Vita Awards - Revision history

Temple: /* Founding and history */

2025-12-16T03:58:39Z

Founding and history

Darryl: /* 1994/1995 */

2025-12-15T11:17:08Z

1994/1995

Darryl: /* Founding and history */

2025-12-15T11:15:54Z

Founding and history

Darryl: /* 1994/1995 */

2025-12-15T11:15:05Z

1994/1995

Darryl: /* 1994/1995 */

2025-12-15T11:14:19Z

1994/1995

Darryl: /* Winners */

2025-12-15T11:13:24Z

Winners

Darryl: /* 1994/1995 */

2025-12-15T11:07:39Z

1994/1995

Darryl: /* Winners */

2025-12-15T10:57:51Z

Winners

Darryl: /* Sources */

2025-12-15T10:52:23Z

Sources

Miriamt: /* Founding and history */

2020-01-23T15:29:02Z

Founding and history

@@ Line 8: / Line 8: @@
 Founded by [[Philip Stein]] in 1983, with the help of AA Mutual Life managing director, Brian Benfield, the awards were sponsored by the AA Mutual Life insurance company and were intended to reward excellence in local artis, including theatre and dance. They were originally called [[AA Life Theatre Awards]], but when Stein created [[Vita Promotions]] to fund a whole range of privately funded projects over a period of almost 20 years. These included the [[Vita Theatre Awards]] (both regional awards in the various provinces, and ultimately national awards); the Vita Art Prize and exhibition; the Vita Craft Now awards and exhibitions; the [[Market Laboratory Community Theatre Festival]], the [[Windybrow Arts Festival]] and the [[FNB Dance Umbrella]]. The name of the sponsoring company would change intermittently over the years, thus giving us the later [[IGI Life Vita Awards]]  and ultimately the [[FNB Vita Awards]]).
-Between 1987 and 1997 the awards were managed by Nicola Danby.
+Between 1987 and 1997 the awards were managed by [[Nicola Danby]].
 == Aims and function ==

@@ Line 26: / Line 26: @@
 Play of the Year: ''[[The Island]]''
-Best supporting performances: [[Ramolao Makhene]] and [[Daphne Hlomuka]] in ''[[Sophiatown]]''
+Best supporting performances: [[Ramolao Makhene]] and [[Daphney Hlomuka]] in ''[[Sophiatown]]''
 Director of the Year: [[Mark Graham]] for ''[[Travels with my Aunt]]'' and ''[[Hamlet]]''

@@ Line 8: / Line 8: @@
 Founded by [[Philip Stein]] in 1983, with the help of AA Mutual Life managing director, Brian Benfield, the awards were sponsored by the AA Mutual Life insurance company and were intended to reward excellence in local artis, including theatre and dance. They were originally called [[AA Life Theatre Awards]], but when Stein created [[Vita Promotions]] to fund a whole range of privately funded projects over a period of almost 20 years. These included the [[Vita Theatre Awards]] (both regional awards in the various provinces, and ultimately national awards); the Vita Art Prize and exhibition; the Vita Craft Now awards and exhibitions; the [[Market Laboratory Community Theatre Festival]], the [[Windybrow Arts Festival]] and the [[FNB Dance Umbrella]]. The name of the sponsoring company would change intermittently over the years, thus giving us the later [[IGI Life Vita Awards]]  and ultimately the [[FNB Vita Awards]]).
-Between 1987 and 1997 the awards were managed by Nicola Danby
+Between 1987 and 1997 the awards were managed by Nicola Danby.
 == Aims and function ==

@@ Line 38: / Line 38: @@
 Musical Theatre Performer of the Year: [[Ian von Memerty]]
-the Tonight/FNB Award: ''[[Heel Against the Head]]''
+the Tonight/FNB Award for Comedy of the Year: ''[[Heel Against the Head]]''
 Playwright of the Year: [[Andrew Buckland]]

@@ Line 32: / Line 32: @@
 Performance of the Year: [[Michael Atkinson]] for King George in ''[[The Madness of George III]]''
 Actress of the Year: [[Wilna Snyman]] for her performance in ''[[Sweet Sorrows]]''
 Musical Theatre Production of the Year: ''[[A Handful of Keys]]''

