Tot Oefening en Vermaak - Revision history

Satj at 12:27, 10 February 2025

2025-02-10T12:27:51Z

Satj: /* Productions under the name Tot Oefening en Vermaak */

2017-03-18T04:13:25Z

Productions under the name Tot Oefening en Vermaak

Satj: /* Productions under the name Tot Oefening en Vermaak */

2017-03-18T04:12:01Z

Productions under the name Tot Oefening en Vermaak

Satj: /* Productions under the name Tot Oefening en Vermaak */

2017-03-18T04:08:46Z

Productions under the name Tot Oefening en Vermaak

Satj at 04:08, 18 March 2017

2017-03-18T04:08:25Z

Satj at 04:07, 18 March 2017

2017-03-18T04:07:08Z

Satj: /* Productions under the name Tot Oefening en Vermaak */

2017-03-18T04:03:45Z

Productions under the name Tot Oefening en Vermaak

Satj: /* Productions under the name Hoop en Trouw */

2017-03-18T04:00:39Z

Productions under the name Hoop en Trouw

Satj: /* Productions as Tot Oefening en Vermaak */

2017-03-18T04:00:15Z

Productions as Tot Oefening en Vermaak

Satj: /* Productions as Hoop en Trouw */

2017-03-18T04:00:02Z

Productions as Hoop en Trouw

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 In 1849 the phrase was once more adopted as the motto for the company '''[[Hoop en Trouw]]''' ("Hope and Loyalty"), which had been founded in Cape Town  in 1848 by what appears to have been some former members of [[Tot Nut en Vermaak en Door Yver Vruchtbaar]], and would be continue to be active under the title [[Tot Oefening en Vermaak]] between 1849 and 1851. The name change virtually coincided with the birth of yet another company, [[Door Yver Bloeit de Kunst]], which was probably also founded by a dissident faction from within [[Hoop en Trouw]] - hence the need for another name.
-The company for a while announced itself as [[Hoop en Trouw, spelende as Tot Oefening en Vermaak]] (i.e."Hope and Loyalty playing as For Practice and Entertainment") , though later and more sensibly referred to simply as [[Tot Oefening en Vermaak]].
+The company for a while announced itself as [[Hoop en Trouw, spelende as Tot Oefening en Vermaak]] (i.e."Hope and Loyalty playing as For Practice and Entertainment") or [[Hoop en Trouw en Tot Oefening en Vermaak]], though later and more sensibly referred to simply as [[Tot Oefening en Vermaak]].
 The company mostly performed in the [[Hope Street Theatre]] in 1849, though they also used the in the [[Drury Lane Theatre]] on at least one occasion,  and at least twice the [[Garrison Theatre]] in 1851. The company apparently disbanded in 1851.
-See also '''[[Tot Nut en Vermaak]]'''
+See also '''[[Tot Nut en Vermaak]]'''.
 == Productions under the name '''[[Hoop en Trouw]]''' ==

← Older revision		Revision as of 04:13, 18 March 2017
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−	1849: The plays performed in this year include ''[[Zoë, of De Zegepraal eener Standvastige Liefde]]'' (Lijnslager, based on Mercier); ''[[De Hoefsmid]]'' (Quétant, translated by J. Menkema Jr.); ''[[Claudine]]'' (Van der Willigen); ''[[De Spraaklooze]]'' (Von Kotzebue); ''[[Getrouw tot in den Dood]]'' (Westerman); ''[[De Deserteur]]'' (Von Kotzebue); ''[[Dirk Meschenschrik]]'' (Holberg); ''[[Sans Quartier, of Het Vergenoegen Overtreft den Rykdom]]'' (Anon.). ''[[De Molen by Auerstad]]'' (Ernst); ''[[De Logen om Best Wil]]'' (Garrick); De Negers (Von Kotzebue), ''[[Vier Schildwachten op eenen Post]]'' (Vogel).	+	1849: The plays performed in this year include ''[[Zoë, of De Zegepraal eener Standvastige Liefde]]'' (Lijnslager, based on Mercier); ''[[De Hoefsmid]]'' (Quétant, translated by J. Menkema Jr.); ''[[Claudine]]'' (Van der Willigen); ''[[De Spraaklooze]]'' (Von Kotzebue); ''[[Getrouw tot in den Dood]]'' (Westerman); ''[[De Deserteur]]'' (Von Kotzebue); ''[[Dirk Meschenschrik]]'' (Holberg); ''[[Sans Quartier, of Het Vergenoegen Overtreft den Rykdom]]'' (Anon.). ''[[De Molen by Auerstad]]'' (Ernst); ''[[De Logen om Best Wil]]'' (Garrick); ''[[De Negers]]'' (Von Kotzebue), ''[[Vier Schildwachten op eenen Post]]'' (Vogel).

