Vernon Whitten - Revision history

Fogterop at 18:39, 20 August 2021

2021-08-20T18:39:40Z

Fogterop at 18:10, 10 December 2018

2018-12-10T18:10:19Z

Fogterop at 18:08, 10 December 2018

2018-12-10T18:08:24Z

Fogterop at 19:15, 31 October 2018

2018-10-31T19:15:34Z

Fogterop at 10:26, 16 August 2017

2017-08-16T10:26:39Z

Fogterop at 15:40, 18 January 2015

2015-01-18T15:40:15Z

Fogterop at 18:42, 15 January 2015

2015-01-15T18:42:41Z

Fogterop at 18:05, 16 December 2014

2014-12-16T18:05:00Z

Fogterop at 16:36, 19 August 2014

2014-08-19T16:36:44Z

Fogterop at 16:33, 19 August 2014

2014-08-19T16:33:06Z

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 '''FEATURES''' (as cinematographer)
-The African Queen (camera operator 2nd unit/uncredited) (John Huston/1951), Paul Kruger ([[Werner Grünbauer]]/1956), Rip van Wyk ([[Emil Nofal]]/1960), Hou die Blink Kant Bo (with [[Vincent G. Cox]]) ([[Emil Nofal]]/1960), Doodkry is Min ([[Jamie Uys]]/1961), Spore in die Modder ([[James Norval]]/1961), Boerboel de Wet (+ co-producer) ([[Al Debbo]]/1961), Journey Into Nowhere (camera operator) ([[Denis Scully]]/1962), Tom Dirk en Herrie ([[Al Debbo]]/1962), Geheim van Onderplaas ([[Al Debbo]]/1962), Gevaarlike Spel ([[Al Debbo]]/1962), Zulu (2nd unit crew member/uncredited) (Cy Endfield/1963), Die Vervlakste Tweeling 9operating cameraman) ([[Mario Schiess]]/1969), Dirkie / Lost in the Desert (lighting) ([[Jamie Uys]]/1969), Staal Burger ([[Daan Retief]]/1969), Die Onwettige Huwelik /Professor du Plessis (camera) ([[Mario Schiess]]/1970), Mister Kingstreet's War (camera operator) ([[Percival Rubens]]/1971, Breekpunt (lighting) ([[Daan Retief]]/1971), Sononder (camera with [[Mike Burts]]) ([[Carel Trichardt]]/1971).
+The African Queen (camera operator 2nd unit/uncredited) (John Huston/1951), Paul Kruger ([[Werner Grünbauer]]/1956), Rip van Wyk ([[Emil Nofal]]/1960), Hou die Blink Kant Bo (with [[Vincent G. Cox]]) ([[Emil Nofal]]/1960), Doodkry is Min ([[Jamie Uys]]/1961), Spore in die Modder ([[James Norval]]/1961), Boerboel de Wet (+ co-producer) ([[Al Debbo]]/1961), Journey Into Nowhere (camera operator) ([[Denis Scully]]/1962), Tom Dirk en Herrie ([[Al Debbo]]/1962), Geheim van Onderplaas ([[Al Debbo]]/1962), Gevaarlike Spel ([[Al Debbo]]/1962), Zulu (2nd unit crew member/uncredited) (Cy Endfield/1963), Die Vervlakste Tweeling 9operating cameraman) ([[Mario Schiess]]/1969), Dirkie / Lost in the Desert (lighting) ([[Jamie Uys]]/1969), Staal Burger ([[Daan Retief]]/1969), Die Onwettige Huwelik /Professor du Plessis (camera) ([[Mario Schiess]]/1970), Mister Kingstreet's War / Heroes Die Hard (camera operator) ([[Percival Rubens]]/1971, Breekpunt (lighting) ([[Daan Retief]]/1971), Sononder (camera with [[Mike Burts]]) ([[Carel Trichardt]]/1971).
 '''DOCUMENTARIES & SHORTS''' (as director)

