The Cape Mail - Revision history

Satj: /* The original text */

2019-06-14T05:24:26Z

The original text

Satj at 05:17, 14 June 2019

2019-06-14T05:17:12Z

Satj: /* The original text */

2019-06-14T05:08:45Z

The original text

Satj: /* The original text */

2019-06-14T05:03:10Z

The original text

Satj at 05:02, 14 June 2019

2019-06-14T05:02:12Z

Satj: /* The original text */

2019-06-14T05:01:59Z

The original text

Satj: /* The original text */

2019-06-14T04:59:54Z

The original text

Satj: /* Sources */

2019-06-14T04:35:08Z

Sources

Satj: /* Sources */

2019-06-14T04:34:57Z

Sources

Satj: /* The original text */

2019-06-14T04:19:22Z

The original text

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 In 1864 Jacques Offenbach (1819-1880) adapted the comedy as an operetta in one act called ''[[Die Hanni weint, der Hansi lacht]]'' ("Hanni who cries and Hansi who laughs"), in German (with a libretto by an unnamed author) and ''[[Jeanne qui Pleure et Jeanne qui Rit]]'' in French (with a libretto by Charles Nuitter (1828-1899) and Etienne Tréfeu ).
-Scott's play (perhaps based on the one act opera) was written shortly after, and refers to the battle of Rorke's Drift in Natal (1879).   First performed at the St James's Theatre, London, with Jessie Milward and Brandon Thomas in 188* and at Wallack's Theatre, New York in 1883. It was also performed Vaudeville Theatre, London on 11 October, 1897, playing till 2 February 1898.
+Scott's play (perhaps based on the one act opera) was written shortly after, and refers to the battle of Rorke's Drift in Natal (1879).   First performed at the the Prince of QWales Theatre, Liverpool on 27th October, 1881, later at the St James's Theatre, London, on with Jessie Milward and Brandon Thomas. Performed at Wallack's Theatre, New York in May, 1883. It was also performed Vaudeville Theatre, London on 11 October, 1897, playing till 2 February 1898.
 Originally published in English by [[Samuel French]] in 1881, as French's acting edition, no. 1784.;   and again in London and New York by Macmillan in 1899.

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 In 1864 Jacques Offenbach (1819-1880) adapted the comedy as an operetta in one act called ''[[Die Hanni weint, der Hansi lacht]]'' ("Hanni who cries and Hansi who laughs"), in German (with a libretto by an unnamed author) and ''[[Jeanne qui Pleure et Jeanne qui Rit]]'' in French (with a libretto by Charles Nuitter (1828-1899) and Etienne Tréfeu ).
-Scott's play (perhaps based on the one act opera) was written shortly after, and refers to the battle of Rorke's Drift in Natal (1879).   First performed at the St James's Theatre, London, with Jessie Milward and Brandon Thomas in 188*. It was also performed Vaudeville Theatre, London on 11 October, 1897, playing till 2 February 1898.
+Scott's play (perhaps based on the one act opera) was written shortly after, and refers to the battle of Rorke's Drift in Natal (1879).   First performed at the St James's Theatre, London, with Jessie Milward and Brandon Thomas in 188* and at Wallack's Theatre, New York in 1883. It was also performed Vaudeville Theatre, London on 11 October, 1897, playing till 2 February 1898.
 Originally published in English by [[Samuel French]] in 1881, as French's acting edition, no. 1784.;   and again in London and New York by Macmillan in 1899.
@@ Line 20: / Line 20: @@
 Ruth Silvestre. 2009. ''Final Perormance''. Troubador Publishing Ltd: p.42[https://books.google.co.za/books?id=BXoowtrPBzQC&pg=PA42&lpg=PA42&dq=The+Cape+Mail+is+a+one+act+play+by+Clement+Scott&source=bl&ots=dXYAVUdaBT&sig=ACfU3U04XTVTcfIcUIkS_2ITNYnXy3IDGw&hl=en&sa=X&ved=2ahUKEwjDw9zSkejiAhW-QhUIHfxUBJcQ6AEwA3oECAkQAQ#v=onepage&q=The%20Cape%20Mail%20is%20a%20one%20act%20play%20by%20Clement%20Scott&f=false]
 https://www.amazon.fr/Livres-Ange-de-Keraniou/s?ie=UTF8&page=1&rh=n%3A301061%2Cp_27%3AAnge%20de%20Keraniou

← Older revision		Revision as of 05:08, 14 June 2019
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	Originally published in English by [[Samuel French]] in 1881, as French's acting edition, no. 1784.; and again in London and New York by Macmillan in 1899.		Originally published in English by [[Samuel French]] in 1881, as French's acting edition, no. 1784.; and again in London and New York by Macmillan in 1899.
−
−	~~Performed at the Vaudeville Theatre, London on 11 October, 1897, playing till 2 February 1898.~~

