), Hans-die-Skipper ([[Bladon Peake]]/1952), Inspan ([[Bladon Peake]]/1953), Daar Doer In die Stad ([[Jamie Uys]]/1953), ‘n Plan is ‘n Boerdery ([[Pierre de Wet]]/1954), Vadertjie Langbeen ([[Pierre de Wet]]/1955), Matieland! ([[Pierre de Wet]]/1955), Dis Lekker Om Te Lewe ([[Pierre de Wet]]/1957), Fratse In die Vloot ([[Pierre de Wet]]/1958), Nooi Van My Hart ([[Pierre de Wet]]/1959), Piet Se Tante ([[Pierre de Wet]]/1959), Die Vlugteling ([[Gordon Vorster]]/1960), Oupa en die Plaasnooientjie ([[Pierre de Wet]]/1960), Die Jagters ([[Gordon Vorster]]/1960), Basie ([[Gordon Vorster]]/1961), En die Vonke Spat ([[Pierre de Wet]]/1961), Die Tweede Slaapkamer ([[Gordon &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vorst&lt;/del&gt;]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;er&lt;/del&gt;/1961), As Ons Twee Eers Getroud Is! ([[Jan Perold]]/1962), Jy’s Lieflik Vanaand ([[Gordon Vorster]]/1962), Die Ruiter In die Nag ([[Jan Perold]]/1963), Piet My Niggie ([[Jan Perold]]/1964), Seven Against the Sun ([[David Millin]]/1964), Ride the High Wind / African Gold ([[David Millin]]/1965), The Second Sin ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair ([[Robert D. Webb]]/1967), The Jackals ([[Robert D. Webb]]/1967), Majuba: Heuwel Van Duiwe ([[David Millin]]/1968), Stadig Oor die Klippe ([[Richard Daneel]]/1969), The Winners / My Way ([[Emil Nofal]] &amp;amp; [[Roy Sargeant]]/1972), Bait ([[Mario Schiess]]/1974), The Savage Sport ([[Keith G. van der Wat]]/1974), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), My Skryf Matriek ([[Franz Marx]]/1975), Ter Wille Van Christine ([[Elmo de Witt]]/1975), Vergeet my Nie ([[Elmo de Witt]]/1976), ‘n Beeld Vir Jeannie ([[Elmo de Witt]]/1976), The Winners II / My Way II ([[Jans Rautenbach]]/1977), Kom Tot Rus ([[Elmo de Witt]]/1977), Dit Was Aand En Dit Was Môre ([[Franz Marx]]/1977), Sonja ([[Daan Retief]]/1978), Billy Boy ([[Tim Spring]]/1978), Elsa Se Geheim ([[Chris du Toit]]/1979), The Gods Must Be Crazy ([[Jamie Uys]]/1980), Beloftes Van Môre ([[Daan Retief]]/1981).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938), Geboortegrond ([[Pierre de Wet]]/1946), Simon Beyers ([[Pierre de Wet]]/1947), Die Kaskenades van Dokter Kwak ([[Pierre de Wet]]/1948), Kom Saam Vanaand! ([[Pierre de Wet]]/1949), Hier’s Ons Weer! ([[Hyman Kirstein]]/1950), Alles Sal Regkom! ([[Hyman Kirstein]]/1951), Cry, the Beloved Country (uncredited) ([[Zoltan Korda]]/1951), Altyd In My Drome ([[Pierre de Wet]]/1952), Hans-die-Skipper ([[Bladon Peake]]/1952), Inspan ([[Bladon Peake]]/1953), Daar Doer In die Stad ([[Jamie Uys]]/1953), ‘n Plan is ‘n Boerdery ([[Pierre de Wet]]/1954), Vadertjie Langbeen ([[Pierre de Wet]]/1955), Matieland! ([[Pierre de Wet]]/1955), Dis Lekker Om Te Lewe ([[Pierre de Wet]]/1957), Fratse In die Vloot ([[Pierre de Wet]]/1958), Nooi Van My Hart ([[Pierre de Wet]]/1959), Piet Se Tante ([[Pierre de Wet]]/1959), Die Vlugteling ([[Gordon Vorster]]/1960), Oupa en die Plaasnooientjie ([[Pierre de Wet]]/1960), Die Jagters ([[Gordon Vorster]]/1960), Basie ([[Gordon Vorster]]/1961), En die Vonke Spat ([[Pierre de Wet]]/1961), Die Tweede Slaapkamer ([[Gordon &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Vorster&lt;/ins&gt;]]/1961), As Ons Twee Eers Getroud Is! ([[Jan Perold]]/1962), Jy’s Lieflik Vanaand ([[Gordon Vorster]]/1962), Die Ruiter In die Nag ([[Jan Perold]]/1963), Piet My Niggie ([[Jan Perold]]/1964), Seven Against the Sun ([[David Millin]]/1964), Ride the High Wind / African Gold ([[David Millin]]/1965), The Second Sin ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair ([[Robert D. Webb]]/1967), The Jackals ([[Robert D. Webb]]/1967), Majuba: Heuwel Van Duiwe ([[David Millin]]/1968), Stadig Oor die Klippe ([[Richard Daneel]]/1969), The Winners / My Way ([[Emil Nofal]] &amp;amp; [[Roy Sargeant]]/1972), Bait ([[Mario Schiess]]/1974), The Savage Sport ([[Keith G. van der Wat]]/1974), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), My Skryf Matriek ([[Franz Marx]]/1975), Ter Wille Van Christine ([[Elmo de Witt]]/1975), Vergeet my Nie ([[Elmo de Witt]]/1976), ‘n Beeld Vir Jeannie ([[Elmo de Witt]]/1976), The Winners II / My Way II ([[Jans Rautenbach]]/1977), Kom Tot Rus ([[Elmo de Witt]]/1977), Dit Was Aand En Dit Was Môre ([[Franz Marx]]/1977), Sonja ([[Daan Retief]]/1978), Billy Boy ([[Tim Spring]]/1978), Elsa Se Geheim ([[Chris du Toit]]/1979), The Gods Must Be Crazy ([[Jamie Uys]]/1980), Beloftes Van Môre ([[Daan Retief]]/1981).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119599&amp;oldid=prev</id>