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 He is reported to have worked as a colourist at Pinewood Studios, but in 1946 he is credited as the director of the British short ''Fun of the Fair''. By 1950 he has travelled to Africa to shoot ''Kenya Capital'' for the East African Sound Studios, the home of the first independent East African record label, Jambo.  The film celebrated the granting of a Royal Charter to the city of Nairobi.  The travelogue ''The Land of Zinj'', made for Caltex, stems from the same period.  He also was on hand to act as second unit cameraman when John Huston came to East Africa to film ''The African Queen'' (1951).  When [[J. Blake Dalrymple]] and [[George Groom]] took over the small laboratory of the company where he was working, he came with it and moved to Rhodesia to shoot ''Mary's Lucky Day'' (1952) and ''Mutiny in the Laundry'' (1952), two advertising shorts made for Dalrymple's [[Films of Africa]].  At that time they also made the delightful and more ambitious ''[[The Stolen Cigarette]]'' (1952) together.
-Arriving in South Africa he worked as cinematographer on a number of features by the likes of [[Werner Grünbauer]], [[Jamie Uys]], [[Emil Nofal]], [[Denis Scully]], [[Mario Schiess]] and [[Daan Retief]] and no fewer than four films for [[Al Debbo]].  In 1963 he also worked on the second unit camera crew of Cy Endfield's ''Zulu''.  In addition he directed short documentaries for the [[South African Tourist Corporation]].  In 1971 he shot ''Sononder'', [[Carel Trichardt]]'s only production as director, which seems to have been his last film.  He married Winifred Sarah Parkhouse in Lambeth in 1928 and both seem to have died in Oxford in 1982.  (FO)
+Arriving in South Africa he worked as cinematographer on a number of features by the likes of [[Werner Grünbauer]], [[Jamie Uys]], [[Emil Nofal]], [[Denis Scully]], [[Mario Schiess]] and [[Daan Retief]] and no fewer than four films for [[Al Debbo]].  In 1963 he also worked on the second unit camera crew of Cy Endfield's ''[[Zulu]]''.  In addition he directed short documentaries for the [[South African Tourist Corporation]].  In 1971 he shot ''[[Sononder]]'', [[Carel Trichardt]]'s only production as director, which seems to have been his last film.  He married Winifred Sarah Parkhouse in Lambeth in 1928 and both seem to have died in Oxford in 1982.  (FO)
 == Credits ==

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-(b. Walton-on-Thames, Surrey , 12/07/1908 - d. Carterton, Oxfordshire, 17/01/1982).  Cinematographer, director.  Vernon Norman Whitten was the son of actress May (Mabel) Clark (1889-1984) and actor/director/producer  Norman Whitten (1881-1969).  His mother, who was employed in the editing room by Cecil Hepworth,  was chosen to play Alice in the first film version of ''Alice in Wonderland'' (1903) and also appeared in the famous ''Rescued by Rover'' (1905).  Norman Whitten played the Mad Hatter in the Alice film and he and May were married in 1907.  Vernon himself featured as the 10-year-old Patrick in ''In the Days of St. Patrick'' (1920), a silent Irish feature directed by his father.
+Vernon Whitten (b. Walton-on-Thames, Surrey , 12/07/1908 - d. Carterton, Oxfordshire, 17/01/1982) was a cinematographer and director.
-He is reported to have worked as a colourist at Pinewood Studios, but in 1946 he is credited as the director of the British short ''Fun of the Fair''. By 1950 he has made it to Africa to shoot ''Kenya Capital'' for the East African Sound Studios, the home of the first independent East African record label, Jambo.  The film celebrated the granting of a Royal Charter to the city of Nairobi.  The travelogue ''The Land of Zinj'', made for Caltex, stems from the same period.  He also was on hand to act as second unit cameraman when John Huston came to East Africa to film ''The African Queen'' (1951).  Working his way south he stopped over in Rhodesia to shoot ''Mary's Lucky Day'' (1952) and ''Mutiny in the Laundry'' (1952), two advertising shorts made for [[J. Blake Dalrymple]]'s [[Films of Africa]].  At that time they also made the delightful and more ambitious ''The Stolen Cigarette'' (1952) together.
+== Biography ==
 Arriving in South Africa he worked as cinematographer on a number of features by the likes of [[Werner Grünbauer]], [[Jamie Uys]], [[Emil Nofal]], [[Denis Scully]], [[Mario Schiess]] and [[Daan Retief]] and no fewer than four films for [[Al Debbo]].  In 1963 he also worked on the second unit camera crew of Cy Endfield's ''Zulu''.  In addition he directed short documentaries for the [[South African Tourist Corporation]].  In 1971 he shot ''Sononder'', [[Carel Trichardt]]'s only production as director, which seems to have been his last film.  He married Winifred Sarah Parkhouse in Lambeth in 1928 and both seem to have died in Oxford in 1982.  (FO)
+== Credits ==
 '''FEATURES''' (as cinematographer)