	==Translations and adaptations==		==Translations and adaptations==

@@ Line 3: / Line 3: @@
 ==The original text==
-According to J.P. Wearing (2013)[https://books.google.co.za/books?id=nF8pAgAAQBAJ&pg=PA358&lpg=PA358&dq=The+Cpae+Mail+Clement+Scott&source=bl&ots=hfgYUeNk3C&sig=tP2izBkC8YXu3_j2tWxdB_hBeFE&hl=en&sa=X&ved=0ahUKEwiMkYrL_KTbAhWlAsAKHTXWBMoQ6AEITzAI#v=onepage&q=The%20Cpae%20Mail%20Clement%20Scott&f=false], the play was founded on an incident in ''[[Jeanne qui Pleure et Jeanne qui Rit]]'', a French comedy in four acts by  (1859) by Philippe François Pinel Dumanoir and Ange de Kéraniou (published in January 1860 by Michel Lévy frères and first performed  in  Paris at the Théâtre Gymnase-dramatique, 4 April 1860).
+According to J.P. Wearing (2013)[https://books.google.co.za/books?id=nF8pAgAAQBAJ&pg=PA358&lpg=PA358&dq=The+Cpae+Mail+Clement+Scott&source=bl&ots=hfgYUeNk3C&sig=tP2izBkC8YXu3_j2tWxdB_hBeFE&hl=en&sa=X&ved=0ahUKEwiMkYrL_KTbAhWlAsAKHTXWBMoQ6AEITzAI#v=onepage&q=The%20Cpae%20Mail%20Clement%20Scott&f=false], the play was founded on an incident in '''''[[Jeanne qui Pleure et Jeanne qui Rit]]''''', a French comedy in four acts by  (1859) by Philippe François Pinel Dumanoir and Ange de Kéraniou (published in January 1860 by Michel Lévy frères and first performed  in  Paris at the Théâtre Gymnase-dramatique, 4 April 1860).
 In 1864 Jacques Offenbach (1819-1880) adapted the comedy as an operetta in one act called ''[[Die Hanni weint, der Hansi lacht]]'' ("Hanni who cries and Hansi who laughs"), in German (with a libretto by an unnamed author) and ''[[Jeanne qui Pleure et Jeanne qui Rit]]'' in French (with a libretto by Charles Nuitter (1828-1899) and Etienne Tréfeu ).
-Scott's play (probably based on the one act opera) was written shortly after, and refers to the battle of Rorke's Drift in Natal (1879).   First performed at the St James's Theatre, London, with Jessie Milward and Brandon Thomas in 188*. It was also performed Vaudeville Theatre, London on 11 October, 1897, playing till 2 February 1898.
+Scott's play (perhaps based on the one act opera) was written shortly after, and refers to the battle of Rorke's Drift in Natal (1879).   First performed at the St James's Theatre, London, with Jessie Milward and Brandon Thomas in 188*. It was also performed Vaudeville Theatre, London on 11 October, 1897, playing till 2 February 1898.
 Originally published in English by [[Samuel French]] in 1881, as French's acting edition, no. 1784.;   and again in London and New York by Macmillan in 1899.

@@ Line 3: / Line 3: @@
 ==The original text==
-According to J.P. Wearing ()[https://books.google.co.za/books?id=nF8pAgAAQBAJ&pg=PA358&lpg=PA358&dq=The+Cpae+Mail+Clement+Scott&source=bl&ots=hfgYUeNk3C&sig=tP2izBkC8YXu3_j2tWxdB_hBeFE&hl=en&sa=X&ved=0ahUKEwiMkYrL_KTbAhWlAsAKHTXWBMoQ6AEITzAI#v=onepage&q=The%20Cpae%20Mail%20Clement%20Scott&f=false], the play was founded on an incident in ''[[Jeanne qui Pleure et Jeanne qui Rit]]'', a French comedy in four acts by  (1859) by Philippe François Pinel Dumanoir and Ange de Kéraniou (published in January 1860 by Michel Lévy frères and first performed  in  Paris at the Théâtre Gymnase-dramatique, 4 April 1860).
+According to J.P. Wearing (2013)[https://books.google.co.za/books?id=nF8pAgAAQBAJ&pg=PA358&lpg=PA358&dq=The+Cpae+Mail+Clement+Scott&source=bl&ots=hfgYUeNk3C&sig=tP2izBkC8YXu3_j2tWxdB_hBeFE&hl=en&sa=X&ved=0ahUKEwiMkYrL_KTbAhWlAsAKHTXWBMoQ6AEITzAI#v=onepage&q=The%20Cpae%20Mail%20Clement%20Scott&f=false], the play was founded on an incident in ''[[Jeanne qui Pleure et Jeanne qui Rit]]'', a French comedy in four acts by  (1859) by Philippe François Pinel Dumanoir and Ange de Kéraniou (published in January 1860 by Michel Lévy frères and first performed  in  Paris at the Théâtre Gymnase-dramatique, 4 April 1860).
 In 1864 Jacques Offenbach (1819-1880) adapted the comedy as an operetta in one act called ''[[Die Hanni weint, der Hansi lacht]]'' ("Hanni who cries and Hansi who laughs"), in German (with a libretto by an unnamed author) and ''[[Jeanne qui Pleure et Jeanne qui Rit]]'' in French (with a libretto by Charles Nuitter (1828-1899) and Etienne Tréfeu ).

