Tom Lanoye - Revision history

Karina2: /* Contribution to SA theatre, film, media and/or performance */

2023-02-08T14:19:08Z

Contribution to SA theatre, film, media and/or performance

Karina2: /* Sources */

2023-02-08T14:11:48Z

Sources

Karina2: /* Contribution to SA theatre, film, media and/or performance */

2023-02-08T14:10:49Z

Contribution to SA theatre, film, media and/or performance

Miriamt at 13:30, 4 May 2018

2018-05-04T13:30:29Z

Miriamt: /* Sources */

2018-05-04T13:29:19Z

Sources

Miriamt at 13:28, 4 May 2018

2018-05-04T13:28:13Z

Miriamt at 13:26, 4 May 2018

2018-05-04T13:26:38Z

Miriamt at 09:19, 4 October 2012

2012-10-04T09:19:25Z

Miriamt at 09:18, 4 October 2012

2012-10-04T09:18:42Z

Satj at 08:19, 28 September 2012

2012-09-28T08:19:02Z

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 ==Contribution to SA theatre, film, media and/or performance==
-The last named has been translated into [[Afrikaans]] by [[Antjie Krog]] and was produced in South Africa by [[Marthinus Basson]]; an endeavour that articulates Lanoye's fascination with the themes of language and multiculturalism.  He also wrote ''[[Kartonnen Dozen]]'' with elements of pop art in literature according to him.
+The last named has been translated into [[Afrikaans]] by [[Antjie Krog]] and was produced in South Africa by [[Marthinus Basson]]; an endeavour that articulates Lanoye's fascination with the themes of language and multiculturalism.  He also wrote ''[[Kartonnen Dozen]]'' with elements of pop art in literature according to him. [[Daniël Hugo]] translated it into Afrikaans as [[Kartondose]].
 In October/November 2006 he and the Afrikaans performance poet [[Antjie Krog]], undertook a combined stage tour of Flanders, the Netherlands and South Africa. It was a dynamic two-hander performance, focusing on language linkages, which received excellent reviews and was a continuation of earlier instances of collaboration between the two artists.

← Older revision		Revision as of 14:11, 8 February 2023
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	== Sources ==		== Sources ==
		+
		+	[[Krit]], 2 April 1996.
		+
	''[[Beeld]]'', 13 September, 2002.		''[[Beeld]]'', 13 September, 2002.

@@ Line 5: / Line 5: @@
 ==Contribution to SA theatre, film, media and/or performance==
-The last named has been translated into [[Afrikaans]] by [[Antjie Krog]] and was produced in South Africa by [[Marthinus Basson]]; an endeavour that articulates Lanoye's fascination with the themes of language and multiculturalism.
+The last named has been translated into [[Afrikaans]] by [[Antjie Krog]] and was produced in South Africa by [[Marthinus Basson]]; an endeavour that articulates Lanoye's fascination with the themes of language and multiculturalism.  He also wrote ''[[Kartonnen Dozen]]'' with elements of pop art in literature according to him.
 In October/November 2006 he and the Afrikaans performance poet [[Antjie Krog]], undertook a combined stage tour of Flanders, the Netherlands and South Africa. It was a dynamic two-hander performance, focusing on language linkages, which received excellent reviews and was a continuation of earlier instances of collaboration between the two artists.
 == Sources ==

← Older revision		Revision as of 13:30, 4 May 2018
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−	[[Tom Lanoye]] (1958-). Poet, novelist, performer and playwright.	+	[[Tom Lanoye]] (1958-) [https://en.wikipedia.org/wiki/Tom_Lanoye]. Poet, novelist, performer and playwright.

	== Biography ==		== Biography ==

← Older revision		Revision as of 13:29, 4 May 2018
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	== Sources ==		== Sources ==
		+	''[[Beeld]]'', 13 September, 2002.

		+	''[[Rapport]]'', 6 October 2002.

		+	''[[Business Day]]'', 5 March 2003.