	There are no performances on record for 1850, but in 1851 we do have a few charity performances by the company, mainly in support of those who had suffered losses because of the Border war (known as the "Kaffir War" at the time). Plays performed include ''[[De Toveres Sidonia]]'' (Zschokke), ''[[De Kalkoen van Breda]]'' (Van Ray) and ''[[De Geveinsde Zotheid door Liefde]]'' (Regnard).		There are no performances on record for 1850, but in 1851 we do have a few charity performances by the company, mainly in support of those who had suffered losses because of the Border war (known as the "Kaffir War" at the time). Plays performed include ''[[De Toveres Sidonia]]'' (Zschokke), ''[[De Kalkoen van Breda]]'' (Van Ray) and ''[[De Geveinsde Zotheid door Liefde]]'' (Regnard).

@@ Line 28: / Line 28: @@
 : The plays performed in this year include ''[[Zoë, of De Zegepraal eener Standvastige Liefde]]'' (Lijnslager, based on Mercier); ''[[De Hoefsmid]]'' (Quétant, translated by J. Menkema Jr.); ''[[Claudine]]'' (Van der Willigen); ''[[De Spraaklooze]]'' (Von Kotzebue); ''[[Getrouw tot in den Dood]]'' (Westerman); ''[[De Deserteur]]'' (Von Kotzebue); ''[[Dirk Meschenschrik]]''  (Holberg); ''[[Sans Quartier, of Het Vergenoegen Overtreft den Rykdom]]'' (Anon.).  ''[[De Molen by Auerstad]]'' (Ernst); ''[[De Logen om Best Wil]]'' (Garrick); De Negers (Von Kotzebue), ''[[Vier Schildwachten op eenen Post]]'' (Vogel).
-There are no performances on record for 1850, but in 1851 we do have a few charity performances by the company, mainly in support of those who had suffered losses because of the Border wars ("Kaffir Wars"). Plays performed include ''[[De Toveres Sidonia]]'' (Zschokke), ''[[De Kalkoen van Breda]]'' (Van Ray) and ''[[De Geveinsde Zotheid door Liefde]]'' (Regnard).
+There are no performances on record for 1850, but in 1851 we do have a few charity performances by the company, mainly in support of those who had suffered losses because of the Border war (known as the "Kaffir War" at the time). Plays performed include ''[[De Toveres Sidonia]]'' (Zschokke), ''[[De Kalkoen van Breda]]'' (Van Ray) and ''[[De Geveinsde Zotheid door Liefde]]'' (Regnard).
 [JH/TH]

@@ Line 19: / Line 19: @@
 On 24 November 1848 the private Dutch amateur company [[Hoop en Trouw]] presented ''[[Siegfried van Hohenwart]]'' (Westerman) and ''[[Sans Quartier, of Het Vergenoegen Overtreft den Rykdom]]'' (Anon) in the [[Hope Street Theatre]], Cape Town.
-== Productions under the name '''[[Tot Oefening en Vermaak]]''' ==
+== Productions under the name [[Tot Oefening en Vermaak]] ==
 In 1837 a company, performing under the motto [[Tot Oefening en Vermaak]] in the [[De Liefhebbery Tooneel]] ("The amateur theatre") on 12 August, did ''[[Roland de Monglave, of De Zegepraal der Onschuld]]'' (Tréogate) and ''[[Monsieur Tonson]]'' (Moncrieffe), with an "Indian dance" and a dance on the [[slack rope]] served as interlude.