		<title>Fogterop at 18:10, 9 December 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119599&amp;oldid=prev"/>
		<updated>2016-12-09T18:10:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:10, 9 December 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938), Geboortegrond ([[Pierre de Wet]]/1946), Simon Beyers ([[Pierre de Wet]]/1947), Die Kaskenades van Dokter Kwak ([[Pierre de Wet]]/1948), Kom Saam Vanaand! ([[Pierre de Wet]]/1949), Hier’s Ons Weer! ([[Hyman Kirstein]]/1950), Alles Sal Regkom! ([[Hyman Kirstein]]/1951), Cry, the Beloved Country (uncredited) ([[Zoltan Korda]]/1951), Altyd In My Drome ([[Pierre de Wet]]/1952), Hans-die-Skipper ([[Bladon Peake]]/1952), Inspan ([[Bladon Peake]]/1953), Daar Doer In die Stad ([[Jamie Uys]]/1953), ‘n Plan is ‘n Boerdery ([[Pierre de Wet]]/1954), Vadertjie Langbeen ([[Pierre de Wet]]/1955), Matieland! ([[Pierre de Wet]]/1955), Dis Lekker Om Te Lewe ([[Pierre de Wet]]/1957), Fratse In die Vloot ([[Pierre de Wet]]/1958), Nooi Van My Hart ([[Pierre de Wet]]/1959), Piet Se Tante ([[Pierre de Wet]]/1959), Die Vlugteling ([[Gordon Vorster]]/1960), Oupa en die Plaasnooientjie ([[Pierre de Wet]]/1960), Die Jagters ([[Gordon Vorster]]/1960), Basie ([[Gordon Vorster]]/1961), En die Vonke Spat ([[Pierre de &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;We&lt;/del&gt;]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;t&lt;/del&gt;/1961), Die Tweede Slaapkamer ([[Gordon Vorst]]er/1961), As Ons Twee Eers Getroud Is! ([[Jan Perold]]/1962), Jy’s Lieflik Vanaand ([[Gordon Vorster]]/1962), Die Ruiter In die Nag ([[Jan Perold]]/1963), Piet My Niggie ([[Jan Perold]]/1964), Seven Against the Sun ([[David Millin]]/1964), Ride the High Wind / African Gold ([[David Millin]]/1965), The Second Sin ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair ([[Robert D. Webb]]/1967), The Jackals ([[Robert D. Webb]]/1967), Majuba: Heuwel Van Duiwe ([[David Millin]]/1968), Stadig Oor die Klippe ([[Richard Daneel]]/1969), The Winners / My Way ([[Emil Nofal]] &amp;amp; [[Roy Sargeant]]/1972), Bait ([[Mario Schiess]]/1974), The Savage Sport ([[Keith G. van der Wat]]/1974), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), My Skryf Matriek ([[Franz Marx]]/1975), Ter Wille Van Christine ([[Elmo de Witt]]/1975), Vergeet my Nie ([[Elmo de Witt]]/1976), ‘n Beeld Vir Jeannie ([[Elmo de Witt]]/1976), The Winners II / My Way II ([[Jans Rautenbach]]/1977), Kom Tot Rus ([[Elmo de Witt]]/1977), Dit Was Aand En Dit Was Môre ([[Franz Marx]]/1977), Sonja ([[Daan Retief]]/1978), Billy Boy ([[Tim Spring]]/1978), Elsa Se Geheim ([[Chris du Toit]]/1979), The Gods Must Be Crazy ([[Jamie Uys]]/1980), Beloftes Van Môre ([[Daan Retief]]/1981).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938), Geboortegrond ([[Pierre de Wet]]/1946), Simon Beyers ([[Pierre de Wet]]/1947), Die Kaskenades van Dokter Kwak ([[Pierre de Wet]]/1948), Kom Saam Vanaand! ([[Pierre de Wet]]/1949), Hier’s Ons Weer! ([[Hyman Kirstein]]/1950), Alles Sal Regkom! ([[Hyman Kirstein]]/1951), Cry, the Beloved Country (uncredited) ([[Zoltan Korda]]/1951), Altyd In My Drome ([[Pierre de Wet]]/1952), Hans-die-Skipper ([[Bladon Peake]]/1952), Inspan ([[Bladon Peake]]/1953), Daar Doer In die Stad ([[Jamie Uys]]/1953), ‘n Plan is ‘n Boerdery ([[Pierre de Wet]]/1954), Vadertjie Langbeen ([[Pierre de Wet]]/1955), Matieland! ([[Pierre de Wet]]/1955), Dis Lekker Om Te Lewe ([[Pierre de Wet]]/1957), Fratse In die Vloot ([[Pierre de Wet]]/1958), Nooi Van My Hart ([[Pierre de Wet]]/1959), Piet Se Tante ([[Pierre de Wet]]/1959), Die Vlugteling ([[Gordon Vorster]]/1960), Oupa en die Plaasnooientjie ([[Pierre de Wet]]/1960), Die Jagters ([[Gordon Vorster]]/1960), Basie ([[Gordon Vorster]]/1961), En die Vonke Spat ([[Pierre de &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Wet&lt;/ins&gt;]]/1961), Die Tweede Slaapkamer ([[Gordon Vorst]]er/1961), As Ons Twee Eers Getroud Is! ([[Jan Perold]]/1962), Jy’s Lieflik Vanaand ([[Gordon Vorster]]/1962), Die Ruiter In die Nag ([[Jan Perold]]/1963), Piet My Niggie ([[Jan Perold]]/1964), Seven Against the Sun ([[David Millin]]/1964), Ride the High Wind / African Gold ([[David Millin]]/1965), The Second Sin ([[David Millin]]/1966), Escape Route Cape Town / The Cape Town Affair ([[Robert D. Webb]]/1967), The Jackals ([[Robert D. Webb]]/1967), Majuba: Heuwel Van Duiwe ([[David Millin]]/1968), Stadig Oor die Klippe ([[Richard Daneel]]/1969), The Winners / My Way ([[Emil Nofal]] &amp;amp; [[Roy Sargeant]]/1972), Bait ([[Mario Schiess]]/1974), The Savage Sport ([[Keith G. van der Wat]]/1974), Ongewenste Vreemdeling ([[Jans Rautenbach]]/1974), My Skryf Matriek ([[Franz Marx]]/1975), Ter Wille Van Christine ([[Elmo de Witt]]/1975), Vergeet my Nie ([[Elmo de Witt]]/1976), ‘n Beeld Vir Jeannie ([[Elmo de Witt]]/1976), The Winners II / My Way II ([[Jans Rautenbach]]/1977), Kom Tot Rus ([[Elmo de Witt]]/1977), Dit Was Aand En Dit Was Môre ([[Franz Marx]]/1977), Sonja ([[Daan Retief]]/1978), Billy Boy ([[Tim Spring]]/1978), Elsa Se Geheim ([[Chris du Toit]]/1979), The Gods Must Be Crazy ([[Jamie Uys]]/1980), Beloftes Van Môre ([[Daan Retief]]/1981).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119598&amp;oldid=prev</id>
		<title>Fogterop at 18:07, 9 December 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119598&amp;oldid=prev"/>
		<updated>2016-12-09T18:07:52Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 18:07, 9 December 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After a brief stint as a shipping clerk, William Frederick Bell enrolled to study make-up at the Max Factor Studios in London and embarked upon a career that was to last a lifetime.  He worked uncredited as an apprentice on a number of British films, including Jacques Feyder’s ''Knight With Armour'' (1937) and then responded to an advertisement in a British newspaper that announced a vacancy for a make-up artist at [[Killarney Film Studios]] in Johannesburg.  Somewhat to his surprise, he got the job and, upon his arrival, was handed [[African Film Productions]]' epic ''[[Die Bou Van ‘n Nasie]]'' ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938).  When war broke out he joined the De Havilland Aircraft Company and served with them in North Africa, mostly in an administrative capacity, but also flying the occasional rescue mission into Italy.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After a brief stint as a shipping clerk, William Frederick Bell enrolled to study make-up at the Max Factor Studios in London and embarked upon a career that was to last a lifetime.  He worked uncredited as an apprentice on a number of British films, including Jacques Feyder’s ''Knight With Armour'' (1937) and then responded to an advertisement in a British newspaper that announced a vacancy for a make-up artist at [[Killarney Film Studios]] in Johannesburg.  Somewhat to his surprise, he got the job and, upon his arrival, was handed [[African Film Productions]]' epic ''[[Die Bou Van ‘n Nasie]]'' ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938).  When war broke out he joined the De Havilland Aircraft Company and served with them in North Africa, mostly in an administrative capacity, but also flying the occasional rescue mission into Italy.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon his return his job with was waiting for him and between 1946 and 1968 he worked on numerous films for [[African Film Productions]] and its various incarnations – [[Afrikaanse Rolprentproduksies]], [[Suidafrikaanse Rolprentproduksies]], [[South African Screen Productions]] and [[Killarney Film Studios]].  He made 14 films with director [[Pierre de Wet]] and during this time he also worked with [[Hyman Kirstein]] [[Bladon Peake]], [[Jamie Uys]], [[Gordon Vorster]], [[Jan Perold]], [[David Millin]] and [[Robert D. Web]]b.  He also assisted (uncredited) on the first film version of ''[[Cry, the Beloved Country]]'' (1951), directed by [[Zoltan Korda]].  After 1968 he went freelance and worked for various production companies and with directors that included [[Richard Daneel]], [[Emil Nofal]]. [[Mario Schiess]], [[Keith G. van der Wat]], [[Jans Rautenbach]], [[Franz Marx]], [[Elmo de Witt]] and [[Daan Retief]].  