The Girl from Kay's - Revision history

Satj at 14:06, 14 February 2020

2020-02-14T14:06:05Z

2020-02-14T14:03:33Z

Translations and adaptations

2020-02-14T14:03:00Z

Translations and adaptations

2020-02-14T14:01:17Z

Sources

2020-02-14T14:01:09Z

Translations and adaptations

2020-02-14T13:57:50Z

The original text

2020-02-14T13:51:38Z

The original text

2020-02-14T13:43:03Z

The original text

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Sources

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-''[[The Girl from Kay's]]'' is a musical comedy in three acts by Owen Hall ()[], with music by Ivan Caryll ()[].
+''[[The Girl from Kay's]]'' is a musical comedy in three acts by Owen Hall (1853-1907)[https://en.wikipedia.org/wiki/Owen_Hall], with music by Ivan Caryll (1861-1921)[https://en.wikipedia.org/wiki/Ivan_Caryll].
 ==The original text==
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 https://en.wikipedia.org/wiki/The_Girl_from_Kays
 https://www.ibdb.com/broadway-production/the-belle-of-bond-street-7988

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 ==Translations and adaptations==
-The musical was later revised as ''[[The Belle of Bond Street]]'' by Harold Atteridge and Owen Hall (with  music by Ivan Caryll and Lionel Monckton) and produced at the Shubert Theatre, New York, from 30 March to 9 May, 1914 and then opened at the Adelphi Theatre, London, on 8 June 1914, running till 17 July 1914.
+The musical was later revised as '''''[[The Belle of Bond Street]]''''' by Harold Atteridge and Owen Hall (with  music by Ivan Caryll and Lionel Monckton) and produced at the Shubert Theatre, New York, from 30 March to 9 May, 1914 and then opened at the Adelphi Theatre, London, on 8 June 1914, running till 17 July 1914.
 == Performance history in South Africa ==

@@ Line 12: / Line 12: @@
 ==Translations and adaptations==
-The musical was later revised as ''[[The Belle of Bond Street]]'' by Harold Atteridge and Owen Hall (with  music by Ivan Caryll and Lionel Monckton) and produced at the Shubert Theatre, New York, from 30 March to 9 May, 1914.
+The musical was later revised as ''[[The Belle of Bond Street]]'' by Harold Atteridge and Owen Hall (with  music by Ivan Caryll and Lionel Monckton) and produced at the Shubert Theatre, New York, from 30 March to 9 May, 1914 and then opened at the Adelphi Theatre, London, on 8 June 1914, running till 17 July 1914.
 == Performance history in South Africa ==

← Older revision		Revision as of 14:01, 14 February 2020
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	https://en.wikipedia.org/wiki/The_Girl_from_Kays		https://en.wikipedia.org/wiki/The_Girl_from_Kays
		+
		+	https://www.ibdb.com/broadway-production/the-belle-of-bond-street-7988

	[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman\|Bosman]] 1980: pp. 374-439.)		[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman\|Bosman]] 1980: pp. 374-439.)

@@ Line 12: / Line 12: @@
 ==Translations and adaptations==
-The musical was later revised as ''[[The Belle of Bond Street]]''.
+The musical was later revised as ''[[The Belle of Bond Street]]'' by Harold Atteridge and Owen Hall (with  music by Ivan Caryll and Lionel Monckton) and produced at the Shubert Theatre, New York, from 30 March to 9 May, 1914.
 == Performance history in South Africa ==

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 First performed  at the Apollo Theatre, London, on 15 November 1902 and moving to the Comedy Theatre on 14 December 1903. It eventually had a run of 432 performances, followed by provincial tours. In the USA it played at the Herald Square Theatre, beginning 3 November 1903, and also successful runs in Australia and South Africa.
-An interesting sequel to the South African performances is that the South African cartoonist and critic [[Daniël Cornelis Boonzaier]] saw the show and, inspired by the  American millionaire named "Hoggenheimer" (who takes a liking to Winnie in the play) would create the figure "Max Hoggenheimer", to serve as a frequent symbol of the avaricious and oppressive Randlords and mining capitalism in his popular cartoons.
+An interesting sequel to the South African performances is that the South African cartoonist and critic [[Daniël Cornelis Boonzaier]] saw the show and, inspired by the name of the American millionaire called "Hoggenheimer" (who takes a liking to Winnie in the play) would create the figure "Max Hoggenheimer", to serve as a frequent symbol of the avaricious and oppressive Randlords and mining capitalism in his popular cartoons between 1903 and 1940.
 ==Translations and adaptations==

← Older revision		Revision as of 13:51, 14 February 2020
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	First performed at the Apollo Theatre, London, on 15 November 1902 and moving to the Comedy Theatre on 14 December 1903. It eventually had a run of 432 performances, followed by provincial tours. In the USA it played at the Herald Square Theatre, beginning 3 November 1903, and also successful runs in Australia and South Africa.		First performed at the Apollo Theatre, London, on 15 November 1902 and moving to the Comedy Theatre on 14 December 1903. It eventually had a run of 432 performances, followed by provincial tours. In the USA it played at the Herald Square Theatre, beginning 3 November 1903, and also successful runs in Australia and South Africa.
		+
		+	An interesting sequel to the South African performances is that the South African cartoonist and critic [[Daniël Cornelis Boonzaier]] saw the show and, inspired by the American millionaire named "Hoggenheimer" (who takes a liking to Winnie in the play) would create the figure "Max Hoggenheimer", to serve as a frequent symbol of the avaricious and oppressive Randlords and mining capitalism in his popular cartoons.

	==Translations and adaptations==		==Translations and adaptations==

← Older revision		Revision as of 13:30, 14 February 2020
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	== Sources ==		== Sources ==
		+
		+	https://en.wikipedia.org/wiki/The_Girl_from_Kays

	[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman\|Bosman]] 1980: pp. 374-439.)		[[D.C. Boonzaier]], 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in ''SA Review'', 9 March and 24 August 1932. (Reprinted in [[F.C.L. Bosman\|Bosman]] 1980: pp. 374-439.)