@@ Line 19: / Line 19: @@
 On 24 November 1848 the private Dutch amateur company [[Hoop en Trouw]] presented ''[[Siegfried van Hohenwart]]'' (Westerman) and ''[[Sans Quartier, of Het Vergenoegen Overtreft den Rykdom]]'' (Anon) in the [[Hope Street Theatre]], Cape Town.
-== Productions under the name [[Tot Oefening en Vermaak]] ==
+== Productions under the name '''[[Tot Oefening en Vermaak]]''' ==
 In 1837 a company, performing under the motto [[Tot Oefening en Vermaak]] in the [[De Liefhebbery Tooneel]] ("The amateur theatre") on 12 August, did ''[[Roland de Monglave, of De Zegepraal der Onschuld]]'' (Tréogate) and ''[[Monsieur Tonson]]'' (Moncrieffe), with an "Indian dance" and a dance on the [[slack rope]] served as interlude.
@@ Line 28: / Line 28: @@
 : The plays performed in this year include ''[[Zoë, of De Zegepraal eener Standvastige Liefde]]'' (Lijnslager, based on Mercier); ''[[De Hoefsmid]]'' (Quétant, translated by J. Menkema Jr.); ''[[Claudine]]'' (Van der Willigen); ''[[De Spraaklooze]]'' (Von Kotzebue); ''[[Getrouw tot in den Dood]]'' (Westerman); ''[[De Deserteur]]'' (Von Kotzebue); ''[[Dirk Meschenschrik]]''  (Holberg); ''[[Sans Quartier, of Het Vergenoegen Overtreft den Rykdom]]'' (Anon.).  ''[[De Molen by Auerstad]]'' (Ernst); ''[[De Logen om Best Wil]]'' (Garrick); De Negers (Von Kotzebue), ''[[Vier Schildwachten op eenen Post]]'' (Vogel).
-There are no performances on record for 1850, but in 1851 we do have a few charity performances by the company, mainly in support of those who had suffered losses because of the Border wars ("Kaffir Wars"). Plays performed include ''[[De Toveres Sidonia]]'' (Zschokke), ''[[De Kalkoen van Breda]]'' (Van Ray) and ''[[De Geveinsde Zotheid door Liefde]]'' ()
+There are no performances on record for 1850, but in 1851 we do have a few charity performances by the company, mainly in support of those who had suffered losses because of the Border wars ("Kaffir Wars"). Plays performed include ''[[De Toveres Sidonia]]'' (Zschokke), ''[[De Kalkoen van Breda]]'' (Van Ray) and ''[[De Geveinsde Zotheid door Liefde]]'' (Regnard).
 [JH/TH]

← Older revision		Revision as of 04:03, 18 March 2017
Line 27:		Line 27:

	1849: The plays performed in this year include ''[[Zoë, of De Zegepraal eener Standvastige Liefde]]'' (Lijnslager, based on Mercier); ''[[De Hoefsmid]]'' (Quétant, translated by J. Menkema Jr.); ''[[Claudine]]'' (Van der Willigen); ''[[De Spraaklooze]]'' (Von Kotzebue); ''[[Getrouw tot in den Dood]]'' (Westerman); ''[[De Deserteur]]'' (Von Kotzebue); ''[[Dirk Meschenschrik]]'' (Holberg); ''[[Sans Quartier, of Het Vergenoegen Overtreft den Rykdom]]'' (Anon.). ''[[De Molen by Auerstad]]'' (Ernst); ''[[De Logen om Best Wil]]'' (Garrick); De Negers (Von Kotzebue), ''[[Vier Schildwachten op eenen Post]]'' (Vogel).		1849: The plays performed in this year include ''[[Zoë, of De Zegepraal eener Standvastige Liefde]]'' (Lijnslager, based on Mercier); ''[[De Hoefsmid]]'' (Quétant, translated by J. Menkema Jr.); ''[[Claudine]]'' (Van der Willigen); ''[[De Spraaklooze]]'' (Von Kotzebue); ''[[Getrouw tot in den Dood]]'' (Westerman); ''[[De Deserteur]]'' (Von Kotzebue); ''[[Dirk Meschenschrik]]'' (Holberg); ''[[Sans Quartier, of Het Vergenoegen Overtreft den Rykdom]]'' (Anon.). ''[[De Molen by Auerstad]]'' (Ernst); ''[[De Logen om Best Wil]]'' (Garrick); De Negers (Von Kotzebue), ''[[Vier Schildwachten op eenen Post]]'' (Vogel).
		+
		+	There are no performances on record for 1850, but in 1851 we do have a few charity performances by the company, mainly in support of those who had suffered losses because of the Border wars ("Kaffir Wars"). Plays include

	[JH/TH]		[JH/TH]

@@ Line 17: / Line 17: @@
 Only one production under this name is on record, before the name changed, though there are indications the company had done previous work.
-On 24 November the private Dutch amateur company [[Hoop en Trouw]] presented ''[[Siegfried van Hohenwart]]'' (Westerman) and ''[[Sans Quartier, of Het Vergenoegen Overtreft den Rykdom]]'' (Anon) in the [[Hope Street Theatre]], Cape Town.
+On 24 November 1848 the private Dutch amateur company [[Hoop en Trouw]] presented ''[[Siegfried van Hohenwart]]'' (Westerman) and ''[[Sans Quartier, of Het Vergenoegen Overtreft den Rykdom]]'' (Anon) in the [[Hope Street Theatre]], Cape Town.
 == Productions under the name [[Tot Oefening en Vermaak]] ==