He died at the age of 91.  During his lifetime he trained many of South Africa’s next generation of make-up artists, including [[Nola du Preez]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon his return his job with was waiting for him and between 1946 and 1968 he worked on numerous films for [[African Film Productions]] and its various incarnations – [[Afrikaanse Rolprentproduksies]], [[Suidafrikaanse Rolprentproduksies]], [[South African Screen Productions]] and [[Killarney Film Studios]].  He made 14 films with director [[Pierre de Wet]] and during this time he also worked with [[Hyman Kirstein]]&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;[[Bladon Peake]], [[Jamie Uys]], [[Gordon Vorster]], [[Jan Perold]], [[David Millin]] and [[Robert D. Web]]b.  He also assisted (uncredited) on the first film version of ''[[Cry, the Beloved Country]]'' (1951), directed by [[Zoltan Korda]].  After 1968 he went freelance and worked for various production companies and with directors that included [[Richard Daneel]], [[Emil Nofal]]. [[Mario Schiess]], [[Keith G. van der Wat]], [[Jans Rautenbach]], [[Franz Marx]], [[Elmo de Witt]] and [[Daan Retief]].  He died at the age of 91.  During his lifetime he trained many of South Africa’s next generation of make-up artists, including [[Nola du Preez]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In January 1941 he had married Colleen Winifred O’Reilly.  Their daughter Gillian, born in 1942, died young.  Their adopted daughter, Susan was born in 1957.    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In January 1941 he had married Colleen Winifred O’Reilly.  Their daughter Gillian, born in 1942, died young.  Their adopted daughter, Susan was born in 1957.    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation (Joseph Albrecht &amp;amp; Andries A. Pienaar/1938), Geboortegrond (Pierre de Wet/1946), Simon Beyers (Pierre de Wet/1947), Die Kaskenades van Dokter Kwak (Pierre de Wet/1948), Kom Saam Vanaand! (Pierre de Wet/1949), Hier’s Ons Weer! (Hyman Kirstein/1950), Alles Sal Regkom! (Hyman Kirstein/1951), Cry, the Beloved Country (uncredited) (Zoltan Korda/1951), Altyd In My Drome (Pierre de Wet/1952), Hans-die-Skipper (Bladon Peake/1952), Inspan (Bladon Peake/1953), Daar Doer In die Stad (Jamie Uys/1953), ‘n Plan is ‘n Boerdery (Pierre de Wet/1954), Vadertjie Langbeen (Pierre de Wet/1955), Matieland! (Pierre de Wet/1955), Dis Lekker Om Te Lewe (Pierre de Wet/1957), Fratse In die Vloot (Pierre de Wet/1958), Nooi Van My Hart (Pierre de Wet/1959), Piet Se Tante (Pierre de Wet/1959), Die Vlugteling (Gordon Vorster/1960), Oupa en die Plaasnooientjie (Pierre de Wet/1960), Die Jagters (Gordon Vorster/1960), Basie (Gordon Vorster/1961), En die Vonke Spat (Pierre de &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Wet&lt;/del&gt;/1961), Die Tweede Slaapkamer (Gordon &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Vorster&lt;/del&gt;/1961), As Ons Twee Eers Getroud Is! (Jan Perold/1962), Jy’s Lieflik Vanaand (Gordon Vorster/1962), Die Ruiter In die Nag (Jan Perold/1963), Piet My Niggie (Jan Perold/1964), Seven Against the Sun (David Millin/1964), Ride the High Wind / African Gold (David Millin/1965), The Second Sin (David Millin/1966), Escape Route Cape Town / The Cape Town Affair (Robert D. Webb/1967), The Jackals (Robert D. Webb/1967), Majuba: Heuwel Van Duiwe (David Millin/1968), Stadig Oor die Klippe (Richard Daneel/1969), The Winners / My Way (Emil Nofal &amp;amp; Roy Sargeant/1972), Bait (Mario Schiess/1974), The Savage Sport (Keith G. van der Wat/1974), Ongewenste Vreemdeling (Jans Rautenbach/1974), My Skryf Matriek (Franz Marx/1975), Ter Wille Van Christine (Elmo de Witt/1975), Vergeet my Nie (Elmo de Witt/1976), ‘n Beeld Vir Jeannie (Elmo de Witt/1976), The Winners II / My Way II (Jans Rautenbach/1977), Kom Tot Rus (Elmo de Witt/1977), Dit Was Aand En Dit Was Môre (Franz Marx/1977), Sonja (Daan Retief/1978), Billy Boy (Tim Spring/1978), Elsa Se Geheim (Chris du Toit/1979), The Gods Must Be Crazy (Jamie Uys/1980), Beloftes Van Môre (Daan Retief/1981).