@@ Line 24: / Line 24: @@
 ===1994/1995===
-The 1994/1995 award-winners are testimony to a developing consensus between fundis, audiences and practitioners. Apparently, what is appreciated most are well-rendered versions of the tried and tested. Old chestnuts like Equus, Nongogo, Sophiatown and The Island were nominated for Play of the Year. Following the trend towards revivals, The Island took this main award.
+Play of the Year: ''[[The Island]]''
-Revivals of plays that were once controversial and officially challenging do perform a necessary function since we are able, in their restaging, to weigh up how far we’ve come in our theatre’s development. Today, one supposes, the nudity of Equus is no longer its spicy drawcard. Both Sophiatown and The Island give us ample reason to reflect on the historical moments portrayed, with appropriate hindsight — good did, after all, triumph over evil.
+Best supporting performances: [[Ramolao Makhene]] and [[Daphne Hlomuka]] in ''[[Sophiatown]]''
-Simultaneously, we remember how the productions went all out to inspire audiences to do a little extra, in fighting apartheid. Whether this was protest theatre, or theatre of defiance, is no longer important. Like in museums, what is important is the preservation of memory, under hot lights, of an unhappy existence. By celebrating the revival, the award sponsor acknowledges the historical role of the play, which finally reaps its just rewards.
+Director of the Year: [[Mark Graham]] for ''[[Travels with my Aunt]]'' and ''[[Hamlet]]''
-As a result, a production like Sophiatown received many Vita nominations, and its performers Ramolao Makhene and Daphne Hlomuka received awards in their supporting roles.
+Performance of the Year: [[Michael Atkinson]] for King George in ''[[The Madness of George III]]''
-On the other hand, our colonial roots are warmly recollected. Acting English is, after all, also part of our historical repetoire. The contradiction here is that while we continue to trash apartheid, we revel in the ways of the old Empire. And so the “Pot Roast” team also got accolades, with
+Actress of the Year: [[Wilna Snyman]] for her performance in ''[[Sweet Sorrows]]''
 The style of reviving nostalgic musical content is celebrated with awards being given to the
@@ Line 50: / Line 44: @@
 Playwright of the Year: [[Andrew Buckland]]
-Production of a New South African Play: [[Capab]]/[[Jazzart]]’s ''[[Medea]]''.
+Production of a New South African Play: [[CAPAB]]/[[Jazzart]]’s ''[[Medea]]''.
 Best technicians:  set designer [[Marthinus Basson]], lighting designer [[Mannie Manim]] and costume designer [[Peter Cazalet]].

@@ Line 32: / Line 32: @@
 As a result, a production like Sophiatown received many Vita nominations, and its performers Ramolao Makhene and Daphne Hlomuka received awards in their supporting roles.
-On the other hand, our colonial roots are warmly recollected. Acting English is, after all, also part of our historical repetoire. The contradiction here is that while we continue to trash apartheid, we revel in the ways of the old Empire. And so the “Pot Roast” team also got accolades, with Mark Graham getting Director of the Year for Travels with my Aunt and Hamlet, while Michael Atkinson got Performance of the Year for King George in The Madness of George III. Actress of the Year is Wilna Snyman for her performance in Sweet Sorrows.
+On the other hand, our colonial roots are warmly recollected. Acting English is, after all, also part of our historical repetoire. The contradiction here is that while we continue to trash apartheid, we revel in the ways of the old Empire. And so the “Pot Roast” team also got accolades, with
-The style of reviving nostalgic musical content is celebrated with awards being given to A Handful of Keys for Musical Theatre Production of the Year and Musical Theatre Performer going to that production’s Ian von Memerty.
+Director of the Year: [[Mark Graham]] for ''[]Travels with my Aunt]]'' and ''[]Hamlet]]''
-It is only perhaps in comedy that our theatre is looking slightly redecorated, with some new names being added after nomination stalwarts. However, comedy veteran Paul Slabolepszy and his cast of Heel Against the Head received the Tonight/FNB Award, over Pieter-Dirk Uys.
+Performance of the Year: [[Michael Atkinson]] for King George in ''[[The Madness of George III]]''.
 Playwright of the Year: [[Andrew Buckland]]
-Production of a New South African Play: [[Capab]]/[[Jazzart]]’s [[Medea]].
+Production of a New South African Play: [[Capab]]/[[Jazzart]]’s ''[[Medea]]''.
-Best technicians:  set designer [[Marthinus Basson]], lighting designer [[Mannnie Manim]] and costume designer [[Peter Cazalet]].
+Best technicians:  set designer [[Marthinus Basson]], lighting designer [[Mannie Manim]] and costume designer [[Peter Cazalet]].
 the Moyra Fine Award for Outstanding Contribution to Theatrical Life (awarded posthumously): [[Barney Simon]].