← Older revision		Revision as of 19:15, 31 October 2018
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	'''DOCUMENTARIES & SHORTS''' (as cinematographer)		'''DOCUMENTARIES & SHORTS''' (as cinematographer)

−	Kenya Capital (East African Sound Studios/1950), The Land of Zinj (with others) (East African Sound Studios/1950), Mary's Lucky Day ([[J. Blake Dalrymple]]/1952), Mutiny in the Laundry ([[J. Blake Dalrymple]]/1952), The Stolen Cigarette ([[J. Blake Dalrymple]]/1952), The Fox Has Four Eyes ([[Jamie Uys]]/1959), Medisyne Sonder Pille (Jamie Uys/1960) / Place of Refuge / Fort Merensky Herleef (1963), On the Move / Opsaal (with [[James Robb]]) ([[J. Blake Dalrymple]]/1964)	+	Kenya Capital (East African Sound Studios/1950), The Land of Zinj (with others) (East African Sound Studios/1950), Mary's Lucky Day ([[J. Blake Dalrymple]]/1952), Mutiny in the Laundry ([[J. Blake Dalrymple]]/1952), The Stolen Cigarette ([[J. Blake Dalrymple]]/1952), A Plan for Progress (with [[J. Blake Dalrymple]]) ([[J. Blake Dalrymple]]/1953)The Fox Has Four Eyes ([[Jamie Uys]]/1959), Medisyne Sonder Pille (Jamie Uys/1960) / Place of Refuge / Fort Merensky Herleef (1963), On the Move / Opsaal (with [[James Robb]]) ([[J. Blake Dalrymple]]/1964)

← Older revision		Revision as of 10:26, 16 August 2017
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−	(b. Walton-on-Thames, Surrey , 12/07/1908 - d. ~~Oxford~~, Oxfordshire, //1982). Cinematographer, director. Vernon Norman Whitten was the son of actress May (Mabel) Clark (1889-1984) and actor/director/producer Norman Whitten (1881-1969). His mother, who was employed in the editing room by Cecil Hepworth, was chosen to play Alice in the first film version of ''Alice in Wonderland'' (1903) and also appeared in the famous ''Rescued by Rover'' (1905). Norman Whitten played the Mad Hatter in the Alice film and he and May were married in 1907. Vernon himself featured as the 10-year-old Patrick in ''In the Days of St. Patrick'' (1920), a silent Irish feature directed by his father.	+	(b. Walton-on-Thames, Surrey , 12/07/1908 - d. Carterton, Oxfordshire, 17/01/1982). Cinematographer, director. Vernon Norman Whitten was the son of actress May (Mabel) Clark (1889-1984) and actor/director/producer Norman Whitten (1881-1969). His mother, who was employed in the editing room by Cecil Hepworth, was chosen to play Alice in the first film version of ''Alice in Wonderland'' (1903) and also appeared in the famous ''Rescued by Rover'' (1905). Norman Whitten played the Mad Hatter in the Alice film and he and May were married in 1907. Vernon himself featured as the 10-year-old Patrick in ''In the Days of St. Patrick'' (1920), a silent Irish feature directed by his father.