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Joseph Albrecht&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;&amp;amp; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Andries A. Pienaar&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1938), Geboortegrond (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1946), Simon Beyers (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1947), Die Kaskenades van Dokter Kwak (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1948), Kom Saam Vanaand! (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1949), Hier’s Ons Weer! (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Hyman Kirstein&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1950), Alles Sal Regkom! (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Hyman Kirstein&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1951), Cry, the Beloved Country (uncredited) (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Zoltan Korda&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1951), Altyd In My Drome (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1952), Hans-die-Skipper (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Bladon Peake&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1952), Inspan (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Bladon Peake&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1953), Daar Doer In die Stad (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jamie Uys&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1953), ‘n Plan is ‘n Boerdery (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1954), Vadertjie Langbeen (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1955), Matieland! (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1955), Dis Lekker Om Te Lewe (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1957), Fratse In die Vloot (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1958), Nooi Van My Hart (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1959), Piet Se Tante (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1959), Die Vlugteling (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Gordon Vorster&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1960), Oupa en die Plaasnooientjie (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de Wet&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1960), Die Jagters (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Gordon Vorster&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1960), Basie (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Gordon Vorster&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1961), En die Vonke Spat (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pierre de &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;We]]t&lt;/ins&gt;/1961), Die Tweede Slaapkamer (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Gordon &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Vorst]]er&lt;/ins&gt;/1961), As Ons Twee Eers Getroud Is! (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jan Perold&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1962), Jy’s Lieflik Vanaand (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Gordon Vorster&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1962), Die Ruiter In die Nag (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jan Perold&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1963), Piet My Niggie (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jan Perold&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1964), Seven Against the Sun (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;David Millin&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1964), Ride the High Wind / African Gold (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;David Millin&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1965), The Second Sin (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;David Millin&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1966), Escape Route Cape Town / The Cape Town Affair (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Robert D. Webb&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1967), The Jackals (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Robert D. Webb&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1967), Majuba: Heuwel Van Duiwe (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;David