The Lady and the Devil - Revision history

Satj: /* The original text */

2024-05-08T03:43:12Z

The original text

Satj: /* Sources */

2020-06-11T04:29:00Z

Sources

Satj at 04:27, 11 June 2020

2020-06-11T04:27:25Z

Satj: /* The original text */

2020-06-11T04:22:25Z

The original text

Satj: /* The original text */

2020-06-11T04:15:08Z

The original text

Satj: /* The original text */

2020-06-11T04:14:55Z

The original text

Satj at 04:13, 11 June 2020

2020-06-11T04:13:20Z

Satj at 04:12, 11 June 2020

2020-06-11T04:12:48Z

Satj at 04:44, 24 April 2019

2019-04-24T04:44:09Z

Satj: /* The original text */

2019-04-24T04:31:35Z

The original text

@@ Line 3: / Line 3: @@
 ==The original text==
-Apparently based on the Spanish play ''[[La Dama Duende]]'' (Calderon, 1626) and borrowing something from John Till Allingham's comedy ''[[The Marriage Promise]]'' (1803)[https://books.google.co.za/books/about/The_Marriage_Promise.html?id=rjwEvok1AEgC&printsec=frontcover&source=kp_read_button&redir_esc=y#v=onepage&q&f=false], it tells of a young widow living in Palermo who falls for a English officer living in an adjoining property. She introduces herself to him in two forms, the first as a veiled mistress and the second as a hidden mistress, entering his accommodation through a hidden door. First performed  at the Theatre Royal, Drury Lane, on 3 May 1820 and first published in 1820.
+Apparently based on the Spanish play '''''[[La Dama Duende]]''''' (Calderon, 1626) and borrowing something from John Till Allingham's comedy '''''[[The Marriage Promise]]''''' (1803)[https://books.google.co.za/books/about/The_Marriage_Promise.html?id=rjwEvok1AEgC&printsec=frontcover&source=kp_read_button&redir_esc=y#v=onepage&q&f=false], it tells of a young widow living in Palermo who falls for a English officer living in an adjoining property. She introduces herself to him in two forms, the first as a veiled mistress and the second as a hidden mistress, entering his accommodation through a hidden door. First performed  at the Theatre Royal, Drury Lane, on 3 May 1820 and first published in 1820.
 ==Translations and adaptations==

@@ Line 15: / Line 15: @@
 http://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-38624
-[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 233, 251
+[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: p. 233
 http://www.eighteenthcenturydrama.amdigital.co.uk/Documents/Details/HL_LA_mssLA2145

@@ Line 3: / Line 3: @@
 ==The original text==
-Apparently based on the Spanish play ''[[La Dama Duende]]'' (Calderon, ) and borrowing something from John Till Allingham's comedy ''[[The Marriage Promise]]'' (1803), it tells of a young widow living in Palermo who falls for a English officer living in an adjoining property. She introduces herself to him in two forms, the first as a veiled mistress and the second as a hidden mistress, entering his accommodation through a hidden door. First performed  at the Theatre Royal, Drury Lane, on 3 May 1820 and first published in 1820.
+Apparently based on the Spanish play ''[[La Dama Duende]]'' (Calderon, 1626) and borrowing something from John Till Allingham's comedy ''[[The Marriage Promise]]'' (1803)[https://books.google.co.za/books/about/The_Marriage_Promise.html?id=rjwEvok1AEgC&printsec=frontcover&source=kp_read_button&redir_esc=y#v=onepage&q&f=false], it tells of a young widow living in Palermo who falls for a English officer living in an adjoining property. She introduces herself to him in two forms, the first as a veiled mistress and the second as a hidden mistress, entering his accommodation through a hidden door. First performed  at the Theatre Royal, Drury Lane, on 3 May 1820 and first published in 1820.
 ==Translations and adaptations==

@@ Line 3: / Line 3: @@
 ==The original text==
-Apparently based on the Spanish play ''[[La Dama Duende]]'' (Calderon) and borrowing something from ''[[The Marriage Promise]]'' (), it tells of a young widow living in Palermo who falls for a English officer living in an adjoining property. She introduces herself to him in two forms, the first as a veiled mistress and the second as a hidden mistress, entering his accommodation through a hidden door. First performed  at the Theatre Royal, Drury Lane, on 3 May 1820 and first published in 1820.
+Apparently based on the Spanish play ''[[La Dama Duende]]'' (Calderon, ) and borrowing something from John Till Allingham's comedy ''[[The Marriage Promise]]'' (1803), it tells of a young widow living in Palermo who falls for a English officer living in an adjoining property. She introduces herself to him in two forms, the first as a veiled mistress and the second as a hidden mistress, entering his accommodation through a hidden door. First performed  at the Theatre Royal, Drury Lane, on 3 May 1820 and first published in 1820.
 ==Translations and adaptations==

@@ Line 3: / Line 3: @@
 ==The original text==
-Apparently based on the Spanish play ''[[La Dama Duende]]'' () and borrowing something from ''[[The Marriage Promise]]'' (), it tells of a young widow living in Palermo who falls for a English officer living in an adjoining property. She introduces herself to him in two forms, the first as a veiled mistress and the second as a hidden mistress, entering his accommodation through a hidden door. First performed  at the Theatre Royal, Drury Lane, on 3 May 1820 and first published in 1820.
+Apparently based on the Spanish play ''[[La Dama Duende]]'' (Calderon) and borrowing something from ''[[The Marriage Promise]]'' (), it tells of a young widow living in Palermo who falls for a English officer living in an adjoining property. She introduces herself to him in two forms, the first as a veiled mistress and the second as a hidden mistress, entering his accommodation through a hidden door. First performed  at the Theatre Royal, Drury Lane, on 3 May 1820 and first published in 1820.
 ==Translations and adaptations==

← Older revision		Revision as of 04:13, 11 June 2020
Line 12:		Line 12:

	== Sources ==		== Sources ==
		+
		+	http://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-38624

	[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 233, 251		[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 233, 251

← Older revision		Revision as of 04:12, 11 June 2020
Line 1:		Line 1:
−	''[[The Lady and the Devil]]'' is a musical drama in two acts by William Dimond	+	''[[The Lady and the Devil]]'' is a musical drama in two acts by William Dimond (c. 1784–1837?)[http://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-38624]

	==The original text==		==The original text==

@@ Line 1: / Line 1: @@
-''[[The Lady and the Devil]]'' is a play by William Dimond
+''[[The Lady and the Devil]]'' is a musical drama in two acts by William Dimond
 ==The original text==
-A play about a young widow living in Palermo who falls for a English officer living in an adjoining property. She introduces herself to him in two forms, the first as a veiled mistress and the second as a hidden mistress, entering his accommodation through a hidden door. First performed  3 May 1820 and first published  in 1820.
+Apparently based on the Spanish play ''[[La Dama Duenda]]'' () and borrowing something from ''[[The Marriage Promise]]'' (), it tells of a young widow living in Palermo who falls for a English officer living in an adjoining property. She introduces herself to him in two forms, the first as a veiled mistress and the second as a hidden mistress, entering his accommodation through a hidden door. First performed  at the Theatre Royal, Drury Lane, on 3 May 1820 and first published in 1820.
 ==Translations and adaptations==
@@ Line 16: / Line 16: @@
 http://www.eighteenthcenturydrama.amdigital.co.uk/Documents/Details/HL_LA_mssLA2145
 Go to [[ESAT Bibliography]]