	He is reported to have worked as a colourist at Pinewood Studios, but in 1946 he is credited as the director of the British short ''Fun of the Fair''. By 1950 he has made it to Africa to shoot ''Kenya Capital'' for the East African Sound Studios, the home of the first independent East African record label, Jambo. The film celebrated the granting of a Royal Charter to the city of Nairobi. The travelogue ''The Land of Zinj'', made for Caltex, stems from the same period. He also was on hand to act as second unit cameraman when John Huston came to East Africa to film ''The African Queen'' (1951). Working his way south he stopped over in Rhodesia to shoot ''Mary's Lucky Day'' (1952) and ''Mutiny in the Laundry'' (1952), two advertising shorts made for [[J. Blake Dalrymple]]'s [[Films of Africa]]. At that time they also made the delightful and more ambitious ''The Stolen Cigarette'' (1952) together.		He is reported to have worked as a colourist at Pinewood Studios, but in 1946 he is credited as the director of the British short ''Fun of the Fair''. By 1950 he has made it to Africa to shoot ''Kenya Capital'' for the East African Sound Studios, the home of the first independent East African record label, Jambo. The film celebrated the granting of a Royal Charter to the city of Nairobi. The travelogue ''The Land of Zinj'', made for Caltex, stems from the same period. He also was on hand to act as second unit cameraman when John Huston came to East Africa to film ''The African Queen'' (1951). Working his way south he stopped over in Rhodesia to shoot ''Mary's Lucky Day'' (1952) and ''Mutiny in the Laundry'' (1952), two advertising shorts made for [[J. Blake Dalrymple]]'s [[Films of Africa]]. At that time they also made the delightful and more ambitious ''The Stolen Cigarette'' (1952) together.

@@ Line 14: / Line 14: @@
 The African Queen (camera operator 2nd unit/uncredited) (John Huston/1951), Paul Kruger ([[Werner Grünbauer]]/1956), Rip van Wyk ([[Emil Nofal]]/1960), Hou die Blink Kant Bo (with [[Vincent G. Cox]]) ([[Emil Nofal]]/1960), Doodkry is Min ([[Jamie Uys]]/1961), Spore in die Modder ([[James Norval]]/1961), Boerboel de Wet (+ co-producer) ([[Al Debbo]]/1961), Journey Into Nowhere (camera operator) ([[Denis Scully]]/1962), Tom Dirk en Herrie ([[Al Debbo]]/1962), Geheim van Onderplaas ([[Al Debbo]]/1962), Gevaarlike Spel ([[Al Debbo]]/1962), Zulu (2nd unit crew member/uncredited) (Cy Endfield/1963), Die Vervlakste Tweeling 9operating cameraman) ([[Mario Schiess]]/1969), Dirkie / Lost in the Desert (lighting) ([[Jamie Uys]]/1969), Staal Burger ([[Daan Retief]]/1969), Die Onwettige Huwelik /Professor du Plessis (camera) ([[Mario Schiess]]/1970), Mister Kingstreet's War (camera operator) ([[Percival Rubens]]/1971, Breekpunt (lighting) ([[Daan Retief]]/1971), Sononder (camera with [[Mike Burts]]) ([[Carel Trichardt]]/1971).
 Fun of the Fair (1946), South Africa's Animal Kingdom (1966), Business With Pleasure (1966), The Cape of Good Hope (1967), Orange Free State (1967), Natal (1969)
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 '''DOCUMENTARIES & SHORTS''' (as cinematographer)
-Kenya Capital (East African Sound Studios/1950), The Land of Zinj (with others) (East African Sound Studios/1950),  Mary's Lucky Day ([[J. Blake Dalrymple]]/1952), Mutiny in the Laundry ([[J. Blake Dalrymple]]/1952), The Stolen Cigarette ([[J. Blake Dalrymple]]/1952), The Fox Has Four Eyes ([[Jamie Uys]]/1959), Place of Refuge / Fort Merensky Herleef (1963), On the Move / Opsaal (with [[James Robb]]) ([[J. Blake Dalrymple]]/1964)
+Kenya Capital (East African Sound Studios/1950), The Land of Zinj (with others) (East African Sound Studios/1950),  Mary's Lucky Day ([[J. Blake Dalrymple]]/1952), Mutiny in the Laundry ([[J. Blake Dalrymple]]/1952), The Stolen Cigarette ([[J. Blake Dalrymple]]/1952), The Fox Has Four Eyes ([[Jamie Uys]]/1959), Medisyne Sonder Pille (Jamie Uys/1960) / Place of Refuge / Fort Merensky Herleef (1963), On the Move / Opsaal (with [[James Robb]]) ([[J. Blake Dalrymple]]/1964)

← Older revision		Revision as of 18:05, 16 December 2014
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	'''FEATURES''' (as cinematographer)		'''FEATURES''' (as cinematographer)