Millin&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1968), Stadig Oor die Klippe (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Richard Daneel&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1969), The Winners / My Way (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Emil Nofal&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;&amp;amp; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Roy Sargeant&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1972), Bait (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Mario Schiess&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1974), The Savage Sport (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Keith G. van der Wat&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1974), Ongewenste Vreemdeling (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jans Rautenbach&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1974), My Skryf Matriek (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Franz Marx&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1975), Ter Wille Van Christine (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Elmo de Witt&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1975), Vergeet my Nie (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Elmo de Witt&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1976), ‘n Beeld Vir Jeannie (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Elmo de Witt&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1976), The Winners II / My Way II (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jans Rautenbach&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1977), Kom Tot Rus (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Elmo de Witt&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1977), Dit Was Aand En Dit Was Môre (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Franz Marx&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1977), Sonja (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Daan Retief&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1978), Billy Boy (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Tim Spring&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1978), Elsa Se Geheim (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Chris du Toit&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1979), The Gods Must Be Crazy (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jamie Uys&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1980), Beloftes Van Môre (&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Daan Retief&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;/1981).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119597&amp;oldid=prev</id>
		<title>Fogterop at 17:59, 9 December 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119597&amp;oldid=prev"/>
		<updated>2016-12-09T17:59:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:59, 9 December 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot; &gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After a brief stint as a shipping clerk, William Frederick Bell enrolled to study make-up at the Max Factor Studios in London and embarked upon a career that was to last a lifetime.  He worked uncredited as an apprentice on a number of British films, including Jacques Feyder’s ''Knight With Armour'' (1937) and then responded to an advertisement in a British newspaper that announced a vacancy for a make-up artist at [[Killarney Film Studios]] in Johannesburg.  Somewhat to his surprise, he got the job and, upon his arrival, was handed [[African Film Productions]]' epic ''[[Die Bou Van ‘n Nasie]]'' ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938).  When war broke out he joined the De Havilland Aircraft Company and served with them in North Africa, mostly in an administrative capacity, but also flying the occasional rescue mission into Italy.   &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;After a brief stint as a shipping clerk, William Frederick Bell enrolled to study make-up at the Max Factor Studios in London and embarked upon a career that was to last a lifetime.  