	Go to [[South African Theatre/Bibliography]]		Go to [[South African Theatre/Bibliography]]

← Older revision		Revision as of 13:28, 4 May 2018
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	Born in Sint-Niklaas, Northern Belgium, he started his career as a performer in cafés and as the publisher of his own poems. He has since become one of the most well-known Flemish writers. In 2003, Lanoye became the first official poet of the city of Antwerp, a posting that was greeted with much public approval. His theatre work includes the voluminous play ''Ten oorlog!'' (To War!) , based on Shakespeare's History Plays, ''Mefisto for Ever'' and ''[[Mamma Medea]]'', an adaptation of Euripides' classic ''[[Medea]]''.		Born in Sint-Niklaas, Northern Belgium, he started his career as a performer in cafés and as the publisher of his own poems. He has since become one of the most well-known Flemish writers. In 2003, Lanoye became the first official poet of the city of Antwerp, a posting that was greeted with much public approval. His theatre work includes the voluminous play ''Ten oorlog!'' (To War!) , based on Shakespeare's History Plays, ''Mefisto for Ever'' and ''[[Mamma Medea]]'', an adaptation of Euripides' classic ''[[Medea]]''.

		+	==Contribution to SA theatre, film, media and/or performance==
	The last named has been translated into [[Afrikaans]] by [[Antjie Krog]] and was produced in South Africa by [[Marthinus Basson]]; an endeavour that articulates Lanoye's fascination with the themes of language and multiculturalism.		The last named has been translated into [[Afrikaans]] by [[Antjie Krog]] and was produced in South Africa by [[Marthinus Basson]]; an endeavour that articulates Lanoye's fascination with the themes of language and multiculturalism.

@@ Line 1: / Line 1: @@
-(1958-) Poet, novelist, performer and playwright. Born in Sint-Niklaas, Northern Belgium, he started his career as a performer in cafés and as the publisher of his own poems. He has since become one of the most well-known Flemish writers. In 2003, Lanoye became the first official poet of the city of Antwerp, a posting that was greeted with much public approval.  His theatre work includes the voluminous play ''Ten oorlog!'' (To War!) , based on Shakespeare's History Plays,  ''Mefisto for Ever''  and ''[[Mamma Medea]]'', an adaptation of Euripides' classic ''[[Medea]]''. The last named has been translated into [[Afrikaans]] by [[Antjie Krog]] and was produced in South Africa by [[Marthinus Basson]]; an endeavour that articulates Lanoye's fascination with the themes of language and multiculturalism.  In October/November 2006 he and the Afrikaans performance poet [[Antjie Krog]], undertook a combined stage tour of Flanders, the Netherlands and South Africa. It was a dynamic two-hander performance, focusing on language linkages, which received excellent reviews and was a continuation of earlier instances of collaboration between the two artists.
+[[Tom Lanoye]] (1958-). Poet, novelist, performer and playwright.
-LANOYE, Tom. ***** ''[[Mamma Medea]]'' vertaal deur [[Antjie Krog]]. [[Anthea Thompson]], [[Neels van Jaarsveld]], [[Antoinette Kellermann]], [[Marthinus Basson]], (Director) [[Woordfees]] (2003).
+The last named has been translated into [[Afrikaans]] by [[Antjie Krog]] and was produced in South Africa by [[Marthinus Basson]]; an endeavour that articulates Lanoye's fascination with the themes of language and multiculturalism.
 == Sources ==
 Go to [[South African Theatre/Bibliography]]

← Older revision		Revision as of 09:19, 4 October 2012
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−	LANOYE, Tom. ***** ''[[~~Mama~~ Medea]]'' vertaal deur [[Antjie Krog]]. [[~~Anthe~~ Thompson]],[[Neels van Jaarsveld,[[Antoinette Kellermann,[[~~Martinus~~ Basson, (Director) [[Woordfees]] (2003).	+	LANOYE, Tom. ***** ''[[Mamma Medea]]'' vertaal deur [[Antjie Krog]]. [[Anthea Thompson]], [[Neels van Jaarsveld]], [[Antoinette Kellermann]], [[Marthinus Basson]], (Director) [[Woordfees]] (2003).