−	The African Queen (camera operator 2nd unit/uncredited) (John Huston/1951), Paul Kruger ([[Werner Grünbauer]]/1956), Rip van Wyk ([[Emil Nofal]]/1960), Hou die Blink Kant Bo (with [[Vincent G. Cox]]) ([[Emil Nofal]]/1960), ~~Boerboel de Wet (+ co-producer)~~ ([[~~Al Debbo~~]]/1961), Spore in die Modder ([[James Norval]]/1961), Journey Into Nowhere (camera operator) ([[Denis Scully]]/1962), Tom Dirk en Herrie ([[Al Debbo]]/1962), Geheim van Onderplaas ([[Al Debbo]]/1962), Gevaarlike Spel ([[Al Debbo]]/1962), Zulu (2nd unit crew member/uncredited) (Cy Endfield/1963), Die Vervlakste Tweeling 9operating cameraman) ([[Mario Schiess]]/1969), Dirkie / Lost in the Desert (lighting) ([[Jamie Uys]]/1969), Staal Burger ([[Daan Retief]]/1969), Die Onwettige Huwelik /Professor du Plessis (camera) ([[Mario Schiess]]/1970), Mister Kingstreet's War (camera operator) ([[Percival Rubens]]/1971, Breekpunt (lighting) ([[Daan Retief]]/1971), Sononder (camera with [[Mike Burts]]) ([[Carel Trichardt]]/1971).	+	The African Queen (camera operator 2nd unit/uncredited) (John Huston/1951), Paul Kruger ([[Werner Grünbauer]]/1956), Rip van Wyk ([[Emil Nofal]]/1960), Hou die Blink Kant Bo (with [[Vincent G. Cox]]) ([[Emil Nofal]]/1960), Doodkry is Min ([[Jamie Uys]]/1961), Spore in die Modder ([[James Norval]]/1961), Boerboel de Wet (+ co-producer) ([[Al Debbo]]/1961), Journey Into Nowhere (camera operator) ([[Denis Scully]]/1962), Tom Dirk en Herrie ([[Al Debbo]]/1962), Geheim van Onderplaas ([[Al Debbo]]/1962), Gevaarlike Spel ([[Al Debbo]]/1962), Zulu (2nd unit crew member/uncredited) (Cy Endfield/1963), Die Vervlakste Tweeling 9operating cameraman) ([[Mario Schiess]]/1969), Dirkie / Lost in the Desert (lighting) ([[Jamie Uys]]/1969), Staal Burger ([[Daan Retief]]/1969), Die Onwettige Huwelik /Professor du Plessis (camera) ([[Mario Schiess]]/1970), Mister Kingstreet's War (camera operator) ([[Percival Rubens]]/1971, Breekpunt (lighting) ([[Daan Retief]]/1971), Sononder (camera with [[Mike Burts]]) ([[Carel Trichardt]]/1971).

← Older revision		Revision as of 16:36, 19 August 2014
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	'''FEATURES''' (as cinematographer)		'''FEATURES''' (as cinematographer)

−	The African Queen (camera operator 2nd unit) (John Huston/1951), Paul Kruger ([[Werner Grünbauer]]/1956), Rip van Wyk ([[Emil Nofal]]/1960), Hou die Blink Kant Bo (with [[Vincent G. Cox]]) ([[Emil Nofal]]/1960), Boerboel de Wet (+ co-producer) ([[Al Debbo]]/1961), Spore in die Modder ([[James Norval]]/1961), Journey Into Nowhere (camera operator) ([[Denis Scully]]/1962), Tom Dirk en Herrie ([[Al Debbo]]/1962), Geheim van Onderplaas ([[Al Debbo]]/1962), Gevaarlike Spel ([[Al Debbo]]/1962), Zulu (2nd unit crew member/uncredited) (Cy Endfield/1963), Die Vervlakste Tweeling 9operating cameraman) ([[Mario Schiess]]/1969), Dirkie / Lost in the Desert (lighting) ([[Jamie Uys]]/1969), Staal Burger ([[Daan Retief]]/1969), Die Onwettige Huwelik /Professor du Plessis (camera) ([[Mario Schiess]]/1970), Mister Kingstreet's War (camera operator) ([[Percival Rubens]]/1971, Breekpunt (lighting) ([[Daan Retief]]/1971), Sononder (camera with [[Mike Burts]]) ([[Carel Trichardt]]/1971).	+	The African Queen (camera operator 2nd unit/uncredited) (John Huston/1951), Paul Kruger ([[Werner Grünbauer]]/1956), Rip van Wyk ([[Emil Nofal]]/1960), Hou die Blink Kant Bo (with [[Vincent G. Cox]]) ([[Emil Nofal]]/1960), Boerboel de Wet (+ co-producer) ([[Al Debbo]]/1961), Spore in die Modder ([[James Norval]]/1961), Journey Into Nowhere (camera operator) ([[Denis Scully]]/1962), Tom Dirk en Herrie ([[Al Debbo]]/1962), Geheim van Onderplaas ([[Al Debbo]]/1962), Gevaarlike Spel ([[Al Debbo]]/1962), Zulu (2nd unit crew member/uncredited) (Cy Endfield/1963), Die Vervlakste Tweeling 9operating cameraman) ([[Mario Schiess]]/1969), Dirkie / Lost in the Desert (lighting) ([[Jamie Uys]]/1969), Staal Burger ([[Daan Retief]]/1969), Die Onwettige Huwelik /Professor du Plessis (camera) ([[Mario Schiess]]/1970), Mister Kingstreet's War (camera operator) ([[Percival Rubens]]/1971, Breekpunt (lighting) ([[Daan Retief]]/1971), Sononder (camera with [[Mike Burts]]) ([[Carel Trichardt]]/1971).