He worked uncredited as an apprentice on a number of British films, including Jacques Feyder’s ''Knight With Armour'' (1937) and then responded to an advertisement in a British newspaper that announced a vacancy for a make-up artist at [[Killarney Film Studios]] in Johannesburg.  Somewhat to his surprise, he got the job and, upon his arrival, was handed [[African Film Productions]]' epic ''[[Die Bou Van ‘n Nasie]]'' ([[Joseph Albrecht]] &amp;amp; [[Andries A. Pienaar]]/1938).  When war broke out he joined the De Havilland Aircraft Company and served with them in North Africa, mostly in an administrative capacity, but also flying the occasional rescue mission into Italy.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon his return his job with was waiting for him and between 1946 and 1968 he worked on numerous films for [[African Film Productions]] and its various incarnations – [[Afrikaanse Rolprentproduksies]], [[Suidafrikaanse Rolprentproduksies]], [[South African Screen Productions]] and [[Killarney Film Studios]].  He made 14 films with director [[Pierre de Wet]] and during this time he also worked with [[Hyman Kirstein]]&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;[[Bladon Peake]], [[Jamie Uys]], [[Gordon Vorster]], [[Jan Perold]], [[David Millin]] and [[Robert D. Web]]b.  He also assisted (uncredited) on the first film version of ''[[Cry, the Beloved Country]]'' (1951), directed by [[Zoltan Korda]].  After 1968 he went freelance and worked for various production companies and with directors that included [[Richard Daneel]], [[Emil Nofal]]. [[Mario Schiess]], [[Keith G. van der Wat]], [[Jans Rautenbach]], [[Franz Marx]], [[Elmo de Witt]] and [[Daan Retief]].  He died at the age of 91.  During his lifetime he trained many of South Africa’s next generation of make-up artists, including [[Nola du Preez]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Upon his return his job with was waiting for him and between 1946 and 1968 he worked on numerous films for [[African Film Productions]] and its various incarnations – [[Afrikaanse Rolprentproduksies]], [[Suidafrikaanse Rolprentproduksies]], [[South African Screen Productions]] and [[Killarney Film Studios]].  He made 14 films with director [[Pierre de Wet]] and during this time he also worked with [[Hyman Kirstein]] [[Bladon Peake]], [[Jamie Uys]], [[Gordon Vorster]], [[Jan Perold]], [[David Millin]] and [[Robert D. Web]]b.  He also assisted (uncredited) on the first film version of ''[[Cry, the Beloved Country]]'' (1951), directed by [[Zoltan Korda]].  After 1968 he went freelance and worked for various production companies and with directors that included [[Richard Daneel]], [[Emil Nofal]]. [[Mario Schiess]], [[Keith G. van der Wat]], [[Jans Rautenbach]], [[Franz Marx]], [[Elmo de Witt]] and [[Daan Retief]].  He died at the age of 91.  During his lifetime he trained many of South Africa’s next generation of make-up artists, including [[Nola du Preez]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In January 1941 he had married Colleen Winifred O’Reilly.  Their daughter Gillian, born in 1942, died young.  Their adopted daughter, Susan was born in 1957.    &lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In January 1941 he had married Colleen Winifred O’Reilly.  Their daughter Gillian, born in 1942, died young.  Their adopted daughter, Susan was born in 1957.    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
	<entry>
		<id>https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119594&amp;oldid=prev</id>
		<title>Fogterop at 17:12, 9 December 2016</title>
		<link rel="alternate" type="text/html" href="https://esat.sun.ac.za/index.php?title=William_Bell&amp;diff=119594&amp;oldid=prev"/>
		<updated>2016-12-09T17:12:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:12, 9 December 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Filmography ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation (Joseph Albrecht &amp;amp; &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;A.