Visions - Revision history

Temple: /* Performances */

2026-03-06T08:08:21Z

Performances

2026-02-11T09:50:53Z

The play

2026-02-11T09:50:13Z

Sources

2026-02-11T09:24:38Z

Sources

2026-02-11T09:23:24Z

The play

2025-12-09T13:39:08Z

2023-09-26T15:57:15Z

The play

2023-09-26T15:51:26Z

The play

2023-09-26T15:51:13Z

2023-09-26T15:45:38Z

The play

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 == Performances ==
+None recorded.
 == Sources ==

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 The play was inspired by the 'outsider' art of Nukain Mabusa, and tells the story of a grandfather near death and a grandson taking over his creative role. The play shows people being creative in ways that make life worth living, and gives an example of Fugard's humour.
-Referred to in McDonald's 'Afterword' to ''[[Exits and Entrances]]'' (2008) and discussed in her 2012 book ''[[The Craft of Athol Fugard. Space, Time and Silence]]'' deur Marianne McDonald. (2012 deur Murasaki Books.
+Referred to in McDonald's 'Afterword' to ''[[Exits and Entrances]]'' (2008) and discussed in her 2012 book ''The Craft of Athol Fugard. Space, Time and Silence'' deur Marianne McDonald. (2012).
 The play appears to be an early version of/title for Fugard's later play, ''[[The Painted Rocks at Revolver Creek]]'' (2015).

@@ Line 18: / Line 18: @@
 McDonald, M. 2008. 'Afterword' in Fugard's ''Exits and Entrances''. Theatre Communications Group: New York.
-[[Marianne McDonald]]. 2012. ''[[The Craft of Athol Fugard. Space, Time and Silence]]''. Los Angeles: Murasaki Books.
+[[Marianne McDonald]]. 2012. ''The Craft of Athol Fugard. Space, Time and Silence''. Los Angeles: Murasaki Books.
 Go to [[ESAT Bibliography]]

← Older revision		Revision as of 09:24, 11 February 2026
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	McDonald, M. 2008. 'Afterword' in Fugard's ''Exits and Entrances''. Theatre Communications Group: New York.		McDonald, M. 2008. 'Afterword' in Fugard's ''Exits and Entrances''. Theatre Communications Group: New York.
		+
		+	[[Marianne McDonald]]. 2012. ''[[The Craft of Athol Fugard. Space, Time and Silence]]''. Los Angeles: Murasaki Books.

	Go to [[ESAT Bibliography]]		Go to [[ESAT Bibliography]]

@@ Line 6: / Line 6: @@
 The play was inspired by the 'outsider' art of Nukain Mabusa, and tells the story of a grandfather near death and a grandson taking over his creative role. The play shows people being creative in ways that make life worth living, and gives an example of Fugard's humour.
-Referred to in McDonald's 'Afterword' to ''[[Exits and Entrances]]'' (2008).
+Referred to in McDonald's 'Afterword' to ''[[Exits and Entrances]]'' (2008) and discussed in her 2012 book ''[[The Craft of Athol Fugard. Space, Time and Silence]]'' deur Marianne McDonald. (2012 deur Murasaki Books.
 The play appears to be an early version of/title for Fugard's later play, ''[[The Painted Rocks at Revolver Creek]]'' (2015).

← Older revision		Revision as of 13:39, 9 December 2025
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−	''[[Visions]]'' is a short play by [[Athol Fugard]] (1932-).	+	''[[Visions]]'' is a short play by [[Athol Fugard]] (1932-2025).

← Older revision		Revision as of 15:51, 26 September 2023
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	The play was inspired by the 'outsider' art of Nukain Mabusa, and tells the story of a grandfather near death and a grandson taking over his creative role. The play shows people being creative in ways that make life worth living, and gives an example of Fugard's humour.		The play was inspired by the 'outsider' art of Nukain Mabusa, and tells the story of a grandfather near death and a grandson taking over his creative role. The play shows people being creative in ways that make life worth living, and gives an example of Fugard's humour.
		+
		+	Referred to in McDonald's 'Afterword' to ''Exits and Entrances'' (2008).

	The play appears to be an early version of/title for Fugard's play, ''[[The Painted Rocks at Revolver Creek]]'' (2015).		The play appears to be an early version of/title for Fugard's play, ''[[The Painted Rocks at Revolver Creek]]'' (2015).