← Older revision		Revision as of 10:57, 15 December 2025
Line 22:		Line 22:
	== Winners ==		== Winners ==

		+	===1994/1995===

		+	The 1994/1995 award-winners are testimony to a developing consensus between fundis, audiences and practitioners. Apparently, what is appreciated most are well-rendered versions of the tried and tested. Old chestnuts like Equus, Nongogo, Sophiatown and The Island were nominated for Play of the Year. Following the trend towards revivals, The Island took this main award.

		+	Revivals of plays that were once controversial and officially challenging do perform a necessary function since we are able, in their restaging, to weigh up how far we’ve come in our theatre’s development. Today, one supposes, the nudity of Equus is no longer its spicy drawcard. Both Sophiatown and The Island give us ample reason to reflect on the historical moments portrayed, with appropriate hindsight — good did, after all, triumph over evil.
		+
		+	Simultaneously, we remember how the productions went all out to inspire audiences to do a little extra, in fighting apartheid. Whether this was protest theatre, or theatre of defiance, is no longer important. Like in museums, what is important is the preservation of memory, under hot lights, of an unhappy existence. By celebrating the revival, the award sponsor acknowledges the historical role of the play, which finally reaps its just rewards.
		+
		+	As a result, a production like Sophiatown received many Vita nominations, and its performers Ramolao Makhene and Daphne Hlomuka received awards in their supporting roles.
		+
		+	On the other hand, our colonial roots are warmly recollected. Acting English is, after all, also part of our historical repetoire. The contradiction here is that while we continue to trash apartheid, we revel in the ways of the old Empire. And so the “Pot Roast” team also got accolades, with Mark Graham getting Director of the Year for Travels with my Aunt and Hamlet, while Michael Atkinson got Performance of the Year for King George in The Madness of George III. Actress of the Year is Wilna Snyman for her performance in Sweet Sorrows.
		+
		+	The style of reviving nostalgic musical content is celebrated with awards being given to A Handful of Keys for Musical Theatre Production of the Year and Musical Theatre Performer going to that production’s Ian von Memerty.
		+
		+	It is only perhaps in comedy that our theatre is looking slightly redecorated, with some new names being added after nomination stalwarts. However, comedy veteran Paul Slabolepszy and his cast of Heel Against the Head received the Tonight/FNB Award, over Pieter-Dirk Uys.
		+
		+	Playwright of the Year: [[Andrew Buckland]]
		+
		+	Production of a New South African Play: [[Capab]]/[[Jazzart]]’s [[Medea]].
		+
		+	Best technicians: set designer [[Marthinus Basson]], lighting designer [[Mannnie Manim]] and costume designer [[Peter Cazalet]].
		+
		+	the Moyra Fine Award for Outstanding Contribution to Theatrical Life (awarded posthumously): [[Barney Simon]].

	== Sources ==		== Sources ==

← Older revision		Revision as of 10:52, 15 December 2025
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	http://www.stateoftheart.co.za/curator/12/nicola-danby		http://www.stateoftheart.co.za/curator/12/nicola-danby
		+
		+	https://mg.co.za/article/1995-10-06-looking-back-in-nostalgia/

	Go to [[ESAT Bibliography]]		Go to [[ESAT Bibliography]]