← Older revision		Revision as of 16:33, 19 August 2014
Line 12:		Line 12:
	'''FEATURES''' (as cinematographer)		'''FEATURES''' (as cinematographer)

−	The African Queen (camera operator 2nd unit) (John Huston/1951), Paul Kruger ([[Werner Grünbauer]]/1956), Rip van Wyk ([[Emil Nofal]]/1960), Hou die Blink Kant Bo (with [[Vincent G. Cox]]) ([[Emil Nofal]]/1960), Boerboel de Wet (+ co-producer) ([[Al Debbo]]/1961), Spore in die Modder ([[James Norval]]/1961), Journey Into Nowhere (camera operator) ([[Denis Scully]]/1962), Tom Dirk en Herrie ([[Al Debbo]]/1962), Geheim van Onderplaas ([[Al Debbo]]/1962), Gevaarlike Spel ([[Al Debbo]]/1962), Zulu (2nd unit crew member) (Cy Endfield/1963), Die Vervlakste Tweeling 9operating cameraman) ([[Mario Schiess]]/1969), Dirkie / Lost in the Desert (lighting) ([[Jamie Uys]]/1969), Staal Burger ([[Daan Retief]]/1969), Die Onwettige Huwelik /Professor du Plessis (camera) ([[Mario Schiess]]/1970), Mister Kingstreet's War (camera operator) ([[Percival Rubens]]/1971, Breekpunt (lighting) ([[Daan Retief]]/1971), Sononder (camera with [[Mike Burts]]) ([[Carel Trichardt]]/1971).	+	The African Queen (camera operator 2nd unit) (John Huston/1951), Paul Kruger ([[Werner Grünbauer]]/1956), Rip van Wyk ([[Emil Nofal]]/1960), Hou die Blink Kant Bo (with [[Vincent G. Cox]]) ([[Emil Nofal]]/1960), Boerboel de Wet (+ co-producer) ([[Al Debbo]]/1961), Spore in die Modder ([[James Norval]]/1961), Journey Into Nowhere (camera operator) ([[Denis Scully]]/1962), Tom Dirk en Herrie ([[Al Debbo]]/1962), Geheim van Onderplaas ([[Al Debbo]]/1962), Gevaarlike Spel ([[Al Debbo]]/1962), Zulu (2nd unit crew member/uncredited) (Cy Endfield/1963), Die Vervlakste Tweeling 9operating cameraman) ([[Mario Schiess]]/1969), Dirkie / Lost in the Desert (lighting) ([[Jamie Uys]]/1969), Staal Burger ([[Daan Retief]]/1969), Die Onwettige Huwelik /Professor du Plessis (camera) ([[Mario Schiess]]/1970), Mister Kingstreet's War (camera operator) ([[Percival Rubens]]/1971, Breekpunt (lighting) ([[Daan Retief]]/1971), Sononder (camera with [[Mike Burts]]) ([[Carel Trichardt]]/1971).