@@ Line 3: / Line 3: @@
 ==The original text==
-Founded on an incident in ''[[Jeanne qui Pleure et Jeanne qui Rit]]'', a French comedy in four acts by  (1859) by Philippe François Pinel Dumanoir and Ange de Kéraniou (published in January 1860 by Michel Lévy frères and first performed  in  Paris at the Théâtre Gymnase-dramatique, 4 April 1860).
+The play was founded on an incident in ''[[Jeanne qui Pleure et Jeanne qui Rit]]'', a French comedy in four acts by  (1859) by Philippe François Pinel Dumanoir and Ange de Kéraniou (published in January 1860 by Michel Lévy frères and first performed  in  Paris at the Théâtre Gymnase-dramatique, 4 April 1860).
-In 1864 Jacques Offenbach (1819-1880) adapted it as an operetta in one act by called ''[[Die Hanni weint, der Hansi lacht]]'' ("Hanni who cries and Hansi who laughs"), in German (with a libretto by an unnamed author) and in French as ''[[Jeanne qui Pleure et Jeanne qui Rit]]'' (with a libretto by Charles Nuitter (1828-1899) and Etienne Tréfeu ).
+In 1864 Jacques Offenbach (1819-1880) adapted the comedy as an operetta in one act called ''[[Die Hanni weint, der Hansi lacht]]'' ("Hanni who cries and Hansi who laughs"), in German (with a libretto by an unnamed author) and ''[[Jeanne qui Pleure et Jeanne qui Rit]]'' in French (with a libretto by Charles Nuitter (1828-1899) and Etienne Tréfeu ).
-Scott's play (probably based on the one act opera) was written shortly after, and refers to the battle of Rorke's Drift in Natal (1879).   Originally published in English by [[Samuel French]] in 1881, as French's acting edition, no. 1784.;   and again in London and New York by Macmillan in 1899.
+Scott's play (probably based on the one act opera) was written shortly after, and refers to the battle of Rorke's Drift in Natal (1879).   First performed at the St James's Theatre, London, with Jessie Milward and Brandon Thomas in 188*. It was also performed Vaudeville Theatre, London on 11 October, 1897, playing till 2 February 1898.
 Performed at the Vaudeville Theatre, London on 11 October, 1897, playing till 2 February 1898.

@@ Line 19: / Line 19: @@
 == Sources ==
-Ruth Silvestre. 2009. Final Perormance''. Troubador Publishing Ltd: p.42[https://books.google.co.za/books?id=BXoowtrPBzQC&pg=PA42&lpg=PA42&dq=The+Cape+Mail+is+a+one+act+play+by+Clement+Scott&source=bl&ots=dXYAVUdaBT&sig=ACfU3U04XTVTcfIcUIkS_2ITNYnXy3IDGw&hl=en&sa=X&ved=2ahUKEwjDw9zSkejiAhW-QhUIHfxUBJcQ6AEwA3oECAkQAQ#v=onepage&q=The%20Cape%20Mail%20is%20a%20one%20act%20play%20by%20Clement%20Scott&f=false]
+Ruth Silvestre. 2009. ''Final Perormance''. Troubador Publishing Ltd: p.42[https://books.google.co.za/books?id=BXoowtrPBzQC&pg=PA42&lpg=PA42&dq=The+Cape+Mail+is+a+one+act+play+by+Clement+Scott&source=bl&ots=dXYAVUdaBT&sig=ACfU3U04XTVTcfIcUIkS_2ITNYnXy3IDGw&hl=en&sa=X&ved=2ahUKEwjDw9zSkejiAhW-QhUIHfxUBJcQ6AEwA3oECAkQAQ#v=onepage&q=The%20Cape%20Mail%20is%20a%20one%20act%20play%20by%20Clement%20Scott&f=false]
 https://www.amazon.fr/Livres-Ange-de-Keraniou/s?ie=UTF8&page=1&rh=n%3A301061%2Cp_27%3AAnge%20de%20Keraniou

← Older revision		Revision as of 04:34, 14 June 2019
Line 18:		Line 18:

	== Sources ==		== Sources ==
		+
		+	Ruth Silvestre. 2009. Final Perormance''. Troubador Publishing Ltd: p.42[https://books.google.co.za/books?id=BXoowtrPBzQC&pg=PA42&lpg=PA42&dq=The+Cape+Mail+is+a+one+act+play+by+Clement+Scott&source=bl&ots=dXYAVUdaBT&sig=ACfU3U04XTVTcfIcUIkS_2ITNYnXy3IDGw&hl=en&sa=X&ved=2ahUKEwjDw9zSkejiAhW-QhUIHfxUBJcQ6AEwA3oECAkQAQ#v=onepage&q=The%20Cape%20Mail%20is%20a%20one%20act%20play%20by%20Clement%20Scott&f=false]

	https://www.amazon.fr/Livres-Ange-de-Keraniou/s?ie=UTF8&page=1&rh=n%3A301061%2Cp_27%3AAnge%20de%20Keraniou		https://www.amazon.fr/Livres-Ange-de-Keraniou/s?ie=UTF8&page=1&rh=n%3A301061%2Cp_27%3AAnge%20de%20Keraniou