&lt;/del&gt;A. Pienaar/1938), Geboortegrond (Pierre de Wet/1946), Simon Beyers (Pierre de Wet/1947), Die Kaskenades van Dokter Kwak (Pierre de Wet/1948), Kom Saam Vanaand! (Pierre de Wet/1949), Hier’s Ons Weer! (Hyman Kirstein/1950), Alles Sal Regkom! (Hyman Kirstein/1951), Cry, the Beloved Country (uncredited) (Zoltan Korda/1951), Altyd In My Drome (Pierre de Wet/1952), Hans-die-Skipper (Bladon Peake/1952), Inspan (Bladon Peake/1953), Daar Doer In die Stad (Jamie Uys/1953), ‘n Plan is ‘n Boerdery (Pierre de Wet/1954), Vadertjie Langbeen (Pierre de Wet/1955), Matieland! (Pierre de Wet/1955), Dis Lekker Om Te Lewe (Pierre de Wet/1957), Fratse In die Vloot (Pierre de Wet/1958), Nooi Van My Hart (Pierre de Wet/1959), Piet Se Tante (Pierre de Wet/1959), Die Vlugteling (Gordon Vorster/1960), Oupa en die Plaasnooientjie (Pierre de Wet/1960), Die Jagters (Gordon Vorster/1960), Basie (Gordon Vorster/1961), En die Vonke Spat (Pierre de Wet/1961), Die Tweede Slaapkamer (Gordon Vorster/1961), As Ons Twee Eers Getroud Is! (Jan Perold/1962), Jy’s Lieflik Vanaand (Gordon Vorster/1962), Die Ruiter In die Nag (Jan Perold/1963), Piet My Niggie (Jan Perold/1964), Seven Against the Sun (David Millin/1964), Ride the High Wind / African Gold (David Millin/1965), The Second Sin (David Millin/1966), Escape Route Cape Town / The Cape Town Affair (Robert D. Webb/1967), The Jackals (Robert D. Webb/1967), Majuba: Heuwel Van Duiwe (David Millin/1968), Stadig Oor die Klippe (Richard Daneel/1969), The Winners / My Way (Emil Nofal &amp;amp; Roy Sargeant/1972), Bait (Mario Schiess/1974), The Savage Sport (Keith G. van der Wat/1974), Ongewenste Vreemdeling (Jans Rautenbach/1974), My Skryf Matriek (Franz Marx/1975), Ter Wille Van Christine (Elmo de Witt/1975), Vergeet my Nie (Elmo de Witt/1976), ‘n Beeld Vir Jeannie (Elmo de Witt/1976), The Winners II / My Way II (Jans Rautenbach/1977), Kom Tot Rus (Elmo de Witt/1977), Dit Was Aand En Dit Was Môre (Franz Marx/1977), Sonja (Daan Retief/1978), Billy Boy (Tim Spring/1978), Elsa Se Geheim (Chris du Toit/1979), The Gods Must Be Crazy (Jamie Uys/1980), Beloftes Van Môre (Daan Retief/1981).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Die Bou Van ‘n Nasie / Building a Nation (Joseph Albrecht &amp;amp; &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Andries &lt;/ins&gt;A. Pienaar/1938), Geboortegrond (Pierre de Wet/1946), Simon Beyers (Pierre de Wet/1947), Die Kaskenades van Dokter Kwak (Pierre de Wet/1948), Kom Saam Vanaand! (Pierre de Wet/1949), Hier’s Ons Weer! (Hyman Kirstein/1950), Alles Sal Regkom! (Hyman Kirstein/1951), Cry, the Beloved Country (uncredited) (Zoltan Korda/1951), Altyd In My Drome (Pierre de Wet/1952), Hans-die-Skipper (Bladon Peake/1952), Inspan (Bladon Peake/1953), Daar Doer In die Stad (Jamie Uys/1953), ‘n Plan is ‘n Boerdery (Pierre de Wet/1954), Vadertjie Langbeen (Pierre de Wet/1955), Matieland! (Pierre de Wet/1955), Dis Lekker Om Te Lewe (Pierre de Wet/1957), Fratse In die Vloot (Pierre de Wet/1958), Nooi Van My Hart (Pierre de Wet/1959), Piet Se Tante (Pierre de Wet/1959), Die Vlugteling (Gordon Vorster/1960), Oupa en die Plaasnooientjie (Pierre de Wet/1960), Die Jagters (Gordon Vorster/1960), Basie (Gordon Vorster/1961), En die Vonke Spat (Pierre de Wet/1961), Die Tweede Slaapkamer (Gordon Vorster/1961), As Ons Twee Eers Getroud Is! (Jan Perold/1962), Jy’s Lieflik Vanaand (Gordon Vorster/1962), Die Ruiter In die Nag (Jan Perold/1963), Piet My Niggie (Jan Perold/1964), Seven Against the Sun (David Millin/1964), Ride the High Wind / African Gold (David Millin/1965), The Second Sin (David Millin/1966), Escape Route Cape Town / The Cape Town Affair (Robert D. Webb/1967), The Jackals (Robert D. Webb/1967), Majuba: Heuwel Van Duiwe (David Millin/1968), Stadig Oor die Klippe (Richard Daneel/1969), The Winners / My Way (Emil Nofal &amp;amp; Roy Sargeant/1972), Bait (Mario Schiess/1974), The Savage Sport (Keith G. van der Wat/1974), Ongewenste Vreemdeling (Jans Rautenbach/1974), My Skryf Matriek (Franz Marx/1975), Ter Wille Van Christine (Elmo de Witt/1975), Vergeet my Nie (Elmo de Witt/1976), ‘n Beeld Vir Jeannie (Elmo de Witt/1976), The Winners II / My Way II (Jans Rautenbach/1977), Kom Tot Rus (Elmo de Witt/1977), Dit Was Aand En Dit Was Môre (Franz Marx/1977), Sonja (Daan Retief/1978), Billy Boy (Tim Spring/1978), Elsa Se Geheim (Chris du Toit/1979), The Gods Must Be Crazy (Jamie Uys/1980), Beloftes Van Môre (Daan Retief/1981).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Theatre ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Fogterop</name></author>
		
	</entry>
</feed>