	== Sources ==		== Sources ==

@@ Line 1: / Line 1: @@
-(1958-) Poet, novelist, performer and playwright. Born in Sint-Niklaas, Northern Belgium, he started his career as a performer in cafés and as the publisher of his own poems. He has since become one of the most well-known Flemish writers. In 2003, Lanoye became the first official poet of the city of Antwerp, a posting that was greeted with much public approval.  His theatre work includes the voluminous play ''Ten oorlog!'' (To War!) , based on Shakespeare's History Plays,  ''Mefisto for Ever''  and ''[[Mamma Medea]]'', an adaptation of Euripides' classic ''[[Medea]]''. The last named has been translated into [[Afrikaans]] by [[Antjie Krog]] and was produced in South Africa by [[Marthinus Basson]]; an endeavour that articulates Lanoye's fascination with the themes of language and multiculturalism.  In October/November 2006 she and the Afrikaans performance poet [[Antjie Krog]], undertook a combined stage tour of  Flanders, the Netherlands and South Africa. It was a dynamic two-hander performance, focusing on language linkages, which received excellent reviews and was a  continuation of earlier instances of collaboration between the two artists.
+(1958-) Poet, novelist, performer and playwright. Born in Sint-Niklaas, Northern Belgium, he started his career as a performer in cafés and as the publisher of his own poems. He has since become one of the most well-known Flemish writers. In 2003, Lanoye became the first official poet of the city of Antwerp, a posting that was greeted with much public approval.  His theatre work includes the voluminous play ''Ten oorlog!'' (To War!) , based on Shakespeare's History Plays,  ''Mefisto for Ever''  and ''[[Mamma Medea]]'', an adaptation of Euripides' classic ''[[Medea]]''. The last named has been translated into [[Afrikaans]] by [[Antjie Krog]] and was produced in South Africa by [[Marthinus Basson]]; an endeavour that articulates Lanoye's fascination with the themes of language and multiculturalism.  In October/November 2006 he and the Afrikaans performance poet [[Antjie Krog]], undertook a combined stage tour of Flanders, the Netherlands and South Africa. It was a dynamic two-hander performance, focusing on language linkages, which received excellent reviews and was a continuation of earlier instances of collaboration between the two artists.
 == Sources ==
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 == Return to ==
-Return to [[ESAT Personalities B]]
+Return to [[ESAT Personalities L]]
 Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

← Older revision		Revision as of 08:19, 28 September 2012
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−	(1958-) Poet, novelist, performer and playwright. Born in Sint-Niklaas, Northern Belgium, he started his career as a performer in cafés and as the publisher of his own poems. He has since become one of the most well-known Flemish writers. In 2003, Lanoye became the first official poet of the city of Antwerp, a posting that was greeted with much public approval. His theatre work includes the voluminous play ''Ten oorlog!'' (To War!) , based on Shakespeare's History Plays, ''[[Mefisto for Ever]]'' ) and ''[[Mamma Medea]]'', an adaptation of Euripides' classic [[Medea]]. The last named has been translated into [[Afrikaans]] by [[Antjie Krog]] and was produced in South Africa by [[Marthinus Basson]]; an endeavour that articulates Lanoye's fascination with the themes of language and multiculturalism. In October/November 2006 she and the Afrikaans performance poet [[Antjie Krog]], undertook a combined stage tour of Flanders, the Netherlands and South Africa. It was a dynamic two-hander performance, focusing on language linkages, which received excellent reviews and was a continuation of earlier instances of collaboration between the two artists.	+	(1958-) Poet, novelist, performer and playwright. Born in Sint-Niklaas, Northern Belgium, he started his career as a performer in cafés and as the publisher of his own poems. He has since become one of the most well-known Flemish writers. In 2003, Lanoye became the first official poet of the city of Antwerp, a posting that was greeted with much public approval. His theatre work includes the voluminous play ''Ten oorlog!'' (To War!) , based on Shakespeare's History Plays, ''Mefisto for Ever'' and ''[[Mamma Medea]]'', an adaptation of Euripides' classic ''[[Medea]]''. The last named has been translated into [[Afrikaans]] by [[Antjie Krog]] and was produced in South Africa by [[Marthinus Basson]]; an endeavour that articulates Lanoye's fascination with the themes of language and multiculturalism. In October/November 2006 she and the Afrikaans performance poet [[Antjie Krog]], undertook a combined stage tour of Flanders, the Netherlands and South Africa. It was a dynamic two-hander performance, focusing on language linkages, which received excellent reviews and was a continuation of earlier instances of collaboration between the two artists.

	== Sources ==		== Sources ==